The tracklist is below. It includes one of the biggest hits of recent memory, “Hotline Bling,” plus recently leaked song “Controlla.”
Brian Eno’s latest album combines the minimalist approach to his ambient work such as Music for Airports with the intrigue of his more pop-oriented work. On opening track “The Ship,” individual tones, thick, thin, solid and wavering create a transfixing horizontal drone. Vocals enter after a few minutes, deeply intoning strange truisms behind some swan-diving notes and radio noise that sound like a TV left on in another room. “The time is still, the sky is young,” the voice says, and the music feels eternal while the found sound of advertisements feels ephemeral. Through its contemplative, extended tracks, The Ship is a little unsettling but ultimately gives a sense of peace, a reminder of our short time on a greater vessel that sets us free from our preoccupations. Includes a gorgeous cover of The Velvet Underground’s “I’m Set Free.”
Did you take a Twitter vacation over the weekend? If you weren't already aware, Beyonce just went right ahead and Beyonce'd again, releasing a (sort of) surprise album called Lemonade. Though it was previously only streaming on Tidal, for which you have to have a paid account, it's coming out on CD/DVD May 6th! You can preorder it now.
Anyone who's played her previous album to death, 2013's excellent Beyonce, knows they're in for something special. To boot, this new album features work by The Weeknd, James Blake, Jack White and Kendrick Lamar, plus samples and inspiration from the likes of Led Zeppelin, Yeah Yeah Yeahs, Soulja Boy and Animal Collective. Production was handled by Just Blaze, Diplo and Ezra Koenig of Vampire Weekend.
Blind Spot, the new EP from reunited shoegazers Lush, cherry picks the best sounds of the band’s three studio albums without feeling like too much of a rehash, leaning toward the sound of their earlier, stronger material. On mid-tempo opener “Out of Control,” singer/guitarist Miki Berenyi’s voice still pairs uncannily with fellow singer/guitarist Emma Anderson. Jangly guitars casually spiral over the ebbing pulse provided by bassist Justin King and former Elastica drummer Justin Welch. Read more here.
Andy Stott’s latest builds on his grayscale dub soundscapes with more movement and pulse, the result being songs that are full-bodied and often unpredictable, with synth-funk touches and disembodied soul vocals. Full of woozy sexuality and luxurious dread. Read more here.
Lush in the '90s. Remember foam parties?
Reunions are a tricky prospect. For every Dinosaur Jr. that can miraculously pick up the pieces, overcome interband turmoil and release some of the best music of their careers, there’s a load of bands who succumb to that same ol’ conflict after wringing the festival circuit for all its worth.
Thankfully, Blind Spot, the new EP from reunited shoegazers Lush, follows the path set by Dino Jr. At just four songs, it cherry picks the best sounds of their three studio albums without feeling like too much of a rehash, leaning toward the sound of their earlier, stronger material. Sparse bits of keyboard and piano round out the band’s guitar-pedaled sound, adding a subtle new element that could easily expand things down the line.
On mid-tempo opener “Out of Control,” singer/guitarist Miki Berenyi’s voice still pairs uncannily with fellow singer/guitarist Emma Anderson. Jangly guitars casually spiral over the ebbing pulse provided by bassist Justin King and former Elastica drummer Justin Welch. The sound of it is reminiscent of Gala-era tune “Thoughtforms,” but it proves fertile ground to revisit.