Growing up a latch-key kid in the mid-eighties meant that I spent many hours every day after school in front of the tv. Adding up all that time well spent I estimate that had my pre-adolescent life been stripped of my cable network companions I might be a very different person indeed. That said, I’d like to direct a hearty “thank you” to Shelley Duvall and her quality family program Shelley Duvall’s Faerie Tale Theatre for instilling in me a healthy dose of common sense and propriety by way of deliciously thrilling fantasy entertainment. I’ll never forget my first viewing of this stellar program: Rapunzel starring Duvall herself as the o’er tressed damsel and Jeff Bridges displaying raw and regal sexual appeal in his portrayal as the ill-fated prince who happens upon Rapunzel’s secluded tower. I know that I squandered countless innocent daydreams pondering the exemplary portrait of Bridges’ male beauty while also wonderi
ng what the heck chocolate dipped radishes might taste like and why pregnant women risked the lives of their loved ones to procure them. I began to seriously consider future career paths ripe for the treading as a witch or princess or mermaid. Thanks to cable tv, a VHS recorder and an insatiable appetite for all things fantastical, my life took on a weekly cycle of significance, punctuated at the ends by my favorite show.
London's Victoria and Albert Museum has announced that it has bought perhaps the most recognizable logo in all of music at an auction in the U.S. -- the original artwork for 
According to an article in The Guardian, the idea for the logo came when Pasche, a graduate of the Royal College of Art in London, first met Jagger in the Rolling Stones' offices. “Face to face with him, the first thing you were aware of was the size of his lips and his mouth,” Pasche was quoted as saying.
