Amoeblog

Album Picks: Young Guv, Matthew E. White, Sarah Bethe Nelson, Soul Jazz

Posted by Billy Gil, March 10, 2015 10:08am | Post a Comment

Young Guv Ripe 4 Luv

young gub ripe 4 luv lpFucked Up fans might be surprised to learn the band’s guitarist, Ben Cook, hides a secret power-pop fetish. Ripe 4 Luv is full of gleaming guitars, tinny drum machines and immediate, Big Star-inspired melodies. Cook still lets the guitars rip on songs like the irresisitable “Crawling Back to You,” but they’re in service of spaced-out love songs rather than post-hardcore epics. So even if the Ariel Pink-ish “Aquarius” is about as far from Fucked Up as you can get, it proves Cook can wear multiple hands and do it quite well. Ripe 4 Luv is a sterling piece of charmingly lo-fi power-pop that burns brightly over its snappy eight songs.

 

Matthew E. White Fresh Blood

matthew e white fresh blood lpThe singer/songwriter/producer and Spacebomb Records founder returns with a second album that re-creates the American songbook D.I.Y.-style, moving from classic R&B (“Take Care My Baby”) to country-soul (“Rock & Roll Is Cold”) to gently orchestrated romantic indie pop (“Fruit Trees”), showing a master’s touch throughout.

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25 Albums We're Excited For in Spring

Posted by Billy Gil, March 9, 2015 09:42am | Post a Comment

25 albums to look for in spring

Here’s a list of records to check out that are currently scheduled for release in 2015 (dates/releases subject to change).

Courtney BarnettSometimes I Sit And Think, And Sometimes I Just Sit

courtney barnett sometimes i sit lpOut March 24

This touted Australian singer/songwriter writes anxiety-ridden screeds over catchy garage-rock on her breakthrough record.

 

Godspeed You! Black Emperor Asunder, Sweet & Other Distress

godspeed you black emperor Asunder, Sweet & Other Distress lpOut March 31

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Album Picks: Colleen Green, Torche, THEESatisfaction

Posted by Billy Gil, February 24, 2015 10:55am | Post a Comment

Colleen Green - I Want to Grow Up

Colleen Green I want to grow up lpColleen Green details major life upsets as she faces the end of her 30s on her new album, I Want to Grow Up. From breakups to digitally addled attention spans, Green’s power-pop panache makes quarterlife crises go down smoothly on hooky songs like “Pay Attention” and girl-groupish “Wild One.” “I’m so sick of being self-absorbed,” Green sings on the title track, yet she’s so good at communicating that sense of staring at the ceiling and chastising yourself that we can’t help but be hooked on her particular brand of sugary anxiety. She writes a catchy ode to getting clean and going to bed early with “Things That Are Bad for Me” and then follows it up with another track about wanting to get fucked up on the drone-rocking “part 2,” summing up a sentiment on this album we can all relate to: I’m gonna get it together, maybe tomorrow. Read more about I Want to Grow Up in our interview with Green here. See her live at Amoeba Hollywood today at 7 p.m.!

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Album Picks: Mourn, A Place to Bury Strangers, Jose Gonzalez, Six Organs of Admittance, Ibeyi, Sonny & the Sunsets

Posted by Billy Gil, February 17, 2015 09:55am | Post a Comment

MournMourn

mourn lpCatalonian teen quartet Mourn makes a passionate racket on their debut album. Singer Jazz Rodriguez Bueno channels PJ Harvey with her raspy delivery and more cutting lyrics on tracks like “Dark Issues,” or a young Siouxsie, on the way she can play with emotions but still bring a smile to your face, on songs like galloping opener “Your Brain is Made of Candy.” Her band keeps things terse, inspired by the likes of Nirvana and The Ramones, yet their clean guitars and neat grooves on standouts like “Philliphius” and “Otitis” suggest wisdom beyond their years. A handful of tracks read as more juvenile alt-rock exercises, yet Mourn also never loses momentum, bashed out with a live-tracked, Steve Albini feel and the animated precision of off-the-cuff ideas rehearsed and captured in one raw take—Bueno’s wail at the end of bonus track “Boys Are Cunts” feels both visceral and well-timed. It’s an incredibly promising debut that puts our faith back in so-called wasted youth.

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Album Picks: Father John Misty, Punk 45

Posted by Billy Gil, February 10, 2015 10:46am | Post a Comment

Father John Misty - I Love You, Honeybear

father john misty i love you honeybear lpFather John Misty’s fearless second record builds on his folk-rock sound with orchestral touches, genre diversions and direct, conversational lyrics that cut through singer/songwriter clichés. The title track introduces Beatlesesque melodies and weeping steel guitar to prepare you for the scope of the record. J. Tillman starts going into crooner mode with the spectacular “Chateau Lobby #4 (in C for Two Virgins),” his crushed-velvet vocals singing over a sweeping, country-symphonic arrangement, but his lyrics nicely keep the romanticism from getting too gooey (“I wanna take you in the kitchen/Lift up your wedding dress someone was probably murdered in”). “True Affection” takes a sharp turn into MIDI-electro-dream-pop, with some Fleet Foxes-style harmonies keeping things grounded in Tillman’s wheelhouse. “The Night Josh Tillman Came To Our Apartment” takes another turn, this time into Velvets-third-album twinkling indie pop, while Tillman calls out an airheaded groupie (“She says like, literally, music is the air she breathes,” he sings hilariously). Tillman’s lyrics work so well because of their specificity—you feel like you’re watching him break hearts at a local bar when he sings “Why the long face? Blondie, I’m already taken,” over a sultry Southern sway on “Nothing Good Ever Happens At The Goddamn Thirsty Crow.” Such subject matter could read as self-serving, if not for the album’s more self-effacing tracks, like “The Ideal Husband,” in which Tillman admits various wrongdoings, petty or otherwise, over nervy rock ‘n’ roll; or “Bored in the USA,” a piano ballad that seems to mock Tillman’s own first-world problems of alienation and dullness (“Save me, white Jesus!” is an awesomely cutting exclamation). Tillman’s refusal to do anything in a typical way while still keeping the music highly polished helps I Love You, Honeybear to never feel indulgent. Rather, it’s an extraordinarily giving album, as Tillman’s honesty and strength as a songwriter and performer has grown immeasurably. It’s easily one of the best albums of the year thus far.

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