Amoeblog

20 Essential Records You Need on Vinyl

Posted by Billy Gil, April 10, 2013 09:21am | Post a Comment

Use the promo code vinyl10 to get 10% off any new and used vinyl on Amoeba.com.


In honor of the upcoming Record Store Day 2013, I decided to make a list of 20 records I think everyone should own on vinyl. Take this Record Store Day to build a nice foundation for your record collection. I picked this list based on pretty arbitrary criteria, including what critics generally think are great, what I think is great, what I think particularly sounds good on analog-warm vinyl, and what you won’t have to pay $100 for or scour for (e.g. no hard-to-find ’90s vinyl or things out of print). I also left it to one album per artist. These aren't in any particular order. Send any omissions to this list to idontcare@makeyourownlist.com. Or just leave a comment!

 

The BeatlesRevolver

The Beatles RevolverIn my mind, The White Album is the greatest Beatles album, but you can’t beat the utterly perfect one-disc punch of Revolver. It should go without saying that every Beatles album is essential and is worth owning on vinyl yadda yadda, but if you have to start somewhere, do it here. Their catalog was recently reissued on vinyl in stereo mix, so you should have no trouble finding them if you’re just starting out — and you should have no trouble finding quality replacements, if your old Beatles LPs are worn out.

Continue reading...

Concerning Hobbit Rock: Exploring A Beloved Micro-Genre

Posted by Kelly S. Osato, January 25, 2013 06:41pm | Post a Comment
Given all the hubbub this past holiday season surrounding the opening of Peter Jackson's newest venture into J.R.R. Tolkien's Middle Earth The Hobbit: An Unexpected Journey, I think it's time to shift the spotlight onto a little known sub-subgenre tucked away, much like a hobbit hole snugly abutting a hillside, within Amoeba Music's extensive Rock Various Artists section: Hobbit Rock.

amoeba music genre subgenre rock various artists compilations fringe cult hobbit rock tolkien lost seventies classic mediaeval mediaval english j r r tolkein lord of the rings frodo bilbo baggins


Now, I have to admit the first time I clocked the Hobbit Rock bin card I was taken aback, gagging on the  question: what the heck is this? Browsing though the titles it began to make sense. Much like unfolding a map of Middle Earth to explore a visual representation of the diverse cultures and histories that Tolkien invented to people his fictional universe, browsing Hobbit Rock is to peruse a Led Zeppelin hobbit rock lord of the rings lyrics robert plant hippy hippie rock collection of music that either inspires sincere impressions of Middle Earth or is unequivocally informed by Tolkein's fantasy writings.

In other words, if an artist makes blatant Tolkien-esque references in lyric  (apparently Led Zeppelin couldn't resist slipping more than a little Middle Earthliness into practically every album) or otherwise artistic content (see my list below) then that, friends, is pure, gem mint ten Hobbit Rock.

Albums Out Nov. 19: Led Zeppelin, Tim Hecker/Daniel Lopatin, LA Vampires/Maria Minerva and More

Posted by Billy Gil, November 19, 2012 05:48pm | Post a Comment

Album Picks:

