out this week 5/1 & 5/8...My Bloody Valentine...Isn't Anything...Loveless...EP reissues...Aphex Twin....

Posted by Brad Schelden, May 11, 2012 06:25pm | Post a Comment
My favorite time period for music will always be the late 80s and early 90s. This was the era in which my high school and college years took place. I know I am not alone in loving this period of music. And I know that most people are sentimental about their high school and college years. These are the years when you really start making up your own mind about what you like. When you start buying your own music and making up your own mind about what albums to listen to and what shows to go see. I was of course very influenced by my friends during this period. But I also made my own informed decisions about what music that I wanted to listen to. I wasn't going to get obsessed with just what was on the radio and MTV. That is what I did throughout most of the 80s. I was searching for stuff that was different. Stuff that made me feel different. Or stuff that somehow made me feel normal. I got really into both shoegaze and dance music in the 90s. And two of the bands that I got most obsessed with both have reissues out in the last couple of weeks. Both My Bloody Valentine and Aphex Twin became a big part of my 90s and have had a huge influence on my life then and now. They are two of those bands that I can't really imagine my life without.

aphex twinSelected Ambient Works Vol. II by Aphex Twin has finally gotten officially reissued on LP this week. Moby Ambient was probably the first album that got me obsessed with ambient music. It came out in 1993. Selected Ambient Works Vol. II came out in 1994. Two years after Selected Ambient Works 85-92. I got into both these albums eventually. But it was really Vol. II that got me obsessed with Aphex Twin. I am not really sure that I could have handled these albums in high school. But I was full on ready for them in my early 20s. I really couldn't even believe that music like this existed. I remember being so excited at the time to hear these albums for the first time. They really did change my life. They sort of became my thinking music. I spent aphex twincountless hours listening to them on my headphones or listening to them before I went to sleep. Every time I listen to these early Aphex Twin recordings they take me right back to that point in my life. I can't even really describe the feeling. But I cherish these albums. I seriously have some crazy obsession with them. They helped me through some tough emotional times. So I sort of feel grateful to them. Like I owe them something in return.  The label 1972 has just reissued Vol. II  as a gatefold triple LP. And I hope that Selected Ambient Works 85-92 will soon get an official reissue as well. It looks fantastic and sounds just as amazing as it did the first time I listened to it. I only ever had this album on CD. So it was exciting to hear it on vinyl for the first time. This album is tragic and heartbreaking and beautiful and dreamy all at the same time. I can't get enough of it. Aphex Twin went into some different directions throughout the rest of the 90s. Some of it I liked and some of it I did not like. But these albums will always be close to my heart and near the top of my list of my favorite albums of all time.

Continue reading...

Album Picks: Daniel Rossen, Julia Holter, The Men, Tanlines

Posted by Billy Gil, March 20, 2012 02:20pm | Post a Comment

daniel rossen silent hour/golden mileDaniel Rossen’s Silent Hour/Golden Mile EP came out today, and true to form for Grizzly Bear’s Rossen, it doesn’t disappoint. Though he’s perhaps the lesser-known entity of Grizzly Bear (the other being gravy-voiced Ed Droste), everything Rossen has released to this point, both within the band (his gorgeous “Deep Blue Sea," for instance”) or without it (as part of Department of Eagles) has born an unmistakable stamp. It’s a tribute to his talent that you can say that without being able to describe just what that stamp is. It’s a certain mysteriousness that is part of what makes Grizzly Bear so alluring, where you’re very much hearing folk-rock with a kind of doo-wop vocal delivery — sounds simple enough — but everything is curiously out of reach. Lyrics are more suggestive than descriptive, intimating nostalgia and loss without really being forthright about it, and arrangements tend to spiral out rather than circle back to where they’ve started. Silent Hour/Golden Mile is actually more direct than some of Rossen’s other work. “Up On High” wouldn’t be out of place on a Grizzly Bear album, while “Silent Song” and “Golden Mile” are relatively straightforward rock songs that still spin off from typical construction, with spindly guitars and high, cooing vocals that remind me a bit of mid-period Radiohead without actually sounding anything like that. Both songs also benefit from hummable moments — not something Rossen is always known for — as well as the kind of high, lap steel guitar lines found famously in Santo & Johnny’s “Sleepwalk” or George Harrison’s “My Sweet Lord.” At five songs, Silent Hour/Golden Mile leaves you wanting for much more, which I’m guessing we’ll get in the form of the next Grizzly Bear or Department of Eagles album, but the EP is far from a departure or indulgence. It’s more like a treat, an appetizer for something bigger.

Continue reading...

Local Bits: New Tracks from Princeton, TRMRS, Races

Posted by Billy Gil, February 10, 2012 11:26am | Post a Comment
princetonPrinceton – Florida

Princeton have gotten increasingly pop-oriented and more electronic over the past couple of years. “Florida” is the latest example of their evolution, a richly detailed Rhodes piano-led driving jam that feels like cruising beachside, either in Miami or their native So. Cal. Check out its Cosmic Kids remix too for even more chill vibes. Princeton play Café Bleu Feb. 16, and their new album, Remembrance of Things to Come, is due Feb. 21 on Hit City U.S.A./Easter Everywhere.


Continue reading...

