, or Bonnie "Prince" Billy
, as he often styles himself onstage and on wax, seems to have naturally great taste when it comes to singer-songwriter types native to or otherwise rambling through the backwoods and beachheads of Northern California. Of his latest collaborations I've taken a shine to the Cairo Gang
or, more specifically, the vocals and guitar styling of one Emmett Kelly
& co. --- lending a little of this and that to a handful of recent BPB albums as well as offering gentle listeners something on the side with the release of their 7" EP Holy Clover
(out now on Empty Cellar Records
Each of the four songs captured here recall proper feelings of seasonal impermanence and the sort of wisdom-beyond-one's-years that many modern singer-songwriters attempt to brew but seem to have trouble getting just right. Kelly (besides having a fabulous name) is blessed with a voice that not only pairs remarkably well with Oldham's wood-smoked yet crystal-fragile vocals but suits the well-crafted folk/rock vibes his band lays down (I've always thought Oldham's voice, while folksy, was more country than rock), especially when he lets loose in "Get's Me Back" on side B --- a jam with stellar guitars (Kelly is joined here by Chris Rodahaffer
) sounding something like America
high-fiving Neil Young
with an echo of Kyle Field's (a.k.a. Little Wings
) sentimental Soft Pow'r
glowing 'round the edges.
On the whole this little gem plays languid and pale in a light what shines one of the best of Bonnie Billy's partners in crime. Below is a little clip of Emmet Kelly and Will Oldham performing "Midday" (the A side to the 7" that accompanies the Bonnie "Prince" Billy & the Cairo Gang Wonder Show of the World
CD and LP) --- their "Afternoon Delight," as it were --- in a Brooklyn basement.