For this week's Hip-Hop History installment we rewind back to wonderfully vibrant year of 1988. It was a time when hip-hop still constantly growing, with exciting sounding new artists constantly unfurling new lyrical and musical sounds. To me '88 was part of the third wave of hip-hop - with the first wave being the (original) old school artists of the 70's/early 80's, who were eclipsed earlier in the 80's by Run-D.M.C. who ushered in the "new school" - but who themselves in turn were eclipsed by this newer third wave of hip-hop. It often seemed (and more so in retrospect) that every record released in '88 was a good record. Of course, as with any music in any time period, there were hip-hop duds released in '88 too. However overall it is fair to say that 1988 had a larger percentage of quality, diverse-sounding, influential, and timeless hip-hop releases than many other years in the genre's four-decade history. And no wonder; it was part of the time frame known as the "golden era" of hip-hop that is widely considered to be the artistic pinnacle of the art form. I think part of the reason for this, along with the lyrical aspect of the artform still being relatively young and still being explored by new emcees like Rakim, was the fact that sampling was at its creative peak. Remember this was in the period before the infamous 1991 landmark Gilbert O Sullivan vs Biz Markie copyright case that essentially brought an end to free range sampling, and would end up in hip-hop being a little less adventurous sounding due to all the restrictions placed on it regarding sampling.
PE's debut was an excellent hip-hop album but this sequel simply blew it away since it was a jaw-droppingly amazing album (of any genre) in every way. Production-wise, it was so richly layered and hardcore that it just grabbed you and didn't let go. Chuck D's militant and thought-provoking, in-your-face revolutionary lyrical flow was so powerful it scared some people. But mostly it won over new fans who still thought of rap as some fad or disposable urban pop. Combined, all the elements of Nation made up an album that was unlike anything heard in hip-hop, or any music, up to that point. I remember that summer of '88 in the Bay Area hearing it blasting everywhere I went in every type of neighborhood. I had never experienced that before!
Horrorcore rap duo Insane Clown Posse have had a long, storied career, including public feuds with Eminem, a lawsuit against the FBI, and an album recalled by Disney the day after it was released. Hailing from Detroit, Michigan, ICP have built an empire around hip hop music and clown face paint. With a loyal fan base (referred to as Juggalos) in the hundreds of thoudands, Violent J and Shaggy 2 Dope have managed to earn platinum and gold albums with little to no help from major labels. Heavily criticized for their obscene content and their emphasis on shock value, writers from just about every major music outlet have taken shots at ICP.
Love them or hate them, one thing is for sure, Violent J and Shaggy 2 Dope mean business. They have founded a professional wrestling federation (Juggalo Championship Wrestling), an annual music festival (The Gathering of the Juggalos), a record label (Psychopathic Records) which reportedly rakes in upwards of $10 million in annual revenue, and The Lotus Pod recording studio. They have also executive produced several feature films. Not bad for a couple of clowns. They have two forthcoming albums, The Missing Link: Lost and The Missing Link: Found, the first of which will be released via Psychopathic Records this Spring.
Following my uncovering a 25 year old KCSF San Francisco hip-hop playlist (above) from David Paul I invited the longtime Bay Area DJ/promoter/label CEO/publisher to be a guest Amoeblogger this week for the Hip-Hop History Tuesdays segment and to bring us back, via his memories, to that time period (March 1990) in the genre that historically sat smack in the middle of the so-called Golden Era of hip-hop. Here is what Dave Paul had to share about his playlist from a quarter century ago - some songs with accompanying videos.
Wow, seeing this playlist brings back memories. This was when I did a Friday radio show at KCSF (City College of San Francisco) from 8am to 2am every week. It wasn’t on radio waves but rather broadcast on cable TV, Viacom 25. March 15th, 1990 was way before I launched The Bomb Hip-Hop Magazine (that wouldn't be until October 1991). First, I’ll start with the songs that I am now embarassed that I played and charted at that time: "Shake The House" by Misa: she was a white girl rapper, way before Iggy Azelea. I probably played it cause Big Ed (Sleeping Bag/Fresh Records Bay Area rep) and DJ EFX (Mind Motion’s brother) mixed it. Then there's "Somebody Farted" by Bobby Jimmy. I probably just found it funny. I guess when you’re in your early 20’s this is hilarious. Then we have "U Can’t Touch This" by MC Hammer. I have no excuse other than he was local (same with Oaktown 357 except "Juicy Gotcha Crazy" was catchy). Now onto the tracks that I am proud I was playing back then. Here they are with accompanying videos: