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New "What's In My Bag?" Episode with Paloma Faith

Posted by Amoebite, July 10, 2013 11:53am | Post a Comment

Paloma

The amamazingly talented Paloma Faith recently visited Amoeba Hollywood to do a little shopping. Faith is known for her polished soulful vocal style and her outlandish stage show. Her exuberant personality and elegant aesthetic has led her to be cast in many film and TV roles. She sings, she performs and she acts! An all around talent who has great taste in music. While shopping at Amoeba, Paloma dug up some of her most favorite influences. She picked up the classic At Last! album by Etta James on vinyl, along with Nina Simone's Pastel Blues, also on vinyl. From '70s Chaka Khan to '80s Prince, Paloma Faith only digs for vinyl. She's a bonafide movie buff with eccentric tastes in directors. She took home Blue Velvet by David Lynch on DVD along with a copy of 2046 by director Won Kar-Wai.

She tells an awesome story about spending a weekend with Prince and performing on stage with Chaka Khan! Paloma also reveals that she owns the exact same record player as seen in Stanley Kubrick's A Clockwork Orange. She is serious about her vinyl! Watch this very entertaining episode of  What's In My Bag? with Paloma Faith.

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Albums Out Dec. 4: Scott Walker, Memory Tapes, Dream Boat and More

Posted by Billy Gil, December 3, 2012 05:55pm | Post a Comment

Scott Walker - Bish Bosch

Scott Walker Bish BoschCD $13.98

LP $29.98

DOWNLOAD $9.98

Bish Bosch not only completes a trilogy of some of the most remarkable albums of the past 20 years — Scott Walker’s Tilt and The Drift — it makes three astonishing, dense and challenging (yet rewarding) albums released this year, alongside Godspeed You! Black Emperor’s post-rock opus Allelujah! Don’t Bend! Ascend! and Swans’ divinely nasty The Seer. The album begins at its most difficult, with Walker wailing about “plucking feathers from a swansong” over brutal industrial beats and metallic guitars. This gives way to the surely divisive “Corps de Blah,” a 10-minute song that starts with Walker alone, singing with minimal accompaniment by electronic noise before he’s joined by atonal strings, relatively comforting guitar ambience (given the company its in), dogs barking and, finally, Walker singing about “sphincters tooting a tune” and picking scabs while actual fart sounds squelch in the background like horns. The song may leave some wondering if Walker has truly lost it — horror-movie lines like “nothing clears a room like removing a brain” don’t help — but it ultimately does what Walker does best: provoke. After all, why not use flatulence, something every person lives with daily, as a percussive instrument, and treat a lover as a scab lyrically? Amid lyrics which tough on the historical, histrionic and philosophical, “Corps de Blah” clears the air (ahem) a bit on Walker’s pretensions. It is painfully real, to the point that many will likely dismiss the song as infantile when its taboo subjects represent basic, ugly human elements those same people would wish away into non-existence. But this is still a rock album of sorts, and songs like the bleak-rock of “Phrasing” and heavy avant-jazz of “Epizootics!” offer more immediately grabbing moments than, say, “SDSS14+13B (Zercon, A Flagpole Sitter),” perhaps the aural equivalent of flagpole sitting (an early 20th century practice of sitting atop a flagpole for days, hoping to break the last man’s record) as it runs past 20 minutes of Walker’s id run wild. Much more instantly pleasurable albums have been released in 2012 than Bish Bosch, but perhaps none is more daring.

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