This week's Hip-Hop History Tuesdays Amoeblog celebrates veteran Oakland rapper Dangerous Dame. The East Bay hip-hop, born Damon Edwards, ranks up there amidst the select early Bay Area hip-hop era artists to make it in terms of putting out records in the 80's, getting commercial radio airplay, and landing a major label record deal - and all while still a teenager! However, as is often the case in the ever-fickle music biz, that success was relatively short-lived despite affiliations throughout his career with such high profile artists as Too $hort, Master P, and Mac Dre. Nonetheless Dangerous Dame is a very important figure in the history of Bay Area hip-hop whose career was most notable from the late 80's through the late 90's with the first few years being the most significant. He was also an artist that grabbed rap fans attention with his unique flow and penchant for forever shouting out his hometown of Oakland, CA born and proud rapper.
Dangerous Dame got into rap early in life, kick-starting his career while barely into his teens. At the young age of thirteen he was writing his own rhymes and within two years was onstage performing them at local talent shows. Not long after that the talented teen was teaching himself how to make beats and produce his own music; thanks to his always supportive father James who purchased him his first drum machine along with some other basic recording equipment, and who would later fund and personally release his son's debut "Jumpin" (featuring DJ Dopecut on the scratches). Hence why the label name incorporated his pops' name; James Edwards Sr. Enterprise. Released at the beginning of 1989 this underground, cassette-only release was truly a homegrown, low-budget affair. It's cover art, a low-grade photo of Dame and his DJ posing by an Oakland city sign with their two names scribbled on with a sharpie and the album title oddly appearing in quotes, looked like it was sloppily slapped together as an afterthought. Regardless the tape inside offered seven powerful tracks that showcased both the young Dame's solid writing skills and his unique delivery; a rough & rugged but shrill vocal style that was distinctly Oakland and somewhat derivative of Too $hort but never duplicating him in either flow or content.