Key Video 6726
Key Video 6726
Growing up a latch-key kid in the mid-eighties meant that I spent many hours every day after school in front of the tv. Adding up all that time well spent I estimate that had my pre-adolescent life been stripped of my cable network companions I might be a very different person indeed. That said, I’d like to direct a hearty “thank you” to Shelley Duvall and her quality family program Shelley Duvall’s Faerie Tale Theatre for instilling in me a healthy dose of common sense and propriety by way of deliciously thrilling fantasy entertainment. I’ll never forget my first viewing of this stellar program: Rapunzel starring Duvall herself as the o’er tressed damsel and Jeff Bridges displaying raw and regal sexual appeal in his portrayal as the ill-fated prince who happens upon Rapunzel’s secluded tower. I know that I squandered countless innocent daydreams pondering the exemplary portrait of Bridges’ male beauty while also wondering what the heck chocolate dipped radishes might taste like and why pregnant women risked the lives of their loved ones to procure them. I began to seriously consider future career paths ripe for the treading as a witch or princess or mermaid. Thanks to cable tv, a VHS recorder and an insatiable appetite for all things fantastical, my life took on a weekly cycle of significance, punctuated at the ends by my favorite show.
London's Victoria and Albert Museum has announced that it has bought perhaps the most recognizable logo in all of music at an auction in the U.S. -- the original artwork for The Rolling Stones famous "lips" logo, inspired by the Mick Jagger’s pouty mouth. The museum bought the work for $92,500.
The lips-and-tongue logo was designed by London art student John Pasche in 1970, and first appeared on the inside sleeve of the Sticky Fingers album released the following year. Pasche would go on to design posters for several Rolling Stones tours of the 1970’s, and the promotional sticker for Goats Head Soup plus a couple of single sleeves for the Stones.
According to an article in The Guardian, the idea for the logo came when Pasche, a graduate of the Royal College of Art in London, first met Jagger in the Rolling Stones' offices. “Face to face with him, the first thing you were aware of was the size of his lips and his mouth,” Pasche was quoted as saying.
Pasche added that he would use the money from the auction to send his 11-year-old son to private school. Initially paid just £50 for the logo, later when the Stones copyrighted the design Pasche received a share of the royalties’ rights; eventually he sold his share for a lump sum.
Since his early ‘masterpiece’ Pasche has done considerable design work for the record industry including albums, single sleeves and posters for artists such as Paul McCartney, The Stranglers, The Vapors, David Bowie, Judas Priest, The Who, the Bay City Rollers, the Art of Noise and Jethro Tull.