It’s seven-thirty in the morning; I’ve just rolled out of bed after a weird and ultimately unhelpful dream about being accidentally tossed off the Thunder Mountain Railroad ride at Disneyland, after which I ended up drenched in water and yelling at Timothy Dalton, who was working as a security guard, for not believing that their stupid ride malfunctioned and landed me in a private parking garage.
Seriously. That’s what I was dreaming. Is it any wonder I’m awake an hour before normal? I mean, who needs that kind of crap? I am like, totally giving my subconscious mind the silent treatment today.
Two things are helping salvage my mood. One is writing this to you, of course. The other is listening to Jobriath.
This dude’s story is mostly tragic; one of the casualties of the music industry. He was glam at a time when glam had just started retiring. Bowie had already reinvented himself as a Zoot-suit wearing soul singer. Even so, Jobriath was promoted by Elektra Records as though his debut album would be more popular than The Beatles, and subsequently, God.
His half-naked frame was plastered all over cities at a time when we weren’t used to seeing such things. (I mean, nowadays it’s like, “Oh, a huge billboard of two, scantily-clad beefcakes frolicking in a pool together… in an advertisement for Toilet Duck.”) Jobriath’s first album was inescapable, and it hadn’t even been released.
So that, when it finally did hit the shelves, though it was critically acclaimed by many, it couldn’t live up to the hype that had come before it. Jobriath was eventually abandoned by his management and lived the rest of his life out in relative obscurity; his major legacy being an example to record companies on how NOT to handle a new act.