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Digging in the Crates of OMCA's Vinyl: Sound & Culture of Records Pt 4: Sylvie Simmons, David Katznelson, & Rachael Aguirre

Posted by Billyjam, July 26, 2014 10:00am | Post a Comment


If you haven't already made your way to the ever-popular, Amoeba Music sponsored, excellent exhibit Vinyl: The Sound and Culture of Records at the Oakland Museum of California's (OMCA) which opened three months ago on April 19th (Record Store Day) at the downtown Oakland museum in its Great Hall exhibition area don't fret as you still have some time - well not much, but some - since it is open through tomorrow Sunday July 27th. To mark the end of this wonderful hands on exhibit, that paid homage the joys of analog and vinyl with lots of local Bay Area folks (including many Amoebites) offering their input on the subject, today Saturday July 26th will be the final weekly Talk & Play program of the three month long exhibit in which experts in specific areas of music/records informally chat to a museum audience while dropping the needle on the records that they are referencing in their talk/lecture.

Today - from 1:30 pm to 2:30 pm in the Great Hall - the Talk & Play session will be David Katznelson (record producer, and president of Birdman Recording Group) and friends who will be presenting a Talk & Play they call Every Record Has a Story. David's co-hosts will be Steven Baker (former president of Warner Brothers Records), Britt Govea (Folk Yeah Productions founder), and Josh Rosenthal (founder of Tompkins Square Records)  - all of whom will share  their favorite music/records and tell stories and secrets related to collecting said records. David Katznelson is among the many record collecting musicologists who have curated crates (that museum goers can personally play on provided turntables) at the Vinyl exhibit. For this final fourth installment in the Digging in the Crates of OMCA's "Vinyl: The Sound and Culture of Records" Amoeblog series I have included David's crate: The influence and genius of the Velvet Underground, along with those of two other contributors: Sylvie Simmons whose crate is Grrl Power - women in rock from pop to punk, 1960-1980, (she also curated Sylvie Simmons the Americana crate), and the museum's own Rachael Aguirre (Administrative Assistant & OMCA Lab - Curatorial and Experience Development) whose crate is titled Sound track for Dungeons and Dragons: Onyx Discs of Epic Sound: A Dungeons and Dragons Soundtrack. Meanwhile the photos in this blog are either provided by OMCA or James Mak of Joysco Photos who kindly shot this photos on behalf of the Amoeblog (thank-you James!).

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Digging in the Crates of OMCA's "Vinyl: The Sound and Culture of Records" Pt 1 featuring Marc Weinstein

Posted by Billyjam, June 27, 2014 11:35pm | Post a Comment


Since it opened two months ago (fittingly on Record Store Day, April 19th), the Oakland Museum of California's (OMCA) ongoing exhibit Vinyl: The Sound and Culture of Records has been resoundingly popular and is attracting museum visitors of vinyl, the sound and culture of records at oakland museum of californiaall ages and generations, from those who grew up with records to those too young to have ever seen vinyl firsthand or had opportunity (until now) to put down the needle and experience playing vinyl in all its analog glory.

The exhibit, which runs through July 27th, is sponsored by Amoeba Music who supplied nearly all of the vinyl for the hands-on exhibit. The action is in OMCA's Great Hall alongside another cool exhibit scheduled for the same run: Eric Nakamura's  SuperAwesome: Art and Giant Robot exhibit.

As well as supplying nearly all of the records on exhibit and featuring a window display at the Berkeley Amoeba store dedicated solely to the OMCA exhibit, several Amoeba staffers have contributed to the exhibit by way of curating the numerous crates that dot the cavernous exhibit hall. These include Gail Todd, Marc Weinstein, Lori Katz, and myself who are among numerous other contributing music nerds -- such as avid local rap collector 12 Man Rambo, noted San Francisco producer Dan the Automator, and author Denise Sullivan -- who each drew up lists of 33 records per crate (some more, some less).
 

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Recap: Record Store Day Press Conference at Amoeba Hollywood with Chuck D, John Densmore & More

Posted by Rachael McGovern, March 20, 2014 05:20pm | Post a Comment

Chuck D and John Densmore at Amoeba Music Hollywood

On Thursday, March 20 Amoeba Hollywood hosted a press conference and roundtable conversation to announce the official list of limited edition releases available exclusively at independent record stores on Record Store Day 2014 (April 19). Download Amoeba's list (.pdf) of Record Store Day titles here.

