Amoeblog

New Preorders: Jim James, Beach Fossils, Veronica Falls and More

Posted by Billy Gil, January 9, 2013 07:17pm | Post a Comment

Read below for preorders recently made available at Amoeba. I've linked to vinyl LP on all of these, but they're all available to preorder on CD as well. See all of the albums up for preorder here.

 

John Paul White - The Long Goodbye

John Paul WhiteOut Jan. 22

The Civil Wars man is embarking on a solo release. Check out The Civil Wars' live show at Amoeba here. Download the performance here.

 

Ra Ra Riot - Beta Love

ra ra riot beta loveOut Jan. 22

The latest from the indie-pop band features the melancholy synths and vocoder jam "When I Dream."

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Bungle Fever: Mr. Bungle's California Available on Vinyl...Finally!

Posted by Kelly S. Osato, October 4, 2010 09:43pm | Post a Comment
Mr. Bungle album vinyl issue california 1999 last record reissue 180 gram plain recordings
California dreamin'? Heck yes I am now that I got my paws on Mr. Bungle's newly issued third (and possibly final) LP, California, at long last! Originally released in 1999, Plain Recordings has done Mike Patton & company's stunning, genre-grinding "pop oriented" album nothin' but justice by offering this overflowing kitchen sink of experimental-rock on heavy wax for those of us who simply cannot get enough of the maelstrom of diverse influences --- ranging from swing, rockabilly, country & western, bossa nova, Hawaiian and Middle Eastern music, jazz, Zappa-esque doo wop, arty-funk, post-rock, space-age pop, spaghetti-Western music, warped circus melodies, new age, heavy metal and exotica --- that somehow manage to sound cohesive and linear against savage spates of juxtaposed music-making wizardry. Among many brilliant moments stitched into the body of this masterwork is the inclusion of stylistically head-banging kecak vocals (Indonesian "monkey chanting") on the album's final track, "Goodbye Sober Day." In this respect I reckon that Mr. Bungle's California could be reviewed as just another ripple in the weird "world beat" well, but I believe this record serves as proof that pre-Y2K global fusion, musically speaking, needn't entirely be remembered as naive Cirque du Soleil-caliber dregs of whimsical frivolity to be trampled by the likes of Michael Flatley. No, this album plays like rose-tinted muse blender on puree, partying with the lifetime achievements of Brian Wilson and Burt Bacharach like it's 1999!

Interview With Rob Swift About New Album The Architect (Ipecac)

Posted by Billyjam, March 1, 2010 11:45pm | Post a Comment
Rob Swift
Released last Tuesday, The Architect by DJ/producer Rob Swift (X-Men, X-Ecutioners, Ill Insanity) has been selling well at Amoeba Music. At the San Francisco store it charted at number three last week on the latest Top Five Chart. Put out by Mike Patton on his Ipecac Recordings, The Architect is the latest in a string of solo releases from the prolific turntable artist, who for this latest release constructed and modeled the album like a classical music composition.

In fact, The Architect is an ambitious project, even for an artist like Swift, who has made a career out of pushing the envelope with his innovative turntable-as-instrument recordings. The Architect, which he dedicated to his former X-Ecutioners band-mate Roc Raida, who died last year, is an excellent recording that raises the bar on turntablist/scratch albums.

I recently caught up with Rob Swift to ask him about the new album and how it came into being. "In June of 2008 I was in my bathroom shaving and my girlfriend, her name is Tess, walked into the bathroom and was like, 'I want you to listen to something. So she set up her iPod and little speakers and played a piece by Chopin for me. I forget what piece it was but I remember being blown away and been really touched and moved by this music I was listening to," he recalled. "So I finished shaving and came out of the bathroom and I was like, Tess you gotta play me more of that music. What is it? And she started to explain to me about classical music. And the funny thing is that all of us have been exposed to classical music at one time or another, whether in a movie or at Macy's in an elevator, or if you're watching commercials. So as much exposure as I have had to the genre of classical music, I don't think my mind and my heart was ready to accept it. But for some reason on that day in my bathroom, my heart was ready to embrace this genre."

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