We've priced out a varied and deep batch of rare soundtrack LPs over the past few weeks -- from 80's classics like the Last American Virgin & Rad to Italian rarities by Morricone and Trovajoli. Throw in an original Beyond the Valley of the Dolls, horror rarities like Suspiria & Phantasm and an original Dolemite (with the sticker) and you can see just how cool of a collection we're offering!
As reported by the Associated Press (AP), Washington has decided to commemorate jazz great Miles Davis' album Kind of Blue. The House voted (409 to 0) yesterday to honor the landmark fifty year old recording's contribution to the genre. Kind of Blue, originally released by Columbia Records in August 1959, featured Davis along with saxophonists John Coltrane and Julian ''Cannonball'' Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb.
Michigan Democrat Rep. John Conyers, who sponsored the measure, said that Davis and the other album contributors ''made musical history and changed the artistic landscape of this country and in some ways the world.'' Indeed, the album's influence has been far reaching, influencing all types of music far beyond just jazz, including Latin, rock and hip-hop. And over the years many musicians have done their renditions or reinterpretations of Kind of Blue, including Portland, OR blip artist Andy Baio, who earlier this year recorded an inspired 8-Bit reinterpretation of the album that he retitled Kind Of Bloop.
Below is a video honoring Kind of Blue's fiftieth anniversary made in conjunction with Legacy Recordings' recent releasing of the album's Collector's Edition Box set which is available at Amoeba Music.
Miles Davis - Kind of Blue 50th Anniversary
Done out of pure reverence for the great late Miles Davis, musician Andy Baio recorded an inspired 8-Bit reinterpretation of Davis' jazz classic Kind of Blue, in recent months. Aptly titled Kind Of Bloop, journalist/musician Baio writes of the inspired composition on his blog, "I've always wondered what chiptune jazz covers would sound like. What would the jazz masters sound like on a Nintendo Entertainment System? Coltrane on a C-64? Mingus on Amiga?"
Baio says that in his extensive research of such jazz classic 8-Bit covers he was only able to find four jazz covers ever released: ast0r's version of Coltrane's Giant Steps and Charlie Parker's Confirmation, Sergeeo's own Giant Steps cover, and Bun's version of Coltrane's My Favorite Things.
Portland, OR based Baio, who describes himself as a journalist/programmer and the CTO of Kickstarter, then invited the aforementioned Ast0r and Sergeeo, along with the chiptune artists Virt, Shnabubula, and Disasterpeace, to collaborate with him on a track-by-track remake of the classic Miles Davis album. The Amoeblog recently caught up with Baio to ask him about the project and the crowdfunding platform Kickstarter.
Amoeblog: How did you first get the idea to reinterpret Kind of Blue?
I know it’s probably plastered all over your calendar already, but just in case you didn’t know, this is Jazz Week at Amoeba Music Hollywood. This means that, in addition to our normal, totally tubular jazz selection, we’ve squeezed in some additional, choice inventory, plus we’re hosting jazz-spinning DJ’s and such. I think I saw a colorful banner with the word “JAZZ” in bold letters somewhere, too. I mean, people – come with your party hats on!
The back room of Amoeba Music Hollywood is what we call the “jazz room”, though it hosts many other genres of music*, one of which is the Soundtrack section, where I’m most oft found. Some well-meaning employees once tried to get people to nickname the room “jazzical” for the large section of classical music that frames the opposite side from jazz, but it never stuck, partially because people were so accustomed to saying “jazz room” and partially, I’m assuming, because saying “jazzical” makes you feel like an effeminate fat kid, which isn’t a fresh sort of feeling at all.
“Can I have some more toffee and McMuffins? They’re jazzical!”