I’ve often said coincidence does not exist, but I'll save that diatribe for another time. However, a couple of days ago, and for the first time, not one but two Paul Jones 45’s -- he’s the former lead singer for the 1960’s British invasion band Manfred Mann -- wandered into Amoeba from separate collections. Both of these singles are from the same soundtrack, Privilege, a film released in 1967 starring Paul Jones, who was making his big screen acting debut. Now, two days later, I find out that for the first time ever, Privilege will be released on DVD today. Coincidence or plot? I just don't know. Well, anyway...

The film was directed by Peter Watkins, whose highly controversial anti-nuclear drama The War Game won the 1966 Academy Award for Best Documentary Feature (and was soon to be banned in Great Britain). Watkins once again doesn’t stray far from controversy in Privilege. Taking place in a totalitarian English State of the near future, specifically 1970, the dark comic vision of Privilege criticizes the media and its media manipulation, corporate culture and its corporate manipulation. It portrays a time where most everything seems to bounce off the absurd and neurotic teen pop-dom dominating the age and the happily tranquilized population is content with fluffy distractions. The main character, Steven Shorter, played by Paul Jones, is a rock god. His popularity and career have been meticulously engineered by a vast music corporation, reaching dizzying Beatlesque heights. But all this begins to crack when an artist, played by the original supermodel Jean Shrimpton, is hired to paint Steven Shorter’s portrait, and finds an unstable, empty shell of a man, lost in a lonely world, a puppet trapped by the demands of a music business out of control, and a simple singer victimized by all the excess, process, and success. Of course, the artist tries to rescue and prop up Steven Shorter before he becomes yet another statistic in the eternally doomed scenario of recyclable pop stars. But as can only happen in real life and/or rock melodramas, fortunes take a Machiavellian twist when rebellion is only a pop song away. Now that’s entertainment!

First the bad news: Passing Strange, the critically acclaimed Broadway Show about a young musician’s journey through sex, drugs and rock 'n' roll, will close on July 20th in New York at the Belasco Theater. But the good news is that director Spike Lee plans on making a film version of the musical.

Written by native Angeleno and local musician Stew --who has played in such bands as Gutbucket, The Lullabies and most notably The Negro Problem-- and longtime musical collaborator Heidi Rodewald, formerly of Wednesday Week and also TNP, Passing Strange was originally work-shopped at the Sundance Institute in Utah and the Berkeley Repertory Theater in Berkeley before becoming an off-Broadway sensation last year. Passing Strange opened in February on Broadway to rave reviews and received seven Tony Award nominations, winning the prize for Best Book for its co-creator and star, Stew.

Overall, the musical will have played 165 performances and 20 previews by the time it closes at the Belasco Theater. Live stage footage will be shot on July 19 at both the matinee and evening performances, so all you west-coasters still have time to buy a plane ticket and reserve a couple of seats.

60 years ago this week on June 21, 1948, at a press conference in the luxurious Waldorf Astoria Hotel (former home to such 20th century luminaries as Lucky Luciano, Bugsy Siegel, Nikola Tesla, the Duke and Duchess of Windsor, Cole Porter, and former President Herbert Hoover), Columbia Records unveiled their latest concept; the “LP.” This choice in dates was by no means a random selection. Columbia picked the summer solstice because it’s the longest day of the year and “LP” stands for "long playing."

The new “LP’s” played at a speed of 33⅓ rpm, and came in two sizes: 10in (25cm) and 12in (30cm) in diameter and were pressed out of polyvinyl chloride (PVC) or what we now simply call vinyl. This new material was more durable and much less brittle then the shellac used in the previous 78rpm format. (By the way, ‘shellac’ is a substance obtained from the secretion of a Southeast Asian beetle). The LP’s audio quality was better and the playable length of time for each side increased dramatically. This new format was revolutionary.

Although they released approximately 50 records simultaneously to help push the fledgling LP market, the first popular music catalogue number for a ten-inch LP, CL 6001, was a reissue of the Frank Sinatra 78 rpm album set from 1946, The Voice of Frank Sinatra. (Initially the 12in format was reserved for higher-priced classical recordings and Broadway shows, though that would change just a few years down the road). Not only was The Voice Sinatra’s first studio album, but many music critics claim it holds the distinction of being the first concept album … no way dude!

The Chairman of the Board, ol’ Blue Eyes, the Voice, King of the Rat Pack, King of the Bobby-Sockers, The Pope, The Leader, The Swooner-- there are a lot of nicknames for Frank Sinatra, perhaps the greatest pop star of the 20th century. And ten years ago today, Frankie went to the Big Casino in the sky.

Sinatra had quite a philosophy about life and a set of intricate rules that may seem a bit brash, but hey -- it's Sinatra baby! And like his style, he believed that a living big is in the details. Here are some of the great man’s creeds:

Top your martini with not one, but two olives, and give one to a friend. Yes, a very special friend-- even if you don’t know his/her name.

For flavors in your drink to blend sufficiently, let the ice sink to the bottom of your glass and never, ever drink a drink immediately after its poured-- relax, take your time, enjoy the moment.

Tip big and tip quietly-- fold the bills three times into small squares and pass them in a handshake. Nothing further is needed, no acknowledgment, no glance, no wink-- you’ve already said it all.

Don't wear a brown suit at night, dark gray is better, and better than gray, black. And if black tie is optional, you wear black tie. The only exception to this rule; never wear a tuxedo on Sunday.

“Have fun with everything” was one of his mottoes. Live every moment as it if were your last, and remember, too much thinking isn't necessarily a good thing. “You only live once,'' he liked to say, “and the way I live, once is enough.”

45 years ago today,  March 22, 1963, the Beatles released their first album Please Please Me. This mono version was rush-released to the public in the UK to capitalize on the success of the hit single of the same name which had reached #2 on the charts. The album contained six cover songs, but more importantly it contained eight songs written by John Lennon and Paul McCartney. A stereo version of this album was later released in 1963 on April 26th.

In the U.S., most of the songs from Please Please Me were first released in 1964 on the Vee-Jay Records label on the renamed album Introducing The Beatles. And in 1965 a similar collection was issued once again on Capitol Records as The Early Beatles. The unexpurgated Please Please Me was not released in the U.S. until the Beatles catalog was released on CD in 1987.

Other than the singles and the flip sides of "Please Please Me" and "Love Me Do" (the Beatles' first single which had charted and reached #17 in the UK), all the other tracks were recorded in a marathon session on Monday, February 11th, 1963, at Abbey Road Studios. The Beatles, with George Martin producing, essentially recorded their live act in 9 hours and 45 minutes. The entire day's session cost around £400. And besides John, Paul, George Harrison and Ringo Starr playing their respective instruments, George Martin also played a little piano. The earlier tracks recorded the previous September and November had session player Andy White on drums, who has also recorded with the likes of Marlene Dietrich, Herman's Hermits, and Tom Jones.