Amoeblog

PAUL McCARTNEY AMOEBA MUSIC LIVE RECORDINGS UP FOR GRAMMYS

Posted by Billyjam, December 6, 2008 12:07pm | Post a Comment
paul mccartney amoeba instore
Thanks to Amoeba Marc for linking to the recent BeatlesNews.com blog which noted that Paul McCartney got name checked twice on the Grammy announcements TV special on Wednesday night this week when the nominations for the 51st Annual Grammy Awards were announced. The former Beatle has been nominated for two Grammys for the tracks "I Saw Her Standing There" & "That Was Me" from his live record, Amoeba's Secret, which was recorded live at Amoeba Music Hollywood, last year. Click here to read full blog or here to see pics from that McCartney instore at the Hollywood location on June 27, 2007, and  click here to read about it in a past Amoeblog.

40th ANNIVERSARY OF THE BEATLES' WHITE ALBUM

Posted by Billyjam, November 23, 2008 10:54am | Post a Comment
the white album
Beatles
fans take note: in recognition of the 40th anniversary of the release of The Beatles' White Album (in actuality their self-titled album), "the producers, engineers and technicians who worked on the LP recall their contributions" in a recommended documentary special by the BBC in celebration of the double LP set that was originally released on November 22nd, 1968 and was the fab four's ninth studio album.

Click here to check it out. Note that you will need Real Player in your computer. Meantime, check out some White Album related video footage (including some rehearsal/recording sessions) of John, Paul, George, & Ringo down below the track listing & YouTube album audio medley (immediately below). Luckily I found a copy of the album for just a dollar in the used vinyl bin at the Amoeba Music Berkeley store some years back (a numbered copy and in good condition too!). It is also available on CD-- both new and used. Get it if you don't already own it. And buy it at Amoeba!


 
THE BEATLES' WHITE ALBUM TRACK LISTING:

SIDE A:

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Carnival of Light

Posted by Whitmore, November 21, 2008 06:52pm | Post a Comment

"Carnival of Light," the long-rumored, almost mythical 14-minute experimental Beatles track, may soon see the light of day. Composed and performed only once for an electronic music festival in 1967, Sir Paul McCartney earlier this week confirmed that the recording exists, and the piece once thought to be too experimental for mainstream tastes might actually see a release date sometime in the near future.

In the 1990’s while preparing the Anthology collection, the Beatles plus producer George Martin vetoed its inclusion, deeming the track as being "too adventurous" for release. But McCartney feels the public is ready for the psychedelic/avant-garde inspired tune, which is said to include improvised distorted guitar, church organ, gargling, backwards tape sounds, random cacophony and band members shouting words or phrases like "Barcelona!" and "Are you all right?"

First though, approval from the estates of John Lennon and George Harrison, plus permission from Ringo Starr and George Martin would be required.

I found a video on YouTube that claims to contain actual  "Carnival of Light" music. Of course if this is a real Beatles tracks, it's brilliant! If this is in fact not a recording from he Beatle's, it  just  becomes ... more stuff.

We've Got Tonight - Odd Pairings in Music

Posted by Miss Ess, October 30, 2008 07:33pm | Post a Comment
With the recent advent of the Jack White/Alicia Keys James Bond theme song, a fellow employee and I paul mccartney and michael jacksongot to thinking about odd pairings. What was up with the 80s anyway? It was the era of the power ballad, which means it was also one of the main eras of odd pairings (although I do seem to remember Bob Dylan popping up in Wyclef Jean's "Gone Till November" video in the 90s, but blessedly that was not an artistic pairing).

The first one that comes to mind, of course, is Paul McCartney and Michael Jackson. Paul was the "cute" Beatle and Michael was the "cute" Jackson, so this seemed like it could work...until you realize that Paul lived on a Scottish farm with his wife of many years, Linda, and their children, eating vegetarian food and lovingly raising animals. Michael, on the other hand, lived on Neverland Ranch, allegedly with groups of small children shuttling in and out of his Playland, complete with caged exotic animals. And these guys duetted twice, on "Say Say Say" and also "The Girl is Mine!" Without even considering the legal issues that came about soon after the duets due to Jackson buying the Beatles' songbook despite McCartney's wishes, it's no surprise they never talked again after creating these tracks. Here's "Say Say Say":



Another odd pairing that is a favorite of mine has always been Kenny Rogers and Sheena Easton's "We've Got Tonight." Kenny's a down home kind of guy, into primping but still at home in cowboy boots-- a classic Texan. Sheena's an intense, romantic gal hailing from grey Scotland and specializing in dance-pop. I think all these two had in common was that they were selling a heck of a lot of records on their own back in 1983. I've heard they really did not get along at all in the studio though. At least they could come together this once, just for this night, of course. From the intro chatter to the mic control, I absolutely love this performance:

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The Circle Game

Posted by Miss Ess, September 18, 2008 06:31pm | Post a Comment
I love it when musicians write something new in response to another artist's song. One great artist inspiring another is what makes the world go round, in a way, and it's fun to find examples of artists reacting to one another's work.

One of the more famous examples of this is "Sweet Home Alabama," Lynyrd Skynyrd's 1974 response to Neil Young's earlier songs slamming stereotypical Southern racism, "Southern Man" and "Alabama." Neil apparently loved it when he heard his name in the track, as the bands were friendly:

"Well I heard Mr Young sing about it
Well I heard old Neil put her down
Well I hope Neil Young will remember
Southern Man don't need him around anyhow..."

 
 

Apparently Neil Young is extremely inspiring, because the other song that springs to mind as being written in response to a great song is Joni Mitchell's "The Circle Game," which she wrote for Neil after hearing his "Sugar Mountain." Both songs are about growing older and youth slipping by. The two songwriters met back in 1964, the same year 19 year old Neil wrote "Sugar Mountain," which contains the line "You can't be 20/on Sugar Mountain." Joni's response in "The Circle Game": "So the years spin by and now the boy is twenty/ Though his dreams have lost some grandeur coming true/There'll be new dreams, maybe better dreams and plenty/Before the last revolving year is through."

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