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Personal Picks: Kelly's Best of 2012 Year-End Recap

Posted by Kelly S. Osato, December 31, 2012 02:30pm | Post a Comment

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Well, here we are. We weren't thrust into a new dark age oblivion, the world didn't end and neither did my workaday quest for the best music for the day. This year was rife with records that just had to be snatched -- reissues, compilations, and a fair few newbies too.

Here follows my personal, "show and tell" style best-of list for 2012:  the year that didn't stop the big wheel a-turnin'. Rather than just dicing up a list of cold-cut favorites, I've included personal events and trends herein that shaped the music I sought and gravitated towards within the past year.


BEST NEW ALBUM OF THE YEAR: Jessica Pratt - JP. No contest. I have naught but the best of things to say about this disc of spun gold and I'm not alone. It seems every Barry, Rob, and Maurice in the blogosphere has been falling all over this record like autumn leaves in the rain. If you really want to know my take check out my real talk review of JP here, otherwise please do enjoy the album's opening track, "Night Faces" below.





 
BEST 2012 REISSUE: It's a tie between two (Numero related) comps: WTNG 89.9FM: Solid Bronze and & Personal Space: Electronic Soul 1974 - 1984. Both platters piled high with private press oddments and rarities one could hardly go more wrong than to miss out on these two exemplary feats of the compilation arts. The former being a point of revision for many in that it is essentially a mix of largely unheard "yacht rock"/AOR triumphs of seventies song-writing sensibilities (man, is it ever sensibly sensitive) that confronts one's moral definition of guilty (listening) pleasures. The latter comp, Personal Space - a seemingly dark horse among the usual reissue fare fleshing out the the tom findlay groove armada late night tales music for pleasure yacht rock am gold smooth music sailing soul comps shelf space, made the rounds among Amoeba staff regularly thus enjoyed a healthy amount of in-store play as well. Chock full of rhythm-box workouts a la Sly Stone, Timmy Thomas and Shuggie Otis, it's a far-out soul/funk excavation of the highest order. Both of these are solid front-to-back listens for the home vinyl library/curio corner.

The Nature Boy and The Island-aire: Digging Exotica's Wild Roving Mystics

Posted by Kelly S. Osato, October 10, 2012 03:32pm | Post a Comment
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If there's one thing an appreciation of music micro-genres has taught me it's this: work in a record store long enough and you'll eventually get into everything. Being predisposed to an appreciation of all things nautical by nature and developing a fondness for "theme" restaurants during my formative years it was only a matter of time before I would incur an full-on addiction to Exotica. At first I admit I mostly overlooked the jazz elements inherent to the genre, however pleasantly tropical, but obsession has a funny way of broadening ones taste for the far flung and curiously obscure. While I cannot trace my collection back to one single acquisition I can proclaim without a doubt that this squaw has stalked the warpath for Exotica, in all it's varied and as-yet-unconfirmed aspects, for quite some time. I'm so hot for it I'm on fire and, with that admonition out of the way, I'm pleased to report that a vinyl reissue of Eden Ahbez's seminal contribution to the genre, Eden's Island: The Music of an Enchanted Isle (out on Moi J'Connais/Black Sweat via Mississippi Records), is once again gracing the selections in Amoeba Music's Lounge section at long last!

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A beach-bummin' beatnik guru by nature, Eden Ahbez was famous for three things: penning the pop/jazz standard "Nature Boy" (made famous by one Nat King Cole), looking a lot like Jesus (both on the original Eden's Island cover art, circa 1960 above on the left, as well as the updated screen-printed jacket housing the current reissue pictured above right), and thriving on a diet consisting of  raw fruit and vegetables, living outdoors with his family beneath the first L of the Hollywood sign in the grassy Los Angeles wilderness. His music is a strange arrangement of piano, flute, and exotic percussion instruments fused with nature sounds (rolling surf, the creak of a wood-masted sailboat, squawking birds, breezy gusts of wind), and features a mixed chorus or Ahbez's own cheesy vocal musings, waxing poetic about a snake-chasing mongoose, living in an old shack by the sea, fires on the beach, and knowing "the thrill of loneliness" -- charming, to the last.

Eden Ahbez - "Full Moon"


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