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Music History Monday: May 14

Posted by Jeff Harris, May 14, 2012 02:40pm | Post a Comment
To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com

On this day in music history: May 14, 1969
- Everybody Knows This Is Nowhere, the second studio album by Neil Young is released. Produced by Neil Young and David Briggs, it is recorded at Wally Heider Studio 3 in Hollywood, CA, in January and March of 1969.  Recorded in just two weeks worth of studio time, it is the first to feature Young's backing band Crazy Horse. The album features some of Young's best known material including "Cinnamon Girl" (#55 Pop), "Down By The River," and "Cowgirl In The Sand." Young will write all three songs in one day while sick in bed with a 103 ° fever. "Nowhere" will peak at #34 on the Billboard Top 200 and will be certified platinum by the RIAA.


On this day in music history: May 14, 1971 - Carpenters, third studio album by The Carpenters is released. Produced by Jack Daughtery, it is recorded at A&M Studios in Hollywood, CA in late 1970/early 1971. Coming just nine months after their breakthrough album Close To You, it will firmly establish the duo's pop star status on a worldwide basis.  Carpenters will spin off three top five singles including "Rainy Days And Mondays" (#2 Pop), "Superstar" (#2 Pop), and "For All We Know" (#3 Pop). The original LP package is designed to look like a formal party invitation, opening from the top like an envelope with an overlapping flap. Carpenters will peak at #2 on the Billboard Top 200, and to date has sold over 4 million copies in the US.

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The Art of the LP Cover- The Oak Tree!

Posted by Mr. Chadwick, February 21, 2011 10:45am | Post a Comment




Morris Day
may have had the song but it seems that Bobby Brown rocked the style harder than anyone.

Rayon, oversized sweaters, granny brooches, epaulets and faux creepers...the Oak Tree was the one stop shop for my jr. high school semi-formals. When did they all disappear?

Mr. T's Be Somebody... Or Be Somebody's Fool

Posted by phil blankenship, February 22, 2009 11:43am | Post a Comment
Mr T's Be Somebody Or Be Somebody's Fool  Mr T's Be Somebody Or Be Somebody's Fool

Mr T's Be Somebody Or Be Somebody's Fool description

Mr T's Be Somebody Or Be Somebody's Fool

MCA Home Video 80088

Valentine's Day Hearts

Posted by Mr. Chadwick, February 14, 2009 01:30pm | Post a Comment
average white band cupid's in fashion lp cover25 years of recorded comedy lp coverjuice newton juice lp cover
average white band cupid's in fashion heart shaped sticker25 years of recorded comedy  heart shaped stickerjuice newton heart shaped sticker
carpenters a song for you lp covercarpenters a song for you heart shaped sticker
L.T.D. love to the world heart stickerL.T.D. love to the world lp coverperri feel so good cover
new edition all for love heart shaped stickernew edition all for love lp coverperri feel's so good heart sticker
olivia newton john greatest hits vol. 2 lp coverolivia newton john greatest hits vol. 2 heart sticker

Ronnie, Bobby, Ricky, and Mike…Ralphy & Johnny Gill Too! New Edition At The Gibson 7/07

Posted by Gomez Comes Alive!, July 11, 2007 01:55am | Post a Comment
new edition
Never in a million years did I think I would ever go to a New Edition concert. But there I was, at the Gibson Amphitheatre all in the mix with the New Edition fans. The audience looked what I imagined what my twenty-year high school reunion would look like. I was in junior high when “Candy Girl” came out and in high school when “Cool It Now,” “Mr. Telephone Man” and the other NE classics came out. I've told my young friends who are into the whole 80’s retro culture and were lucky to be no more than a child during that era that the eighties were not kind. Not only were the clothes, haircuts and the music hideous, growing up in the conservative Reagan era was no fun at all. It was Punk Rock and Hip-Hop that got me through the eighties, because for me, 80’s pop culture was as Joe Strummer called it, a "hamburger culture.” I felt I was force-fed mass marketed pieces of garbage and told it was nutritious. During the eighties, I felt empty and hungry for more, much more.

Still, I had a soft spot for NE because buried underneath the 80’s gobble-goop production there were great R&B songs. Their songs I imagined could have been performed by the likes of Smokey Robinson or The Temptations. Even when Ralph Tresvant would break out into his primeval raps, it wasn’t much different from the breakdowns of the Motown and Stax artists of the past. The fruit never fell too far from the tree as far as NE was concerned.

It was the complete line-up for New Edition at the Gibson, the OG’s and the replacements. For the most part the guys looked great and sounded flawless. All the guys hit the stage running, minus one Bobby Brown. Everyone was anticipating the unpredictable Mr. Brown’s arrive. Was he going to be performing tonight? No one seemed to know. In my mind if he didn’t show he wouldn’t have been missed. Johnny Gill, who replaced Bobby Brown back in 1987, sounded better than Bobby in his prime. They did all the NE big hits in the beginning, before they broke into Bell Biv DeVoe songs as well. It was then that Bobby Brown came out. The audience went crazy. There was a 40ish women seated behind who let out a big scream when he came out, like as if she were in junior high again. Her friends laughed at her when she did this. She screamed to her friends:

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