Amoeblog

Sin You Sinners: Joe Sarno's Civilized Sexploitation

Posted by The Bay Area Crew, March 9, 2015 05:18pm | Post a Comment

Sin In The Suburbsby Rebecca Burgan

In the wake of the new wave art house boom of the 1960s, sexploitation films and art films mimicked each other’s aesthetics to market to a wider audience. American auteur Joseph W. Sarno (1921-2010) produced a prolific catalog of softcore films in the '60s and '70s. Hoping that the hardcore genre was short-lived, Sarno found his niche in the arty sexploitation world, where dramatic lighting, complex sensitive characters, and female sexuality dominated. His technical skills and quick production time set him apart from other directors in the genre, whereas those with a comparable technique would have gone on to mainstream films. He directed his actors to express their anxieties and passions through realism, capturing gritty sexual emotion in its immediacy. He was a master of sexual cinematic verisimilitude.

Sarno’s films emphasize women’s relationships and women’s pleasure, whereas the men are more objectified as instruments to help achieve the female orgasm—a fairly fresh feminist notion at the time. Visual focus during orgasm was often directed at facial expressions rather than a tight zoom on some tight penetration. The sincerity of the sexual experience is revealed more intimately by the face. Gustav Machaty's 1933 Czechoslovakian art film, Ecstasy, starring Hedy Lamarr, was still pre-Code but was banned in America and in Germany by Hitler. Audiences watched Lamarr’s titillating nude body traipse through the woods and skinny dip in the lake, leading up to a moment of sexual ecstasy revealed only through a close-up on her pained face. The director employed an inspired technique of realism to achieve the right expressions from her—poking her rump off screen with a safety pin. The film was banned because of her scandalously debauched motivation for pleasure: cheating on her gross old husband. The censors decreed, you had to be married to revel in such pleasure and make faces like that. More intimate and revealing than a nude bathing scene, the close-up disturbed the Production Code censors in America, who considered even a safer, morally balanced edit of the film to be too indecent for audiences. The film was basically buried, and Lamarr was only allowed to work again if she cleaned up her act.

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37 Years! Celebrating (or at least thinking about) VHS

Posted by Eric Brightwell, September 25, 2013 06:37pm | Post a Comment
The inaugural Cassette Store Day took place this past 7 September. On that day, over 50 audio cassettes were released by major musical acts like The Pastels, The Flaming Lips, and Suicidal Tendencies. Unfortunately for video cassette fans, Cassette Day was a strictly audio observance. For whatever reason, Cassette Culture (or the cassette underground), which lovingly embraces audio cassettes for whatever reason treats the word “cassette” as if it only applies to the audio variety. As if that weren’t offensive enough, just two days after Cassette Store Day was the 37th birthday of the VHS VCR. Now that a couple of weeks have passed and the sting has subsided a little, perhaps we can do a bit of reflecting on the video format that dominated the 1980s and '90s (but was born in the '70s). 

JVC VCR Cassette

The year 1976 was marked by several serious technological milestones. The year of the US' bicentennial saw America land Viking 2 on Mars and introduce the first space shuttle -- the Enterprise OV-101. In the computer world, IBM introduced the first laser printer -- the IBM 3800 -- and Steve Jobs and Steve Wozniak launched Apple.

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Hardcore

Posted by phil blankenship, November 21, 2007 12:14pm | Post a Comment
 





Good Times Home Video 4438