Album Picks: Real Estate, Twin Sister, M83

Posted by Billy Gil, October 18, 2011 02:10pm | Post a Comment
Real Estate DaysReal Estate – Days
Real Estate have helped usher in a contemporary appreciation of bands with clean guitars and hushed vocals, perfect for a summer day or autumn night. But Real Estate still do it better than anyone, as they prove on Days. From opener “Easy” and on, Days floats on breezy simplicity of melody and atmosphere that you could explain away as through line of Byrds by way of R.E.M. jangle pop informed by reverbed-out, dream pop aesthetics, but that would paint Real Estate as a throwback band when really their sound is their own. Country hues underpin even the spaciest of tracks, like the way winsome sliding guitars sway beneath the shivering, tremoloed star-shooting guitar lines of “Green Aisles,” and more obviously so on tracks like the springy, Smithsy “It’s Real,” which works some clever chord changes into a straightforward guitar-pop setting. Singer Martin Courtney’s voice is always plaintive but never intrusive, and the whole thing moves with subtle evocation, like a sepia-toned suburban home movie reel. It’s no coincidence a great, sunlit song on the album is titled “Wonder Years.”
Twin SisterTwin Sister – In Heaven
Twin Sister’s debut full-length delivers a band still emerging from chrysalis (their average age is now about 23, so says Wikipedia) but born with some pretty impressive power already. Roughly, Twin Sister are an indie pop band fronted by some froggish, androgynous vocals (singer vocalist Andrea Estella and guitarist-singer Eric Cardona both sound a little like the spawn of Sigur RosJonsi and St. Etienne’s Sarah Cracknell, the latter band of which they also sound a bit like on the lite-jazzy “Stop”). They touch on chillwave (the shimmering and strange chords of “Kimmi in a Rice Field” is the album’s absolute highlight) without committing to it, seemingly more interested in vibing late ’80s indie and video game music — the gentle “Luna’s Theme” has Sega Genesis written all over it, something that might be playing in some anime space station. But whatever Twin Sister ends up doing —be it cool Britpop, neo-futuristic electro or something else entirely — it ends up sounding great, if not entirely unified.
M83 Hurry Up We're DreamingM83 – Hurry Up, We’re Dreaming
After a decade’s worth of brilliant albums that have been increasingly epic in scope, Anthony Gonzalez of M83 has delivered the masterpiece he has hinted at for years. Gonzalez builds off the life-embracing yet ’80s nostalgic pop of 2008’s Saturdays=Youth across this double-album. Taking a hint from the Smashing PumpkinsMellon Collie and the Infinite Sadness, Gonzalez sweeps through childlike wonder (the children’s story as Kraftwerkian computer-pop of “Raconte-Moi Une Histoire”), adolescent angst (the two and a half minutes of skyscraper-sized orchestral rock in “My Tears Are Becoming a Sea”) and young adult excitement (Gonzalez cries “The city is my church!” in the neon-backlit “Midnight City”) to capture the wide-eyed energy and naiveté of youth. There’s newly an emphasis on the kind of shuffling ‘80s funk-pop of the likes of Huey Lewis & the News and Hall & Oates in songs like “Claudia Lewis,” but it actually feels less throwback-ish than some of his previous work, perhaps in part due to contemporaries like Toro y Moi and Neon Indian similarly fusing such sounds with shoegazer aesthetics. Indeed, with the kinds of sonic dreamscapes of albums like Dead Cities, Red Seas & Lost Ghosts and Before the Dawn Heals Us also in tow on songs like “This Bright Flash,” Hurry Up, We’re Dreaming presents us with all of Gonzaelz’s best tendencies, all at once, and at their utmost potential.

The '80s List: Part 10

Posted by Amoebite, September 2, 2011 12:46pm | Post a Comment
Wipers One day at Amoeba Hollywood I proclaimed that Aztec Camera's 1983 release High Land, Hard Rain was one of the best records of the '80s. This single statement eventually led to over 200 Amoebites ranking their top 10 favorite albums from the ‘80s.

From the beginning we realized that it was impossible for most of us to condense our favorites from all genres into a tiny top ten list. So, we limited our lists to Rock/Pop and its sub-genres like punk, metal, goth, and new wave. Even so, it was a difficult selection process because not only are there hundreds of amazing records to consider, there is also the added dynamic of time.

The '80s were a long time ago and the music has had many years to gestate. We have a deep sense of nostalgia and sentiment with these albums as our fondest memories are associated with them. These are albums we LOVE.

- Henry Polk

P.S. We'll be posting new additions to the '80s list project from Amoeba staff members on Mondays, Wednesdays, and Fridays. See all entries in our ‘80s list series.

P.P.S. The '80s List Book is available for sale at Amoeba Hollywood.

Heather Long

Pixies Doolittle (1989)
Husker DuZen Arcade (1984)
Judas PriestBritish Steel (1980)
X – Los Angeles (1980)
PretendersPretenders (1980)
The Cure – Disintegration (1989)
The ClashLondon Calling (1980)
Duran DuranRio (1982)
Iron MaidenThe Number Of The Beast (1982)
Adam And The AntsKings Of The Wild Frontier (1980)

Continue reading...
BACK  <<  1  2  3  4  5  6  7  >>  NEXT