Amoeblog

Horror, The Universal Language 2: The Body in Videodrome (1983) & In My Skin (2002)

Posted by Charles Reece, October 27, 2009 11:51pm | Post a Comment
 videodrome poster french   in my skin poster french

Karen Conterio, founder of the in-patient "A Safe Alternative Program for the Treatment of Self-Injury" at University Hospital in Chicago, describes the average self-mutilator as intelligent and sensitive. She has low self-esteem, comes from a middle- to upper-class economic background, and began injuring herself as a preteen. Her parents are generally high-achievers who have trouble effectively communicating their feelings and often neglect their daughter's needs. -- Teen Magazine

My body is a journal in a way. It's like what sailors used to do, where every tattoo meant something, a specific time in your life when you make a mark on yourself, whether you do it yourself with a knife or with a professional tattoo artist. -- Johnny "not the face" Depp

When it comes to dealing with depersonalization disorders, David Cronenberg was ahead of the curve. He's the undisputed master of the Cartesian horror film, where the self is never wholly integrated with the body. Even his recent crime film, Eastern Promises, shows such a detachment where the Russian mob doesn't trust memory, relying instead on tattoos to signify their identity. Unfortunately for them, anyone with money can get a tattoo, Megan Fox, suburban mall punks, or an undercover cop. Therein lies the problem with trusting the body: it's too easily manipulated and controlled by external forces. As any self-flagellating monk could tell you, the surest way to sin is in reducing self to the earthly constraints of body, the locus of empty spectacle.

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