The amamazingly talented Paloma Faith recently visited Amoeba Hollywood to do a little shopping. Faith is known for her polished soulful vocal style and her outlandish stage show. Her exuberant personality and elegant aesthetic has led her to be cast in many film and TV roles. She sings, she performs and she acts! An all around talent who has great taste in music. While shopping at Amoeba, Paloma dug up some of her most favorite influences. She picked up the classic At Last! album by Etta James on vinyl, along with Nina Simone's Pastel Blues, also on vinyl. From '70s Chaka Khan to '80s Prince, Paloma Faith only digs for vinyl. She's a bonafide movie buff with eccentric tastes in directors. She took home Blue Velvet by David Lynch on DVD along with a copy of 2046 by director Won Kar-Wai.
She tells an awesome story about spending a weekend with Prince and performing on stage with Chaka Khan! Paloma also reveals that she owns the exact same record player as seen in Stanley Kubrick's A Clockwork Orange. She is serious about her vinyl! Watch this very entertaining episode of What's In My Bag? with Paloma Faith.
The Bay Area summer tradition known as SOUL SLAM SF: Prince & Michael Jackson returns for its eight year! Amoeba is proud to join Keistar Productions, fresco, and Massive Selector as a sponsor of this celebration of two musical geniuses on Saturday, July 20th at Mezzanine.
Born on this day: April 22, 1922 - Jazz music icon Charles Mingus (born Charles Mingus, Jr. in Nogales, AZ). Happy Birthday to this visionary genius on what would have been his 91st Birthday.
Born on this day: April 22, 1936 - Singer/songwriter/guitarist Glen Campbell (born Glen Travis Campbell in Delight, AR). Happy 77th Birthday, Glen!!
On this day in music history: April 22, 1968 - The Birds, The Bees, & The Monkees, the fifth album by The Monkees is released. Produced by The Monkees and Chip Douglas, it is recorded at RCA Studios, Gold Star Studios and United/Western Studios in Hollywood, CA from Late 1967 - Early 1968. The bands' fifth release will see them beginning to go their separate ways with each producing their own tracks with studio musicians, rather than working as a unit as on the previous two albums. The album will also be the last from The Monkees to be issued with separate mono and stereo mixes, with the former containing unique mixes and being pressed in such small quantities that they will become collector's items. It will spin off two singles including "Daydream Believer" (#1 Pop) and "Valleri" (#3 Pop). The Birds, The Bees, & The Monkees will peak at #3 on the Billboard Top 200, and is certified Platinum in the US by the RIAA.
Use the promo code vinyl10 to get 10% off any new and used vinyl on Amoeba.com.
In honor of the upcoming Record Store Day 2013, I decided to make a list of 20 records I think everyone should own on vinyl. Take this Record Store Day to build a nice foundation for your record collection. I picked this list based on pretty arbitrary criteria, including what critics generally think are great, what I think is great, what I think particularly sounds good on analog-warm vinyl, and what you won’t have to pay $100 for or scour for (e.g. no hard-to-find ’90s vinyl or things out of print). I also left it to one album per artist. These aren't in any particular order. Send any omissions to this list to email@example.com. Or just leave a comment!
In my mind, The White Album is the greatest Beatles album, but you can’t beat the utterly perfect one-disc punch of Revolver. It should go without saying that every Beatles album is essential and is worth owning on vinyl yadda yadda, but if you have to start somewhere, do it here. Their catalog was recently reissued on vinyl in stereo mix, so you should have no trouble finding them if you’re just starting out — and you should have no trouble finding quality replacements, if your old Beatles LPs are worn out.
On this day in music history: February 18, 1956 - "Rock and Roll Waltz" by Kay Starr hits #1 on the Billboard Best Sellers chart for one week. Written by Dick Ware and Shorty Allen, it is recorded at RCA Victor Studios in New York City. The song will be the biggest hit for the Oklahoma pop vocalist born Katherine La Verne Starks. Starr will get her big break singing with the Glenn Miller Orchestra in 1939 when she is only 17 years old. Recently signed to RCA Victor after several years with Capitol Records, the head of A&R at RCA will present the song to the singer. At first she does not like it, feeling that it is more like a novelty record than the type of material she was used to performing. But she will consent to record it, completing it during a round of sessions at the label's New York recording studio. To her surprise, the record will be an immediate hit. Entering the Best Sellers chart at #21 on January 7, 1956, it will leap to the top six weeks later. "Rock and Roll Waltz" will sell over a million copies earning a Gold disc for Kay Starr. Starr will also become the first female vocalist of the rock era to have a number one single (also RCA Victor's first chart topper of the rock era), and is the first song to have the term "rock and roll" mentioned in it.
On this day in music history: February 18, 1967 - "Kind of a Drag" by The Buckinghams hits #1 on the Billboard Hot 100 for two weeks. Written Jim Holvay and Gary Beisber, it is the biggest single for the Chicago based pop band. Formed in 1965, they are originally known as The Pulsations, becoming regulars on a local Chicago music show called the All Time Hits Show. When someone on the program suggests that they change their name, they will change it to The Buckinghams. Signed by local label USA Records, the track is recorded at Chess Studios. Released in late 1966, the record will take off quickly. Entering the Hot 100 at #90 on December 31, 1966, it will shoot to the top of the chart seven weeks later. Shortly after the single tops the chart, the band will be quickly snatched up by Columbia Records and paired with producer James William Guercio (Chicago, Blood, Sweat & Tears). The Buckinghams will score four more top 20 hits while on Columbia including "Don't You Care" (#6 Pop), "Mercy, Mercy, Mercy" (#5 Pop), and "Susan" (#11 Pop), though "Kind of a Drag" will remain their most successful single.