Amoeblog

New End of the World Music!

Posted by Billy Gil, December 21, 2012 01:33pm | Post a Comment

Are you as sick as I am of seeing “It’s the End of the World as We Know It” quoted on Facebook? Here are some newer tunes inspired by the end of the Mayan Calendar.

Dent MayDent May – “2099”

Just released this week, Mississippi indie pop great Dent May has released a dance-pop track inspired by the end of the world — which will take place in 87 years, apparently (actually that seems sort of plausible). “Are you afraid of what tomorrow’s gonna bring?” he asks before declaring “If we all die by a nuclear war/We’re gonna go out on the dancing floor.” Dent May’s Do Things was released this year on Animal Collective’s Paw Tracks label, it’s great and super underrated, check it out!

 

 

Hunter HuntedHunter Hunted – “End of the World”

L.A. band Hunter Hunted have released this video to their KCRW-touted track “End of the World.” Despite its Road Warrior look, they make the apocalypse seem like a lot of fun. They’re at the Troubador Feb. 12.

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Top Albums of 2012 So Far

Posted by Billy Gil, June 28, 2012 05:27pm | Post a Comment
It’s that time of year again — time for best of music lists. No, it’s not December yet, but I don’t care. It’s Thursday and I want to make a list. Pick up all of these if you haven’t yet.
 
beach house bloom
1. Beach House - Bloom
 
Song for song, Beach House’s Bloom is the most consistently great album that’s been released this year. The band sounds more energized than ever, grasping the pop brass ring with songs like “Lazuli” and “Other People” that match hookiness for sheer beauty. If Beach House are this generation’s Cocteau Twins, this is their Heaven or Las Vegas.
 







fiona apple the idler wheel
2. Fiona AppleThe Idler Wheel
 
Fiona Apple is no less mad or maddening than before on The Idler Wheel…, but her venomous lyrics have a new sting, her vocals are more accomplished than ever, and her arrangements are as bravely tangled and unafraid of ugliness as her lyrical content.
 

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Album Picks: Death Grips, Light Asylum, Santigold, Lower Dens

Posted by Billy Gil, May 2, 2012 03:09pm | Post a Comment
death gripsLots of great new stuff came out on Tuesday, and I’ll get to that, but I need to talk about Death Grips a bit first. The Money Store is surely one of the best things anyone has recorded yet this year, a discordant fusion of early hip-hop energy and noise-rock chaos. Hella and Marnie Stern’s Zac Hill is on production duty, along with Andy Morin, and Hill brings the same mania to Death Grips as he does obliterating the drum kit. Stefan Burnett’s guttural spit cuts through but get processed and falls into the background when it needs to, pulling you in and pushing you back simultaneously. Study music, this is not. The entire album feels exactly like this moment:
 


Check out the dubsteppy “Lost Boys” and head-spinning electro-rap of “Get Got” for a taste.


 

Coming out Tuesday was the first full-length release from light asylumdarkwave purveyors Light Asylum, who floored us with 2010’s In Tension EP. Light Asylum delivers as frontwoman Shannon Funchess growls over black rainbow of electronic sound — like freestyle dance music put through the industrial meat grinder. Fuchness and collaborator Bruno Coviello are as capable of extreme aggression (the chilling “Pope Will Roll”) as they are of creating pop thrills with real bite (“IPC” and “Heart of Dust”) and genuinely affecting electro-ballads — “Sins of the Flesh” and “Shallow Tears” dig past their electronic veneers given Funchess’ operatic howl, a Grace Jones-meets-Trent Reznor monster of a voice that can break your heart just as it can make you cower. This is the real deal, an enthralling and sometimes harrowing listen, and a must-hear for any fan of bitterly great music.

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