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King Tuff Rules the Next Red Bull Sound Select Show May 28

Posted by Billy Gil, May 15, 2015 04:38pm | Post a Comment

red bull sound select king tuff

Glam-rockin’ garage dude King Tuff will headline the next Red Bull Sound Select show in Los Angeles May 28 at the Del Monte Speakeasy.

This 21+ show is just $3 with an RSVP and $12 at the door. (RSVP does not guarantee you entry, so plan to arrive early.) It’s curated by our friends at Flood Magazine.

L.A.’s King Tuff first hit big with his 2012 self-titled debut, a rollicking collection of lo-fi pop rock jams about how awesome it is to be “Alone & Stoned,” among other subjects. He followed with 2014’s heavier and headier Black Moon Spell, which looks to proto-metal titans like Blue Cheer and Black Sabbath for inspiration while still retaining his signature pop hooks and catchy riffs. Watch the video for “Black Moon Spell” below for a taste.

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Deserted at the Palms Announces Lineup Featuring King Tuff, No Age and More

Posted by Billy Gil, May 8, 2015 11:53am | Post a Comment

deserted at the palms

The next annual Deserted at the Palms festival in Wonder Valley, Calif., will feature garage-rock liege King Tuff and noise-rock veterans No Age, among many others, on May 30.

Taking place at a shabby cool bar in the middle of the Mojave called The Palms (where word is beer costs two bucks and twinkies are sold), Deserted at the Palms offers a weekend of camping, interactive art, vendors, a “wet zone” and of course lots of cool music. The lineup also includes Black Bananas, Sonny & The Sunsets, Magic Trick, Jack Name, Part Time, Pharaohs, Nedelle Torrisi, The Memories, Zig Zags, Bloody Death Skull, Kim & The Created, Feels, Zombelle, L.A. Takedown, Butchy Fuego, Anna Oxygen and Barfth.

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Watch King Tuff Perform from 'Black Moon Spell' at Amoeba Hollywood

Posted by Amoebite, December 18, 2014 06:52pm | Post a Comment

king Tuff at Amoeba Hollywood

Back with his follow-up to 2012's self-titled debut for Sub Pop, Black Moon Spell finds King Tuff amping up the fuzz and cranking up the volume. Kyle Thomas has a knack for crafting catchy gems reminiscent of '70s power pop, but gone are the days of the lo-fi, low budget aesthetic that seem to permeate early recordings. This is not a bad thing! Black Moon Spell falls somewhere between the fat, dirty, guitar crunch of T. Rex and the tongue-in-cheek power pop assault of Cheap Trick. What we get are riff heavy songs with superb melodies that would satisfy Beatles fans, coupled with stellar production thanks to producer Bobby Harlow's magic touch. Go pick it up asap!

Kyle Thomas and the rest of King Tuff cast their Black Moon Spell from the Amoeba Hollywood stage by way of a massive Marshall stack, hook laden riffs, and a thunderously beating heart of rock and roll. Check out the video below of the band performing the title track live at Amoeba. You can watch more from this performance on Amoeba.com.

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14 Indie Rock Records That Would Make a Great Gift

Posted by Billy Gil, December 15, 2014 12:11pm | Post a Comment

Gift Ideas Indie Rock

There have been tons of records released under the nebulous indie rock genre this year that find new things to say within the confines of rock 'n' roll (The War on Drugs), or throw out the rules while still remaining pleasing to listen to (Ariel Pink). Here are 14 widely appealing records from this year that would make a great gift for just about any indie rock fan. 

the war on drugs





 

The War on Drugs - Lost in the Dream

The War on Drugs’ dreamy country-rock music evokes slow motion, even as its songs move at a sprightly pace. The driving rhythm behind "Under the Pressure" is caked in heavily reverbed guitars and washes of synthesizer, even as real-life guitar solos and Adam Granduciel's vocals come through more clearly than ever before. Similarly "Red Eyes" is like some lost '80s collaboration between The Highwaymen and The Cure, effusing brilliant colors with its bright synths and yelping vocals, but the most stunning moment comes in the minute or so in the middle of the songs when a third of the sound is stripped away, leaving a gorgeous, introspective bridge before Granduciel's yelp brings everything crashing back, while the rhythm stays insistent as always. Lost in the Dream invites repeat listens—atmospheric pieces like "The Haunting Idle" keep things spacious, yet the band comes back for the Bruce Springsteen-vibing "Burning" in the albums latter half. As its title would suggest, it's an album to get lost in. It feels like seeing the entire open road ahead of you, coasting yet seemingly to move in place while the sun sets and middle-of-nowhere stations play Bruce and Tom Petty in the background.

Album Picks: Aphex Twin, King Tuff, The Growlers, The Drums, Perfume Genius

Posted by Billy Gil, September 23, 2014 12:15pm | Post a Comment

Aphex Twin - Syro (LP, CD, Download)

aphex twin syro lpIn a rare double-blessing, the last two years have given us not only a new album by My Bloody Valentine but another artist iconic of the ’90s, Aphex Twin. Syro plays as a collection of just about everything Richard Davis James does best, fusing jungle beats to gorgeous ambient tapestries on stunning opener “Minipops 67 [120.2][Source Field Mix],” taking us through dense synth explorations on tracks like the 10-minute “Xmas_Evet10 [120][Thanaton3 Mix]” and vibing off hip-hop and synth funk on “Produk 29 [101].” Vocals appear now and then (from James and his family), offering skewed, incomprehensible chatter that adds to the liveliness of “Produk 29 [101]” and giving “Minipops 67 [120.2][Source Field Mix]” its grabbing human element, pulling you into the rest of the album. Though he used some 138 pieces of equipment and shifted his set up every few minutes while recording Syro, that seems to have had an energizing effect on James, and the result is a sharp, if varied piece of work that hangs together beautifully, flowing from scenic but heady pieces like “4 Bit 9d Api+E+6 [126.26]” to hard-hitting bass tracks such as “180db_ [130].” There aren’t many shocking moments on Syro like, say, “Come to Daddy’s” shrieking wail, nor does it push listeners to their extreme limit like the challenging Drukqs did, but accessibility doesn’t mar Syro. Rather, even despite their straight-off-the-hard-drive titles, tracks like “Papat4 [155][Pineal Mix]” are really breathtaking pieces of music, designed for immersion rather than to filter listeners out. Just like mbv, we had no right to expect Syro would be this good, much less that it would be released at all, which makes it all the better. Simply put, it’s one of the most instantly enjoyable collections of music James has ever released.

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