Amoeblog

Unitarded: 20 Questions with the multi-talented Borts Minorts...

Posted by Kelly S. Osato, December 30, 2008 01:55pm | Post a Comment
Borts Minorts relaxes with the classics
A few years back I went to my first Borts Minorts show in San Francisco. I'm still not sure how to describe what I saw, how it happened or why I'll never forget it; It was, plainly speaking, singularly awesome, like nothing I had seen before! I laughed, I danced, I marveled -- I had an amazing time. Since that initial exposure I have come to hold Borts Minorts in high esteem as an artist, musician and uber-performer. He seems fearless, knows no limits and appears physically capable of accomplishing any feat no matter how extraordinary the act. In short: there is no telling what his next move will be, ever. It's not for nothing that he's been nominated twice for SF Weekly's Best Experimental Music award. One thing I know for sure is that anyone who can get their butt out to the Hemlock Tavern this Wednesday night, -- that's right, New Year's Eve -- will be in for a rare (Borts, alas, has relocated to New York) treat, as Borts Minorts will be showing you how he likes to party, performing live on the last and first night(s) of the year(s). I am so pleased he agreed to play 20 Questions with me:

1. How old is Borts Minorts?  It is thought that I am now 38,000 years old.

Leigh Bowery 2. Where does Borts come from? Borts Minorts comes from the past and future simultaniously and only actually exists in this world when on stage.

3. What are your musical/artistic influences? The artistic collaboration of Michael Clark, Leigh Bowery and the Fall would possibly be my biggest influence. The movie Legend of Leigh Bowery changed my life artistically. Leigh Bowery was an incredible artist. Also, when I was a kid I saw Klaus Nomi on SNL and it scared the shit out of me. That always really stuck with me. Then when I saw Nomi Song and saw what he did on stage in the early days it REALLY inspired me to cBorts Minorts performing livereate something new and different.

Continue reading...

Such A Pretty Mess

Posted by Mr. Chadwick, June 21, 2008 12:10am | Post a Comment

OK, a couple of weeks ago I was speaking to a friend about what movies I'd especially like to see screened... At the top was Kamikaze '89, Fassbinder's starring role in a totally depressing (now retro) futurist New Wave sci-fi thriller. Second on the list was Never Too Young To Die. Only a matter of a couple hours went by before I noticed that, due to the terrible fire at Universal Studios, Phil had changed a few of the titles he was showing. Boom, there it was!!! A real life, full screen showing of one the 80's strangest creations.  Gene Simmons dressed up looking like Carmen Miranda morphed with Frank N Furter, wearing Lynda Carter's old fake Kiss costume. The God of Thunder as an eco-terrorist by day and Pre-Op glam-metal cabaret singer by night. Vanity flying "high" after her big role in Barry Gordy's the Last Dragon. John Stamos as the 2nd generation secret agent gymnast sent to save LA. It's all waiting for you 24 hrs from now, down at the New Beverly which is located at  7165 Beverly Blvd., just west of  La Brea. Phil will take your $7 at the window, please thank him for showing this film!!! 

Fully Foiled

Posted by Mr. Chadwick, May 31, 2008 02:45pm | Post a Comment



Obi 2

Posted by Mr. Chadwick, March 31, 2008 11:25pm | Post a Comment
Main Entry:
obi 
Pronunciation:
ˈō-bē
Function:
noun
Etymology:
Japanese
Date:
1876
: a broad sash worn especially with a Japanese kimono

OK, part 2 of our trip through Obiland begins with a Boston classic, along with its promo sticker sheet...



A trio of 80's classics. I'm sorry, but Pete Burns was always scary...


 
This Al Kooper Obi was used in a series of albums related to him via production and such...

Return to Casablanca

Posted by Mr. Chadwick, March 3, 2008 11:30pm | Post a Comment


Not sure if short lived subsidiary "American International Records" is the same as the "A.I.R." from the late 60's, but it's very likely.  The studio 54 comp had this custom jobber and the final image is a great example of the classic early Casablanca blue label design...



When studying the classic desert scene design, one will begin to notice many variations. Here's an interesting trio...A later period label, with mention of Polygram at the bottom.  Middle label bears the Fauves-Puma Records imprint, a pairing that was reported to have moved some 15 million units on this Santa Esmeralda hit!! Finally, the classic desert scene from the Village People's heyday, before "Can't Stop the Music" nearly did...



BACK  <<  1  2  3  4  >>  NEXT