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Download Classical Music's Greatest Hits

Posted by Rubin Meisel, March 6, 2014 04:43pm | Post a Comment

Explore Classical MusicOn the surface, Classical music and downloading is a bit of a mismatch. The chance of someone downloading Wagner’s four and a half hour opera, Parsifal, or Bach’s three hour choral masterpiece, St. Matthew Passion, to play on their iPad is rather remote. But there is a seemingly brisk business in downloading popular classical "Greatest Hits." The nomenclature of the potential buyer is different than that of a seasoned Classical aficionado (song versus composition piece for instance). Another challenge is the novice buyer may know what the piece (song) sounds like, but does not know the name of the composer. The novice buyer will probably know the piece from a movie, a commercial, video game or even a cartoon. Downloads generally give you the flexibility of sampling and then downloading the track you want or the entire piece. Explore our full catalog of Classical music downloads, which are 20% off in March with promo code DLSALE.

Here is a short list of some of the most popular Classical pieces being downloaded and some of the more accessible endeavors with which they are associated:

Bach Cello Suites

Early Days of the Classical LP

Posted by Rubin Meisel, October 11, 2011 04:05pm | Post a Comment
Remington label lp Columbia album label lp Mercury label album lp Hearing Is Believing lp album vinyl Haydn vinyl album
On June 21st, 1948, CBS engineer Dr. Peter Goldmark introduced the new Columbia long playingDr. Peter Goldmark CBS LP Columbia long playing record record at a press conference. In the previous 15 years, there had been attempts to make a commercially viable long play album with no success. As with the concurrent development of television, the post-war boom made the project commercially viable. 33 1/3 rpm was considered the optimum speed to play the 12 inch long play microgrove records. And being made of a new plastic called vinylite they were virtually unbreakable. For shorter pieces and recitals, there were 10 inch records, but these only survived till the 1950s.
 
The new LP was considered a huge leap forward for listening to pre-recorded Classical music. A pop song took, on average, two or three minutes to play, which was just perfect for a 10 or 12 inch 78 rpm record. A symphony required up to 5 or 6 records on 78 rpm and had to be changed 10 to 12 times with the music often interrupted in the middle of a musical phrase. There were automatic 78 rpm record changers, but they were clunky and could damage your records. You also had to account for the amount of storage space needed for the brittle, breakable shellac 78s. The most dramatic part of Goldmark’s demonstration was when he was photographed holding a few dozen LPs while the equivalent in 78s were stacked six feet high next to him.
 
The introduction of the LP was not without controversy. Columbia’s great rival RCA Victor was developing its own system of 7” short playing vinyl records that played at 45 rpm. RCA engineers insisted that quality control problems with LPs would doom it. This started what was to be known as “The War of the Speeds” in which both companies spent a ton of money on print ads to woo the public before RCA conceded and converted to LP. When it was settled, it set up the paradigm that lasted for nearly 40 years: LP for albums, 45s for pop singles.

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(In which Job noshes nog.)

Posted by Job O Brother, December 22, 2008 09:04pm | Post a Comment
egg nog
Okay – I just took my first sip of egg nog. Laced, as it is, with a healthy dose of Maker’s Mark, we shall see what, if any, impact it has on my blog writing.

Today has been devoted to wrapping gifts and last-minute shopping. Guess where I went for the shopping.

If you guessed Amoeba Music, you guessed correctly. Point for your team. If you guessed the Lost City of Atlantis, you’re not only wrong, but your grasp on reality is tentative, to say nothing of your lack of knowledge of where to find bargains. No one ever saved money exploring the depths of the Atlantic Ocean. You can quote me on that.

*second sip of egg nog*

Anyone knows that Lemuria is where the good sales are.

*third sip of egg nog*

I’ve worked at Amoeba Music Hollywood for over four years now, but when I shop there, it still feels new and thrilling and yes, sometimes overwhelming, though in the same way that Disneyland is overwhelming. You know – so much fun to be had + if only I could use a bulldozer to get through these swarms of people!

I can’t tell you what I found because I was shopping for my boyfriend Corey who, for some ridiculous reason, actually reads my blog. Probably to make sure I don’t tell you about his embarrassing habit of biting fingernails. Not just his own fingernails. Anyone’s. He’ll gnaw your digits as soon as look at you. It’s a problem, and has gotten us kicked out of more than one function.


One night, while attending a performance of Puccini's "La Bohème" at the Dorothy Chandler Pavilion, we were escorted out right in the middle of one of my favorite arias, "Sì, mi chiamano Mimì" (which, loosely translated means "Yes, my fingers taste like chocolate bunnies") because Corey was so swept away by the music and the sentiment that he unconsciously began nibbling on the pinky of the elderly woman next to him. As we were exiting, I was so humiliated that I walked ten paces behind Corey, trying to remain inconspicuous, which was hard because of what he'd done.