Amoeblog

April Shower Soundtracks: Hollywood's Featured Goth / Industrial etc. Releases

Posted by Aaron Detroit, April 7, 2010 06:30pm | Post a Comment
Gitane Demone, Christian Death, Crystelles 
California, for all its famed sunshine, has historically fostered some pretty dark and cloudy musical ventures. From the original Christian Death and Von on to The Vanishing and Leviathan, this state has produced some of the greatest and most well-known Dark musical acts. That tradition strongly continues today, as all four of our featured releases this month are from quite excellent, decidedly shaded, California-based artists. The Crystelles' Attach and Detach is a wonderfully raw, gothy & garagey blues LP featuring the wildly soulful wail and musings of former Christian Death member Gitane DeMone. The Los Angeles-based band’s lineup also features Demone’s daughter (who is also a reknowned and quite amazing surrealistic painter), Zara Kand, on drums. The vinyl-only release is composed of 12 dirty and volatile tracks that Gitane herself calls ‘Death Blues’ and also includes a gorgeous 28 page Lyric & Art book. This is an essential release and is stacking up already to be one of our favorite releases this year.
Frank Alpine, Xeno Oaklander, Dais Records, Synthpop
Another current “local to L.A.” favorite of ours is Minimal-Synth project Frank Alpine. Alpine released a 7” this past year via the always superb Dais Records entitled Night Tripper, and also just self-released a CD version of the previously cassette-only release Keyboard Cassette. Frank Alpine’s mastermind is former New Collapse drummer Rich Bitch, however Alpine’s cold atmospheres are far-removed from his former band’s spastic synth-freakouts. Tracks vary from spare, chilling ambience to full-on John Carpenter-worship (like B-side “Another Land”). Both Night Tripper and Keyboard Cassette are only available in limited quantities, so don’t slack!

The Bay Area’s Worm Ouroboros features Amber Asylum, The Gault and World
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ateralums and its self-titled debut CD (via Profound Lore) mixes Doomy riffing, Dark Ambient, and ethereal Folk harmonies fluidly into a dazzling and crystalline pool of sound. The album also features beautiful Digipak and booklet art by bassist/vocalist Lorraine Rath, revealing her to be an equally soul-stirring visual artist and vocalist. The only thing that isn’t perfect about this release is that it is not available on vinyl. Please get with it, Profound Lore!

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BIRTH! Relights the California Synthpunk Torch

Posted by Aaron Detroit, February 28, 2010 03:30pm | Post a Comment
Birth! Synthpunk
California’s music underground has had a certain strain of Gothy Synthpunk running through its veins for over a decade now. In the late Nineties and early Aughts, bands like San Francisco’s Phantom Limbs and Subtonix and LA’s New Collapse delivered heavy doses of frenetic, trashy and dark Synth-based punk heavily influenced by 70’s seminal LA groups like The Screamers and Nervous Gender with liberal dashes of O.G. LA Deathrockers Christian Death, the UK Batcave scene, and a noticeable pull from 90’s West Coast Post-Hardcore and Punk. Picking up this torch left dwindling for some years is the LA-based one-man band, BIRTH! AKA Douglas Halbert (also of Industrial noise-purveyors Elephant Skull). BIRTH!’s full-length debut, I Will, is an exemplary addition to the pantheon of California Deathrock and Synthpunk – raw yet compelling anthems soaked in funeral organ and cutting old-school Hardcore vocals.

I Will’s opener, “Value,” is a classic Deathrock stomper in the vein of Christian Death’s “Face” or Subtonix’s “Black Nails In My Coffin” with an extra dose of bile. On “Arms Crossed,” Halbert simultaneously skewers the apathy of a prospective lover and the affected apathy of punk-show spectators over a filthy Sci-Fi dirge. However, despite the throat-destroying, incendiary vocals, there is a sensitivity and creeping light at the heart of this seemingly vicious animal of a record. “My Home To Keep” is what one might call a “Deathrock power ballad,” -- if one can imagine such a thing. Over a downright pretty synth melody, Halbert characterizes childhood traumas following a mother’s death, but even with such intense subject matter and the general crestfallen atmosphere, Halbert’s lyrics still have a defiantly positive outlook. On “Value” he ends his rant with the line “I'll look inside myself and find a life I can value!” and one can truly believe his insistent tone on “Free of This” when he bellows, “I am free of this!” I Will, indeed, seems to be Halbert’s will --his sigil--for a better life.

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