Amoeblog

Only Superman Forgives: Man of Steel (2013)

Posted by Charles Reece, July 1, 2013 12:50pm | Post a Comment
man of steel mondo poster mark ansin

I was recently working my way through Jonathan Hickman's run on Fantastic Four and it struck me how explicit the reference to the destruction of New York was made during the proceeding alien invasion storyline. Sue Storm (the super-mom of the group) demands that her fellow heroes move the battle with the invading Kree from the city's skyline to the ocean (why the ruler of the oceans, Prince Namor, has no problem with this is, I guess, because he's all googly eyed over Sue). And after the battle, the superheroes are shown helping rebuild the damaged city. This kind of real world destruction was so unimportant to superhero comics in the past that it became a central joke for a miniseries made back in the 80s called Damage Control about who actually does all the cleaning up. That's what the terrorists did to us, made it impossible to imagine a fantasy where real people aren't being hurt by collateral fallout from cataclysmic battles between superpowered beings.

Contrariwise, Slavoj Zizek has suggested 9/11 was a soporific, that it placed us in slumberland where American fantasies could take hold once again ("virtualization," he called it). The terrorists gave us real nefarious villains to which we could be safely opposed. The prominent media reaction, as he took it, like that of the typical superhero narrative, dehistoricized the attacks, setting them in the perpetual present of an endless comic book (or Hollywoodian virtual) world, where the action becomes one of pure villainy for villainy's sake, motivated by nothing but pure evil ("they hate our freedom," etc.). As Dan Hassler-Forest puts it in his book, Capitalist Superheroes:

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Looking Ahead to 2013 ...

Posted by Billy Gil, December 27, 2012 10:29am | Post a Comment

It’s still December 2012, but there’s plenty to get excited about heading into the new year, music- and movie-wise. Check out the preorders we have available below. 

My Bloody ValentineIn addition, new records hitting shelves early in the year include new records by Yeah Yeah Yeahs (Spring), the late, great Broadcast (The Berberian Sound Studio [Soundtrack], Jan. 8), Frightened Rabbit (Pedestrian Verse, Feb. 5), Unknown Mortal Orchestra (II, Feb. 5), Azealia Banks (Broke With Expensive Taste, Feb. 12), Veronica Falls (Waiting for Something to Happen, Feb. 12), Beach Fossils (Clash the Truth, Feb. 19), Iceage (You’re Nothing, Feb. 19), Girls Names (The New Life, Feb. 29), Johnny Marr (The Messenger, Feb. 26), The Mary Onettes (Hit the Waves, March 12), Low (The Invisible Way, March 19), Wavves (Title TBA, March 26), The Knife (Shaking the Habitual, April 9) and, of course, Guided by Voices (English Little League, April 30). My Bloody Valentine are supposedly releasing their long-awaited follow-up to 1991’s classic Loveless, the favorite album of many a music nerd, as they’ve just announced via their Facebook page that they finished mastering their new album. Any MBV fan knows that recording, let alone mixing, let alone mastering a new album by the shoegaze titans is a painfully long and arduous process at best, so this is very exciting news! Though supposedly the record will come out on their website first, we’ll let you know as soon as we hear anything about a new, physical My Bloody Valentine LP.

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