At 6pm today (July 28th), KRS One (aka The Teacha & longtime ambassador of all things Hip Hop) will celebrate the publication of his in-depth book, The Gospel of Hip Hop: First Instrument presented by KRS One for the Temple of Hip Hop (Powerhouse Books), with a special Amoeba Music Hollywood appearance. Unlike most Amoeba instores, which tend to be music concerts followed by a meet and greet/CD signing, today's standing room only KRS  instore event, to be held in the SoCal store's cozy Jazz Room, will involve the veteran Hip Hop artist, activist, educator, author giving a lecture related to The Gospel of Hip Hop, taking some questions from the audience, and signing copies of his book. It is still possible to get in on today's special event. For full information & exact details click here. And if you are unable to attend today's event but would like to purchase a copy of the book online from Amoeba you can do so by clicking here. If you have any questions that you would like KRS to answer please write them in the comments below, and, as moderator of today's KRS lecture, I will do my best to have the man answer your question.

Today's KRS One Amoeblog is the sixth and final part in the series leading up to his instore and includes another audio excerpt from the recent Amoeblog exclusive KRS phone interview. After spending even a short time in the company of KRS you quickly realize that to say he does not take Hip Hop lightly is quite an understatement. The man lives and breathes it. His famous line, "rap is something you do, Hip Hop is something to live," are truly words that he lives by. In conversation he mentions Hip Hop continually and clearly never stops thinking about it and its ramifications. "I think Hip Hop is the savior of American society; Hip Hop itself brings cultures together because it gives people a chance to talk and to really see what the other guy is thinking and in a peaceful way," he told me when I asked about the real meaning of Hip Hop as a culture and a lifestyle.

In celebration of Hip Hop legend KRS One's recently unleashed 800 + page book, The Gospel of Hip Hop: First Instrument presented by KRS ONE for the Temple of Hip Hop published by Powerhouse Books, the Teacha himself will make a special exclusive Amoeba Music Hollywood appearance tomorrow (Wednesday, July 28th) at 6pm. He will present a lecture, Q+A session, and book signing for those lucky to gain access to the standing room only Jazz Room section of the Southern California Amoeba store.

For more information on how you can still attend this unique Amoeba instore appearance by the man who literally wrote the good book on Hip Hop, click here. And if you cannot attend this one off event but would like to purchase a copy of the book online from Amoeba and have KRS sign it for you, you can do so by clicking here. Also, should you have any questions that you would like presented to KRS, please write them in the comments below and, as moderator of his lecture at Amoeba Hollywood, I will do my best to have him answer your question.

Meantime, this is the fifth in the six part KRS One Amoeblog interview, with each installment leading up to the KRS instore on July 28th. On the topic of the Gospel of Hip Hop, KRS One insists, "If we are going to create a kulture, an international kulture, then we are going to have to dig a little deeper than rap music CDs and Wild Style movie watching. We're gonna have to actually know, to the deepest aspect of our being, who we are and what we mean. And this is done in mathematics. This is done through language. This is done through gnostic knowledge, dreams, visions, miracles. And to live that even you have to live a dangerous life. You have to live on the edge. You might get arrested. Your friend may die. And people don't want to go that path. They don't want to investigate anything that deep. So for me there is no debate. I have delved deep into Hip Hop for my own survival by the way, love of craft, and my own survival."

That 22 year old Boogie Down Productions (BDP) era quote of KRS-One's that goes, 'I think very deeply,' taken from the song/single "My Philosophy" off the 1988 BDP album By All Means Necessary (Jive/RCA), remains true to this day. KRS-One really does think very deeply about every minute detail and aspect of Hip Hop and he digs deeper than most are prepared to, or are even interested in doing. As he said in the Amoeblog interview, "I dig deep: I'm rapping, I'm emcee'ing. What the hell is emcee'ing? Rakim said 'E M C E E, a repetition of words, check out my melody,' so why did he say E M C E E and not M C? What's the difference? I know other people didn't really care about what the difference was. They just wanted the money. But me, I ran and grabbed the Oxford English dictionary with a magnifying glass on it and I looked up E M. What is E M and what is C E E? And then what is I N? And what does it mean to take the G off of I N G? When did this happen in English language? Who else did this? Why are we thinking like this? No one asks those questions. I ask those questions."

At this point I asked KRS a question. Who are some of his favorite emcees or Hip Hop artists in general? He said that there were too many to mention every one, but that he counts Supernatural among his favorites, quickly adding, "People like Chris Rock I think encompass the kulture of Hip Hop. He applies the sight of Hip Hop to another medium and you could see Hip Hop in another way by looking at him." However, KRS was somewhat critical of both Will Smith and Queen Latifah, not as emcees but as high profile movie actors in a position to represent Hip Hop more than they do.

KRS ONE appears at Amoeba Hollywood on July 28th at 6pm in a special standing room only lecture in celebration of his latest book, The Gospel of Hip Hop!

Of the many memorable lyrics and expressions KRS-One has uttered over the years, perhaps the most often quoted by fans of Hip Hop is: "Rap is something you do. Hip Hop is something you live."

Simple but brilliantly profound, this regularly recited and referenced expression is part of the lyrics from the veteran hip-hop emcee, educator, activist, author's song "Hip Hop Vs. Rap," which was originally released as a B-side of the 1993 single "Sound Of Da Police" off his landmark 1993 solo debut Return Of The Boom Bap (Jive Records). The Teacha, as KRS ONE is commonly known, has long been a spokesperson for and ambassador of Hip Hop. Through his tireless two and a half decades of making Hip Hop music and giving lectures on the topic he has helped define the very meaning of the culture, or kulture, as he spells it. In fact, he has literally written the book on Hip Hop with his third and latest book, the 800 plus page The Gospel of Hip Hop, which is subtitled First Instrument presented by KRS ONE for the Temple of Hip Hop. Not surprisingly, The Teacha spends a good deal of space within these pages dissecting and analyzing the exact meaning of Hip Hop right down to its spelling, which he divides three distinct ways: Hip Hop, hip-hop, and Hiphop.

KRS One's recently published The Gospel of Hip Hop is a most ambitious Hip Hop based self-help / life-manual that was tirelessly written by the author, artist, and activist over a fourteen year period. Next Wednesday, July 28th, at 6pm, KRS One will be at Amoeba Hollywood to lecture about the book, sign copies, and field questions in an intimate setting in the SoCal store's Jazz Room. This is the second in a series of Amoeblogs leading up to that instore. Each post includes excerpts from the recent in-depth phone interview conducted with KRS about his 832 page book.

Like most bibles, KRS One's Gospel comes in hardcover with a gold laminated biblical like font on its cover and an attached string to mark its pages. It has lots of reading, no pictures, and sets about laying down the exact meaning and intentions (IE, the gospel) of hip-hop itself. However, unlike the good book, KRS's Gospel comes with a "shout out" section; and, like the Bible, the Gospel is clearly on a spiritual tip.

In the introduction section of the book, titled "A New Covenant," KRS writes about "the voice" that led him to leave home in his mid teens and "drop out of high school to pursue Hip Hop." It was this voice that "recited to me the poetry that I recite to others. It was this voice that instructed me to battle. It was this voice that inspired the Stop The Violence Movement (1989), and the Temple of Hip Hop (1996), and this gospel for Hip Hop."