Amoeblog

12 Twisted Mother's Day Movies

Posted by Billy Gil, May 9, 2014 09:36am | Post a Comment

Mother’s Day could mean tuning into the latest movie based on a Jane Austen book or rom-com, but that’s no fun. Instead, we've compiled a list of 12 of the most messed-up movies about mothers. Save these to watch for after you’ve hung out with mom.

mothers day

Mother’s Day (1980)

Let’s start with the one that shares its name with the holiday. The horror film, produced by cult horror kings Troma Entertainment and directedy by Charles Kaufman, got flak at the time of its release for its exploitative aspects, its rape/revenge scenario calling back to I Spit On Your Grave. But since then, its cult has become a substantial enough to warrant a remake produced by Brett Ratner and starring Rebecca De Mornay (star of another screwed-up mom’s movie, The Hand That Rocks the Cradle). “Darlings, you have made your mother very proud,” the deranged mother of two hillbilly punks tells the boys when they bring her a woman to murder. Mom will love this one!

 

serial mom

Serial Mom (1994)

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His Mother's Voice: Only God Forgives' Feminism

Posted by Charles Reece, September 2, 2013 06:10am | Post a Comment
only god forgives poster gosling bruised

"In the beginning, in the uterine night, was the voice, that of the Mother." [p. 74]

That line is from Michel Chion, borrowed from Kaja Silverman's The Acoustic Mirror, since it could easily have served as the epigraph for the psychodynamic plot of Nicolas Refn's Only God Forgives. In Bangkok, Julian (Ryan Gosling), a man-child, is all seething impotency under matriarchal oppression (Crystal, played by Kristin Scott Thomas), yearning to be punished by patriarchal law (Chang, aka the Angel of Vengeance, played by Vithaya Pansringarm). Julian is without a father figure, since he murdered him at Crystal's insistence some time prior to the current story. Her maternal control is a smothering totality that's produced this one son who can't make any decision without mother's approval and his older brother, Billy, who proves his virile independence by brutalizing and killing adolescent prostitutes. The Oedipal theme could hardly be more explicit as she incestuously traces the muscles on Julian's arm or discusses with his dinner date how he has the smaller cock of the two brothers. After Billy is killed at Chang's insistence for the murder of a girl prostitute (the police commander actually makes the father of the girl do the deed), Crystal demands that her surviving son exact familial revenge, regardless of what Billy might've done. This seems to keep with Chion's description of the uterine voice of the mother as an "umbilical net," which he considers "a horrifying expression, since it evokes a cobweb."

Refn expresses this uterine trap through Lynchian styled oneiric cinematography: a voyeuristic camera follows Julian's imaginary wandering down sanguine hallways without an exit. It's not the male gaze that haunts his dreams, however, but his mother's. Despite being trapped in this seemingly endless tunnel, he also desires a reconnection with with the womb as he moves forward, reaching into the darkness. His hope of a maternal reconnection is cutoff when the dream image of Chang, the substitute father, performs symbolic castration with a sword that severs Julian's arm just below the elbow. This is, as Silverman might explain it, a Lacanian version of the Oedipal: the child yearns for an imaginary union with the mother, but the father says, "No," which introduces the kid into the symbolic register where laws, such as moral injunctions, operate. This original 'no' is the law of the father, a symbolic castration that "grounds" (interpretatively retrofits) all future symbolic behavior on a fundamental lack that has removed the child's feeling of being the center of everything -- i.e., that comforting blanket of squishy sonority that surrounded Julian in the womb, before he became old enough to realize what a repressive force his mother is. Thus, he has typical mommy issues, which are made more troubling by the fact that she's a treacherous drug-dealing crime lord.

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I love halloween!!! ...my favorite horror movies of the season ...the exorcist ...psycho ...nightmare on elm street ...halloween!!!

Posted by Brad Schelden, October 28, 2010 01:57pm | Post a Comment
elvira halloween
I love this time of year more than anything! I love everything about this Halloween month. I love the pumpkins and the costumes and the traditions. I love how Halloween seems to take over the month of October. But most all, I love all the horror movies! Every year I looked forward to the Halloween specials on TV. The horror movie marathons. The late Elvira movie nights. The midnight screening at the movie theaters. The horror movie remakes that are roseanne halloween sometimes not as horrible as you would expect. The newest Saw movie! I also love the special Halloween episodes of my favorite sitcoms. Roseanne did a Halloween episode every year. Roseanne is now long gone but you can still catch it all the time in repeats on TV or you can get all the Halloween episodes together on one DVD. This is one of the many things that I watch every October. I also watch all the old Elvira Movie Macabre movies that were put out on DVD. Now Elvira is back with her show on TV! She looks exactly the same and she is just as funny as ever. Her show is on at midnight on Saturdays. And she was also nice enough to film a little episode of What's In My Bag. It just got put up on the website...so check it out here. I love Elvira and love just hearing that theme music! I remember watching Elvira as a kid late at night. I just thought she was the coolest thing. She for sure was instrumental in my love of horror mopaul lynde halloween specialvies....

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Psycho 2

Posted by Job O Brother, April 20, 2007 08:57pm | Post a Comment

               INT. JOB'S APARTMENT - NIGHT

               JOB, (early 30's) sits with rapt attention at his computer
               screen. He is watching "Mary Hartman, Mary Hartman", a TV
               show from the 1970's that's recently been released on DVD for
               the first time.

               Behind him on the sofa is JOHN GAVIN, not wearing any
               clothes, a hibernating BLACK BEAR and a SPOOKY GHOST.

               John and the Spooky Ghost look bored.

                                   SPOOKY GHOST
                             (to Job)
                         Boo!

                                   JOB
                         Shh.