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Weekly Roundup: KING, Rangda, Kendrick Lamar, La Sera, Golden Daze

Posted by Billy Gil, December 4, 2015 02:52pm | Post a Comment

Last weekly roundup of the year! Check back in with us next year for more coverage of local music from L.A. and the Bay Area.

KING – “Hey (Extended Mix)”

king bandThis gorgeous cosmic R&B love ballad comes from L.A.’s KING. The track gently unfurls its breathy vocals and layered synths so gracefully, you almost miss the nuance that makes the song something special. It’s reminiscent of Stevie Wonder’s best, turning a simple sentiment like “You were made for me, and I, you,” from trite to transcendent. The song first appeared on their 2011 EP The Story, which Pitchfork points out got them the attention of none other than Prince. This expanded version will be on their debut LP, We Are KING, which is due in February.

 

Rangda – “To Melt the Moon”

rangdaBen Chasny of Six Organs of Admittance, Sir Richard Bishop of Sun City Girls and Six Organs contributor Chris Corsano come together to craft a serpentine, snarling guitar track called “To Melt the Moon.” Chasny’s psych notes and Bishop’s African-influenced playing dance with Corsano’s steady 5/4 beat like a North African surf-rock track. Rangda’s The Heretic’s Bargain is due Feb. 19 on Drag City. Stream below via Pitchfork.

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Weekly Roundup: La Sera, Matt Kivel, James Supercave, Kneebody and Daedelus, Tulips, Painted Palms

Posted by Billy Gil, October 30, 2015 10:07am | Post a Comment

La Sera Music For Listening To Teaser

la seraPower-pop goddess Katy Goodman is coming out with a new one called Music For Listening To, due March from Polyvinyl. The album seems to follow suit with 2014’s excellent, punk-fueled Hour of the Dawn, recorded in just eight days by none other than Ryan Adams (in between his stints at this year’s Coachella), along with guitarist Todd "Totally Tod" Wisenbaker with drummer Nate Lotz. Read more via Rollingstone, and check out an album teaser below.

 

Matt Kivel – “Janus”

matt kivelL.A.-based singer/songwriter Matt Kivel has a new album on the way called Janus, out Feb. 5 on Driftless. His third album finds Kivel teaming with Alasdair Roberts on production duties to record in Roberts’ native Glasgow with local musicians. “Janus” is delicately rendered with Kivel’s creaking voice, fingerpicked acoustic guitar, and light piano and string accompaniment, yet its warm shades mask dark lyrics, as Kivel sings at one point, “I feel nothing close to comfort in you.” Listen via Stereogum.

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The 25 Best Albums By California Artists Released in 2014

Posted by Billy Gil, December 17, 2014 03:50pm | Post a Comment

best california albums blog

From L.A. and S.F.’s garage rock scenes to Compton’s blossoming rap artists, California artists represented well in 2014. Here are 25 of our favorites from the year, in alphabetical order.

Allah-LasWorship the Sun

allah-las worship the sun lpOn Worship the Sun, L.A.’s Allah-Las get some dirt on their boots by scuzzing up their sunny surf-garage sound with some rattling guitar solos, stonery grooves (“Buffalo Nickel”) and head-spinning psych-rock tunes (“501-405”).

 

 

Cherry Glazerr Haxel Princess

cherry glazerr haxel princess lpCherry Glazerr had the debut record of the year for Burger Records, moving unstoppably on the strength of its garage riffs and singer/guitarist Clementine Creevy’s teenage caterwaul.

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New "What's in My Bag?" Episode With Katy Goodman of La Sera

Posted by Amoebite, May 28, 2014 11:04am | Post a Comment

La Sera

Katy Goodman went from bassist/back up vocalist of indie rock band Vivian Girls to lead vocalist/front woman of the dream-pop band La Sera. Three albums in and Goodman shows no signs of slowing down. In 2011 (while still gigging with Vivian Girls) Goodman moved back home for two weeks, bought a guitar, a tiny practice amp, and wrote some songs. A few weeks later, she realized she had "sort of written an album by accident." The result was a solid 12 track self titled record produced by longtime friend and Vivian Girls' video director, Brady Hall. In 2012, La Sera returned with Sees The Light (Hardly Art) and critics took note of Goodman's progress in songwriting and vocal delivery. Buzz around La Sera started to grow and hasn't stopped since.

La SeraLa Sera now completes the trilogy with Hour of The Dawn (Hardly Art, 2014). The new record finds Todd  Wisenbaker handling producer and guitar duties. Expect to hear songs that are faster, louder, and more aggresive than previous releases with lots of great catchy vocal lines. La Sera keeps evolving and Goodman is quickly becoming a master of her craft, creating songs that resonate with fans of Vivian Girls and new found La Sera die hards. Hour of The Dawn is a testament to Goodman's star power and her steady rise to the mountain tops of rock & roll!  

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Album Picks: Swans, Amen Dunes, La Sera, Little Dragon, Sean Nicholas Savage

Posted by Billy Gil, May 13, 2014 10:48am | Post a Comment

Swans - To Be Kind (LP, Two-CD Set, Deluxe Two-CD/DVD Set, Download)

swans to be kind lpSwans records are more like happenings, unforgettable experiences you have to sit down and pay attention to. The two-hour To Be Kind, released 21 months after the similarly epic The Seer, is no exception. Sounds wriggle, writhe and heave on the hilariously titled “Screen Shot,” but Swans also seem to have more control than ever—these sounds are speaking to one another, albeit in some unspoken language, not creating a cacophony. The effect can be paralyzing. Listening to “Just a Little Boy (For Chester Burnett)” feels like staring into the darkest night, accompanied by a country sway and Michael Gira’s chants, which grow suddenly violent—“I’m just a little boy!” he cries repeatedly, while the guitars bellow and sigh with increasing pronunciation and sampled laughter ups the creep factor into Lynch territory. Gira growls “I need love” like it’s a threat. Meanwhile, “A Little God in my Hands” is Swans’ version of a pop song—thumping percussion (think Tom Waits) meets multiple voices singing over each other, while eerie backwoods instrumentation and sudden noise explosions burst out of nowhere but somehow still leave you bobbing your head along as Gira repeats evocative adjectives (“forever hateful, forever beautiful, forever needing, forever reaching”). It’s easy to attribute pagan imagery to Swans’ music and say it sounds like a séance or something, but the 34-minute “Bring the Sun/Toussaint L’Overture” really does sound like the soundtrack to a sacrifice, or at least some wicked feast. Its slow, long build demands patience, but Gira’s always charismatic voice makes it worth the trip.

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