RSD co-founder Michael Kurtz kicked off the event with representatives from the city of Los Angeles. Angela Babcock, Business Development Specialist for LA Mayor Eric Garcetti, and Tony Arranaga, Communications Director for LA City Councilmember Mitch O'Farrell, presented Kurtz with official plaques proclaiming April 19 Record Store Day. 

Angela Babcok, Tony Arranga, Michael Kurtz at Amoeba Hollywood

Our special guests for the roundtable included Chuck D, Record Store Day Ambassador for 2014 and co-founder of Public Enemy; John Densmore, founding member of The Doors; Marc Weinstein, co-owner of Amoeba Music; Mark Thompson, owner of Vacation Vinyl; Neil Schield, owner of Origami Vinyl; Julie Edwards of Deap Vally; and Samuel Lopez of Tapioca and the Flea.

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Malcolm Mooney Chats With Amoeblog After The Tenth Planet Oakland Show

Posted by Billyjam, June 17, 2013 11:05am | Post a Comment
As previewed here on the Amoeblog over the weekend famed former Can vocalist Malcolm Mooney visited the Bay Area to team up with his band Tenth Planet,which features members of Negativland, MX80, The Mutants, Neung Phak, Crack:WAR, and Le Flange du Mal, to play two select NorCal shows: Friday, June 14th at The Lab in San Francisco and the following night at The Layover in Oakland. I was among the lucky ones to make it to the latter, Saturday, June 15th, intimate setting East Bay concert which by all accounts, including Mooney's himself, was the better of the two Bay Area exclusives. For the early show, which was scheduled to start at 8pm sharp and had to be over by 9pm (it ran til 9:15pm with an encore) to make room for the regularly scheduled Shockwave DJs night (Tim Diesel and Max Kane), Mooney was supported by the tight four piece The Tenth Planet - including Amoeba Music co-owner Marc Weinstein on drums.

"I've been playing with Malcolm in various forms for 20 years now and this current band is perhaps the tightest most inspired lineup. It was a fantastic show," said Weinstein of the tight, supercharged set that included both new tracks and reworkings of such Can classics as the crowd pleasing "Yoo Doo Right," "Outside My Door," and "She Brings The Rain." Immediately following the show and before he rushed off to get a few hours of  sleep before heading to SFO by 5am I had an opportunity to chat with Malcolm Mooney for a few minutes on Franklin Street right outside the downtown Oakland Layover club. That short dim street light lit video clip (below), that includes a few words from Marc Weinstein, has Mooney talking about the latest Tenth Planet lineup, the Lab versus the Layover shows, and comparisons between making music and painting - Mooney's other artistic passion.

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After Decades Out of Print, Iconic '60's Poster "Little Girl on the Beach" by John Pearson Is Available Exclusively From Amoeba

Posted by Billyjam, February 4, 2013 04:49pm | Post a Comment

After decades of being out of print, iconic sixties image Little Girl on the Beach by John Pearson is finally available again as a 21 1/4" x 18" black & white poster, distributed exclusively through Amoeba Music. The subject of the photograph is actually one of Amoeba Music's owners, Karen Pearson, who was four years of age when her father snapped the iconic image on a Bay Area beach in 1965. Not planned or staged/posed in any way, the casually taken photo began its ubiquitous life almost by accident when, upon the suggestion of others in the Bay Area Photographers Association, it was entered as part of a children's alphabet themed exhibit in the San Francisco Art Festival that year. The photo, chosen to represent "J for Joy" in the festival, would go on to become globally popular, and would also become Pearson's best known photograph.

Originally one of ten photographs on a roll of film (in the pre-digital age) that Pearson shot on Stinson Beach in Marin County, the photo was first printed as a 5" x 7" scale print. He then blew that up into a larger size print to enter it in the San Francisco Art Festival. From there the photo took on a life of its own; first as a poster that became a classic of the '60s and '70s, and then as the cover of two books - Pearson's own first publication (one of eight books he would publish), To Be Nobody Else, and later the best selling book, Born to Win: Transactional Analysis With Gestalt Experiments by Muriel James and Dorothy Jongeward, published in 1966. The image resonated with a generation and a time in history - many finding the simple but profound image conveyed messages of freedom and hope, joy and happiness, and peace with nature.
 

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