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Amoeba Electronic's 2013 Best of LPs

Posted by Oliver / Matt / Jordan, December 19, 2013 02:58pm | Post a Comment


Thanks for supporting Amoeba and reading the Amoeba Electronic blog in 2013. Like us on Facebook for daily updates and feel free to hit us up with any requests/feedback. Without further ado, here are our Best LPs of 2013, compiled by Oliver, Matt and Jordan. 

 

ADR - Chunky Monkey LP Cover20. ADR - Chunky Monkey

Hippos In Tanks

While visual artists have been quick to adapt to the internet's Babel of information, musicians have been slow to comment directly on the vast digital buzz. Hippos In Tanks, as a label, has admirably pushed this conversation forwards while also displaying a fierce devotion to the traditional mediums of CD and vInyl. James Ferraro's "Farside Virtual" (Hippos In Tanks, 2011) was seen as a comment on emerging personality types in the face of rampant technoconsumerism, but in retrospect, can be seen as Ferraro's first step out of the cassette underground into sleeker rnb/hip-hop influenced production Gatekeeper's "Exo" had them abandoning the Carpenter-esque VHS aesthetics of their previous releases, even hiring internet artist Tabor Robak to create a playable game for reach song. The most successful effort in creating a musical analog to endless internet-meme driven communication is ADR's "Chunky Monkey". 

The record succeeds first and foremost because Aaron David Ross (1/2 of the Gatekeeper) is a completely badass producer. I woudn't be suprised if legitimate pop production is in his future based off of the seemingly effortless genre tourism on display here. Opener "Casual Friday" places  samples of sitcom saxaphones against a loping 303 and eerie processed piano that could be lifted from a Prologue release. "Sumo" seems to be an oblique comment on 90s boom-bap, while "What It Takes" could be lifted from a sinister Sprite commercial. "Stray Dog Strut" could be seen as ADR's reading of Sly and Robbie digidub, but in this tune, the comment on internet culture is palpable. In the midst of innocuous and expertly produced genre-exercises, ADR is prone to interrupt with unsettling samples (e.g. a screaming chorus of roller coaster riders) to fray the edges. The effect has an uncanny resemblance to cruising through life with 15 tabs open.

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Pseu Pseu Pseudio - Pseudonymous Musical One-Offs

Posted by Eric Brightwell, November 28, 2013 10:49am | Post a Comment
In thinking about and working on a post covering one-album-wonders, I was reminded of a few single releases that were pseudonymously attributed to otherwise non-existent performers. Of course many musicians release music under stage names and a list of their releases would include the entire catalogs of  everyone from David Bowie, to Elton John, to Elvis Costello and 99% of dance artists and rappers

I'm talking about weird one-offs. So far I've only thought of two (updated since with contributions from readers) of these releases but I'm sure that there are quite a few for so help me out, please. Hopefully the more suggestions that are made, the more I can clarify what it is, exactly, that I'm talking about.

*****

I'm not including The Four Seasons because although they also recorded as The Wonder Who?, they weren't a one-off, having contemporaneously released four singles over three years. Similarly, although The Pretty Things also released music as The Electric Banana, it wasn't a one-off, as they did so across two decades.

Although Thin Lizzy formed in 1969, they were hardly overnight successes. In fact, their 1970 single, "The Farmer" b/w "I Need You" sold just 283 copies. In order to make some extra Irish pounds, they recorded an album of Deep Purple covers as Funky Junction for German businessman Leo Muller. It wasn't exactly a one-off though because the vocals were provided by Elmer Fudd's Benny White and not Thin Lizzy's Phil Lynott

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Don't Knock the Rock 2013 is coming

Posted by Eric Brightwell, August 18, 2013 09:00pm | Post a Comment
Don't Knock the Rock is a film festival that's taken place now for ten years. Each year filmmaker Allison Anders (Gas, Food Lodging, Grace of My Heart, and Mi Vida Loca) and her daughter, Tiffany, curate probably the best film festival of its sort in Los Angeles, focusing on rare or new music documentaries about personality-driven cult bands and under-exposed music movements and scenes.

Last year I attended the screening of Jobriath A.D. (2012). The year before I was at The Beat Is The Law: Fanfare For The Common (2010), the sequel to 2001's Made In Sheffield -- about the independent music scenes of Sheffield, UK. All screenings take place at The Silent Movie Theatre in Fairfax Village (on the border between the Fairfax District and Beverly Grove) and are hosted by Michael Des Barres of the TV series MacGyver.

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New 12"s @ Amoeba Hollywood: 10/21 - Mike Huckaby, Portable, Theo Parrish, Chubby Wolf, Lawrence, Floating Points & more

Posted by Oliver / Matt / Jordan, October 20, 2011 06:06pm | Post a Comment
Sistol/Pole
The SYNTH Huckaby Remixes 12"
Slices Of Life

Slices Of Life presents tracks from Vladislav Delay's Sistol and Pole projects, remixed by Mike Huckaby. To start, "Keno" is transformed into an outstanding, dubby, Detroit-house masterpiece -- exclusively released as an extended version. On the B-side, Huckaby remixed a track originally produced in the same time period: Pole's "Silberfisch." In 2011, Mike Huckaby keeps the dubby and slightly melancholic, crackling atmosphere of the original, but his "S Y N T H Remix" beams "Silberfisch" straight onto the dancefloor.

Purchase Synth Remixes here



Portable
Into Infinity 2LP
Perlon

On the fifth album by Alan Abrahams aka Portable, he teams up with Efdemin, Johannes Schön and Süd Electronic label-mate Lakuti, to lead us Into Infinity. During the last 15 years, Alan has lived and composed in South Africa, England, Portugal and Germany. He has released records on Background, Context, Karat, Musik Krause, ~scape, Spectral, his very own Süd Electronics label and Yore.

Purchase Into Infinity here




Theo Parrish / Burnt Friedman
Meet Mancingelani and Zinja Hlungwani 12"
Honest Jon’s

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Mahssa's Massive CD Round Up - Theo Parrish, Walls, Plaid, Lawrence, DJ Shadow & more

Posted by Oliver / Matt / Jordan, October 7, 2011 05:05pm | Post a Comment
Theo Parrish
Theo Parrish
Ugly Edits
Ugly Edits 



Hello world, they're here. Unavailable for like, ever, now in one package complete with a hand-painted cover. Theo Parrish is one of Detroit’s most wanted exports especially in the past few years, but not too long ago, like many future techno-rebels that came before him, he was just another hustling Detroit DJ trying to make waves in the shadow of the city’s rich techno history. His indelible mark on the underground were highly limited, hand-labeled bootleg edit records of some of his favorite classic funk and disco tunes. The series of edits appropriately titled Ugly Edits, became highly desired rarities on the DJ and collector’s circuit. Rarities no more... as everyone should and can now hear his versions of Jil Scott, Harold Melvin & The Bluenotes, Freddie Hubbard, and Sylvester edits just to name a few somewhere other than YouTube. Cool.
Lawrence
Lawrence
Timeless

Cocoon  

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