Tim Hecker, Daniel Lopatin - Instrumental Tourist

Tim HeckerCD $9.98

LP $19.98

Tim Hecker and Daniel Lopatin aka Oneohtrix Point Never’s Instrumental Tourist brings out the best in two major figures in electronic music, producing a musical endeavor that’s as interested in pleasing its audience as it is turning over new stones. “Uptown Psychedelia’s” mechanical noise ebbs in and out while an eastern-influenced synth line wriggles chaotically. While more glacially paced, “Scene From a French Zoo” eschews the notion that ambient music need be peaceful or serene; its foreboding tone indicates some unstated melancholy. “Vacation for Thomas Mann” grows more ethereal as the pair set their synths skyward. Appropriately titled “Intrusions” tracks back to themes introduced in “Uptown Psychedelia” with industrial noise bursts, though it retains the ethereal feel of “Vacation for Thomas Mann,” until it gradually gets nastier and disintegrates. “Whole Earth Tascam” builds tension with noise and synthesized vocals before breaking apart to the sound of birds chirping, but then it gets even tenser than before. The song’s intriguing push-and-pull makes it the most soundtracky song on the album and definitely a highlight. “GRM Blue II” makes for a quick, strangely melodic respite full of glassy tones, while the more aggressive “GRM Blue III” is full of squelching sounds like an alien response to earthling radio signals, challenging the listener as the song stretches to nearly six minutes. The albums final tracks continue pushing the album’s ethereal and unsettling qualities in seemingly equal measure, particularly on the Eastern touches and wind instruments of “Grey Geisha,” never losing listener attention, though Instrumental Tourist can be a demanding listen. By keeping things unfussy and not overly layered, Hecker and Lopatin create excitement in their interplay. Their union proves not to be a collective patting on the back but rather another notch in the post of excellence for both artists.

Continue reading...

Music History Monday: November 19

Posted by Jeff Harris, November 19, 2012 11:34am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

Music History MondayOn this day in music history: November 19, 1966 - "Knock On Wood" by Eddie Floyd hits #1 on the Billboard R&B singles chart for one week, also peaking at #28 on the Hot 100 on December 10th. Written by Eddie Floyd and Steve Cropper, It will be the biggest hit for Alabama-born soul singer. The song is actually recorded in the Summer of 1965 (with Booker T. & The MG's, Isaac Hayes on piano, and The Mar-Keys' horn section), but is held back from release by Stax Records president Jim Stewart when he believes that it is too similar to Wilson Pickett's "In The Midnight Hour." The record will actually experience resistance from radio upon its release, failing to receive any airplay initially. Stax Records' head Al Bell will hit upon the idea of Floyd performing live in an area where he has a strong fanbase. Washington DC will be city that is chosen. The ploy will work, with the single breaking on radio stations in the DC and Baltimore area. From there, the record will go national. Over the years, "Knock On Wood" will be covered by a number of artists Ike & Tina Turner, David Bowie, and Eric Clapton. Singer Amii Stewart's disco rendering of the song will become a worldwide hit, hitting #1 on the Billboard Hot 100 in April of 1979.
 

Continue reading...

Music History Monday: October 22

Posted by Jeff Harris, October 22, 2012 10:00am | Post a Comment

To read more Behind The Grooves, go to http://behindthegrooves.tumblr.com.

Music History MondayOn this day in music history: October 22, 1969Led Zeppelin II, the second album by Led Zeppelin is released. Produced by Jimmy Page, it is recorded at Olympic Studios and Morgan Studios in London; A&M Studios, Quantum Studios, Sunset Sound, Mirror Sound, and Mystic Studios in Los Angeles; A&R Studios, Juggy Sound, Groove Studios, and Mayfair Studios in New York City; "The Hut" in Vancouver, BC, Canada; and Ardent Studios in Memphis, TN from January - August 1969. Quickly following the success of their self-titled debut, the album is written on the road and recorded in numerous studios in the US and UK on days off between tour dates. Led Zeppelin II will quickly surpass their debut in sales, cementing the bands' musical reputation as well as establishing a template in which countless hard rock and heavy metal bands will follow. It will spin off several classics that become rock radio staples including "Heartbreaker," Ramble On," and "Whole Lotta Love" (#4 Pop), the latter of which is issued as a single. The initial US pressing of the LP mastered by Bob Ludwig will be problematic for some as loud and dynamic passages on the record will cause it to skip on cheaper turntables of the day, initiating sizeable returns. Atlantic will be forced to remaster the album (this time by George Marino), with the bass and high end significantly rolled off. These original "loud cut" pressings of II will become sought after by collectors over the years. Led Zeppelin II will spend 7 weeks at #1 (non-consecutive) on the Billboard Top 200, and is certified 12x Platinum in the US by the RIAA.
 

Continue reading...
BACK  <<  1  2  3  4  5  >>  NEXT