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Coachella 2009 30/30 Initiative: My Bloody Valentine

Posted by Amoebite, April 7, 2009 11:04pm | Post a Comment
127 Bands, 5 Stages, 3 Days and 1 Mean Sunburn.

"Coachella Valley Music and Arts Festival - April 17-19th, 2009 or: How I Learned To Stop Worrying and Find 30 Reasons To Love a Weekend in the Desert."

- By Scott Butterworth
Coachella Lineup     My Bloody Valentine

Day #22 - Artist #22 - My Bloody Valentine:
My Bloody Valentine
My Bloody Valentine formed in 1984 in Dublin, Ireland, and spent a few years of metamorphosis working out the kinks with lineup changes and varying musical output before developing their innovative sound. It wasn't until 1988 that the "caterpillar" became a "butterfly," with the band releasing a pair of EPs and their first album Isn't Anything on Creation Records (future home to Oasis). My Bloody Valentine became the torchbearers of the Shoegaze style of music popular in the late '80s/early '90s that sent sparks into the alternative revolution of the 1990s. Unfortunately, by 1993 the band would unravel into a "lost period" of scrapped recording sessions by songwriter Kevin Shields (similar to Brian Wilson/Beach Boys and Axl Rose/Guns N' Roses) that lasted until the band's reunion in 2008. 

Belong's October Language: 2006 treasure of static and buzz

Posted by J. Mark Beaver, March 13, 2009 02:07pm | Post a Comment
belong october language
I get a strange thrill out of stumbling upon albums that sound exactly like what their cover suggests -- in this case, the ancient decaying photo of a pioneer-era buiding, probably from Belong's hometown of New Orleans; the spaces where the color saturates and the many spots where all color and image have been wiped away by time and the elements. October Language is the aural equivalent.

Compared to electronic frontiersmen like Fennesz and William Basinski, Belong (composed, for this recording, of conspirators Turk Dietrich and Michael Jones) make sounds that seem to be in the process of disappearing even as they first appear. The opening track, "I Never Lose. Never Really." begins with a tone like hearing an orchestra muted through the walls of a building, as if the swelling adagio would come through crystal clear if someone would just open the right door. Then it all begins to descend beneath an increasing tide of swirling static.

I find the whole album to be, essentially, meditational. There is a profound silence at the center of it, not unlike modern classical compositions by the likes of Arvo Part, Toru Takemitsu or Henryk Gorecki. The focus on electronics and instruments more often associated with Rock makes October Language more immediately reminiscent of My Bloody Valentine's Loveless than anything within the Classical tradition.

There are very few vocal tones on the album, another factor that pulls it away from the Rock genre, and the pure focus on the build and wane of the sound and atmosphere places it among my favorite listens of the last few years.

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out today 9/30...my bloody valentine...

Posted by Brad Schelden, October 3, 2008 12:35pm | Post a Comment
my bloody valentine
My Bloody Valentine
is one of those bands that people get really obsessed with. I can still remember the first time that I ever heard them. After that first listen to Loveless I was forever addicted, forever devoted to the magnificence that is My Bloody Valentine...however, they broke up the same year that I finally discovered them. So I slowly came to terms with the fact that I would never probably see them live. I knew I would never see The Smiths perform live, but at least I had many Morrissey shows that more than made up for it. My Bloody Valentine is also one of those bands that brings people together, like we share thismy bloody valentine you made me realise common unbreakable bond. You just know which of your friends are fans and you don't really even have to talk about it. Since you know what it is like to be a fan you can figure out what it is like for others. If you are a My Bloody Valentine fan you have most likely listened to Loveless and Isn't Anything many times by yourself in your bedroom. You have probably listened to these records right before you go to my bloody valentinesleep. They have probably helped you overcome bouts of depression and just made you happy to be alive. They have spoken to you in a way that only really good music can, even though you can't really explain how. You have also probably listened to Loveless with your boyfriend or girlfriend during one of those special moments. I know I have said this before, but I really can't imagine my life without these albums. They are that good. They are that important.

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coming out today 11/20...rhino brit box...

Posted by Brad Schelden, November 20, 2007 10:49pm | Post a Comment
Rhino has finally decided to put out a special box set just for me. If I could imagine up any box set to best describe me and capture my little world of music, it would look something like this new brilliant box set released today by Rhino. The new "Brit Box" is a 4 cd set of the british music from the 80's and 90's that made me who I am. I have many mix tapes that resemble a lot of what is included in this box. Some of them made by me and many made by friends. I can remember the exact moment that I heard some of the songs on this box for the first time. The exact moment that I went to a record store in search of the albums from these artists. There are 78 songs by 78 different artists in this box.

The box is officially called "The Brit Box: U.K. Indie, Shoegaze, and Brit Pop Gems of the Last Millennium." It really looks awesome. The box is shaped like one of those red telephone booths in England. I have never seen one up close but we all know what they look like. It even has a working light. It also comes with an 80 page book of interviews and photos. It includes essays by Alan Mcgee, Stephen Street, and Alan Moulder. It drives me a little crazy when box sets or collections have a random order to the track listing. So it made me happy to see that the tracks are all in a basic order. The box set is not perfect. But it comes really close. I own or have owned at one point almost all of the songs in this box. If I didn't own one of the albums that all these songs were on, then I definitely had a close friend that did. I might have picked a couple different songs for some of these artists and I probably would have included a couple more artists. But overall, the box is very impressive. I really can't wait to open one up and read all those interviews and stories in that fancy little booklet. And I can not wait to listen to all these songs again. I have never stopped listening to most of the bands in this box. The Smiths, Cocteau Twins, My Bloody Valentine, The Stone Roses, Lush, Suede, Blur, & Pulp remain some of my favorite bands. It is really hard to even put into words the lasting effect that these bands have had on me and on a whole generation of music fans.

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top 12 british albums of the early 90's...that need reissues!

Posted by Brad Schelden, June 27, 2007 07:30pm | Post a Comment
In my continuing series of lists, here is my next list. I was thinking again about how much I love the reissues. Those great 2 CD remastered deluxe versions. I get very excited when my favorite albums get the deluxe treatment. There has been a lot of deluxing over the last couple years of some of my favorites from the 70's and 80's.

But not much from that very important time in music which was the early 90's. I might be a bit biased about this period since this is also the period in which I graduated high school and started college. A period when my obsession with music and bands really developed. There have already been some great Slowdive and Pulp reissues, so those will not be on the list. The first two Ride albums "Going Blank Again" and "Nowhere" have also been reissued. But all these reissues are just imports, so I'm still hopeful they will be cheaper domestic versions out soon. There is a possibility that Morrissey will be going back to Warner! He is currently without a label again. Which is great news, since that is where his catalogue as well as the Smith's resides. It can't be too long until we see some great Rhino style Smiths and Morrissey reissues!

I originally was going to go through my CDs and just grab the ones that stood out from the 90s. When I was done, I looked at all the albums and realized all the bands were from England and all the albums were put out in the early 90's. I also realized these were the dirtiest and most used CD's in my collection. They have been through a lot and have been played many times and traveled all up and down the coast of California. It started out as 10 but quickly changed to 12. I could have easily went on and made a list of 25 but I had to stop somewhere. So here it is....My list of the top 12 british albums of the early 90's that I would like to see reissued...


Lush "Spooky" (1992) 4AD/Reprise

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