Johnny Mathis '65
Last of the Blacksmiths are one of the most talented and moving bands here in the Bay Area. Comprised of Nathan Wanta, Nigel Pavao and Bert Garibay, who play everything from mandolin to keys to guitar to drums, the band's sound rolls from The Band-like harmonies and depth to deep fried Southern- sounding funky interplay and heaviness. To check out their music, visit the band's Myspace page. Their latest record, Young Family Song, is available at Amoeba. I chatted with Nathan and Nigel recently about their visit to Levon Helm's farm, how Bikini Kill makes them cry, and the charm of a Wurlitzer.
Miss Ess: So, what have you been listening to lately?
NATHAN: Seems that this can change so drastically from day to day, but thinking of albums that I’ve listened to most in the past year or so, I’d say Allen Toussaint’s first three records probably win, followed by Dennis Wilson’s Pacific Ocean Blue, the Amazing Visions Black Fiction cd that Bert gave me,Terry Allen’s Juarez, Candi Staton’s Candi, Clifford Coulter’s, East Side San Jose, and I can’t leave out Eugene McDaniel’s Outlaw. Was pretty obsessed with the song “Cherrystones” for a while.