Deerhoof played a typically destructive set at the Troubadour in West Hollywood last night, starting off with tracks from their excellent new album, La Isla Bonita. Satomi Matsuzaki irrepressibly chanted to the cute “Paradise Girls” (“Girls…who play the bass guitar!”) and skronky “Last Fad” (“Baseball is cancelled!”) while John Dieterich and Ed Rodriguez braided sneaky guitar lines around her. “Exit Only” sounded a lot fiercer live, while drummer/madman Greg Saunier traded instruments with Matsuzaki for La Isla Bonita’s pulsating, chaotic closer, “Oh Bummer.” A well-selected sprinkling of older material meshed well with the newer stuff, from the crashing “Dummy Discards a Heart” (from Apple O’) to the thumping “Twin Killers” (from The Runners Four) and riff-stuffed “Fresh Born” (from Offend Maggie). Saunier’s drumming remains a barely contained tornado to which the rest of the band somehow hangs on; the band stays tight even when he flies off the rails, making everything exciting, unpredictable and yet always masterful. Matsuzaki let loose for insane closer “Come See the Duck” (from the Green Cosmos EP), goading the audience into an off-beat call-and-response of “Come! Come! Come see the duck!” and teasing us when we got it wrong. Who can guess how 12 albums and 20 years in, Deerhoof are as energetic and thrilling to experience as ever. If you’re in S.F., they’re at the American Music Hall tonight with Crystal Skulls and Go Dark. Don’t miss it.
I had this idea for the video that I thought would never happen, of Paul Reubens as a race car driver who slowly loses his mind. I took it to Funny or Die and they said, 'That's great, let's go for that.'"
I got to speak with him over the phone about doing it and, in between being blindingly nervous that I was actually talking to an actor who had shaped a LOT of my world view and trying not to freak him out by saying so, he mentioned that he's been a fan of the band for awhile. He liked the idea, and, somehow, here we are with Paul as a race car driver losing his mind.
Karen Gillan was absolutely great. We were really psyched to work with her, because she's basically sci-fi royalty, and a great person. Full on geek fest in the desert.
It was really fun to do, love how it came out. I think our fans will like it. I hope so. The cool ones will anyway. The rest can suck it. I don't exactly know what 'it' is. But they can find it. And they can suck it.
This track from L.A. producer RL Grime sounds like how you remember the best of late ’90s R&B in your head. With Grime’s bass-heavy, lingering production, “Reminder” does have a dreamy, lovelorn feel, but How to Dress Well’s Tom Krell, who’s pretty much the king of dreamy and lovelorn, is actually as lively and engaging as you’ve ever heard him before here. You’ll get a kick out of hearing him sing rapid-fire lines like Justin Timberlake. The track will be on RL Grime’s new album VOID, due Nov. 18 on WEDIDIT.
Wand – “Flying Golem” video
Wand’s video for their stomping psych-rocker “Flying Golem” (off the recently released Ganglion Reef) is an explosion of ’90s- style animation, from the pixilation of old video games to early CG-animation to the sleazy cartoons of MTV’s “Liquid Television” (kids, look it up if you don’t know it). Man, MTV was cool in the ’90s. What the fuck happened. This would’ve been right at home on “120 Minutes.”
"I wanted it to be a single but, everyone said we couldn't have a one minute single," she says in a press release. "So now we have a single, one minute video instead."
The video for "Double Dutch," as you might guess, features some fancy footwork as Keds kick up dust and things go in and out of focus. It feels like a dream you have after waking up and trying to fall back asleep. The clip was directed by Goma and bandmate Luisa Conlon, who also made the documentary series "The Working Life," says Pitchfork.
See the clip below:
Interpol’s new video for “Twice as Hard” has the feel of the training scenes in Rocky, as various boxers train and get into shape while Paul Banks sings “I give it right back to you … twice as hard.” It takes what we assume is a metaphor for the vocal sparring that happens in relationships and puts a more literal face on it
Banks himself directed the video. The song comes from the band’s excellent new release, El Pintor. Check it out below: