Ray Mala was an Inupiat actor born in Candle, Alaska on December 27th, 1906. In 1925 Mala made his way to Edendale and got a job as a cameraman with Fox Film Corporation, which relocated the following year to Movietone City, in modern Century City.
In 1932, Mala was featured as an actor in Edwin Wing's "documentary," Igloo, which was distributed by Universal and became a hit. The following year, he appeared as "Mala the Magnificent" in the big budget MGM film, Eskimo. The pre-code film titillated audiences with displays of wife-sharing and co-stared, as Mala's second wife, Japanese-Hawaiian actress, Lotus Long. An enormous success, it led to his becoming the first Native star of the Hollywood Studio Era.
Today is Canada Day, a day no doubt celebrated in a manner designed not to attract too much attention. Canada is the home of the quiet revolution, after all. Most likely, their national day is marked by knowing glances. Such is the Canadian character that their national day is not marked with fireworks, guns in the air or vuvuzelas. Though Candians are stereotyped as quiet, harmless and polite pacifists who eat ketchup chips, how do we reconcile that peaceful image with the knowledge that their main export seems to be ice beer and that when they're not knocking each others teeth out in the hockey rink, they're clubbing baby seals with Neil Peart-like percussive overkill? Indeed, how much do we really know about our neighbors north of the border and the threat they pose? What harm is there in Canadians running Hollywood, you ask? They’re only doing the work Americans won’t, you say. In one three year stretch, the best actress category of the Oscars went to Canadians. Mary Pickford, Norma Shearer and Marie Dressler all took the Oscar back to Canada. That’s $1,500 of gold-plated britannium, or 1,303 loonies.
THE CANADIAN THREAT
If movies and TV series like Blade Runner, V, Alien Nation, Invasion of the Body Snatchers, Battlestar Galactica and The Day the Earth Stood Still have taught us anything, it’s that when aliens are allowed to live in peace amongst us it’s never a good idea. Though they invariably claim to come in peace, the proper response is that they to go in pieces. Due to blissful American ignorance and our welcoming disposition toward immigrants, most of us are wholly unaware when and how many Canadians are among us. Although a phrenologist could see right through their smiling faces to their true nature, your average American when near a Canadian merely gets a tingling sensation and an inexplicable unease. With good reason too, when one becomes aware of how far reaching Canadian tentacles are in our society… *tingle* cos (Canadian over shoulder)…
The End of the Golden Age
On this day (September 30) in 1962 CBS radio broadcast the final episodes of Suspense and Yours Truly, Johnny Dollar and the Golden Age of Radio came to a close.
Radio Drama (also frequently referred to as Old Time Radio or OTR) really began in the 1920s. Before that, there was audio theater which consisted of plays performed for radio broadcast. It wasn't until August 3, 1922 at the Schenectady, New York station WGY that the in-house actors, The WGY Players, broadcast a performance that augmented the drama with music and sound effects, creating a vivid aural tapestry. The result was a worldwide explosion in what was an instantly popular new art form. Within months there were radio dramas being produced across the USA, as well as in Canada, Ceylon, France, Germany, India, Japan, and the UK.
Radio Drama's Adolescence
In 1934, the anthology series Lights Out debuted and exploited many of radio's unique qualities to massive success. The program was penned by Wyllis Cooper and aired at midnight. Cooper employed stream of conscious monologues, multiple first-person narrators and internal monologues which were at odds with the characters' spoken dialog. It's most often remembered, however, for its gruesome and explicit sound effects which attempted to suggest joints being ripped from sockets, skin being eviscerated, heads being decapitated and other depictions of violence that would still be pushing the envelope, even on modern cable television programs.