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Bootie SF Among Kesha's Army of Supporters Amidst Artist's Prolonged Legal Woes

Posted by Billyjam, May 7, 2016 07:59pm | Post a Comment

Legal differences between musical artists and their labels or management companies, ones that place their recording and/or performing careers in limbo, are nothing new but they must count among the most frustrating for both artists and their fans. Particularly frustrating are instances in which an artist's creative output is placed on hold, no matter how temporarily. Among pop history's many examples of this is the ongoing nasty legal battle between Kesha Rose Sebert, aka the artist Kesha formerly spelled as Ke$ha, and her former producer Lukasz Gottwald (aka Dr. Luke).

The female vocalist has accused her former longtime producer of  a decade of sexual and verbal abuse. She also filed a lawsuit with Sony to be freed from her exclusive recording agreement. In the ongoing legal proceedings Kesha's lawyer, Mark Gregaros, argued that the artist was forced into a position whereby she cannot work with music producers, publishers, or record labels to release new music. That consequently had spun her career into frozen mode. This in turn led to the formation of the fan-based supportive #FreeKesha movement.

Regardless of who is legally right or wrong, for fans of the pop singer/sometime rapper the legal limbo meant nothing new from their favorite pop star whose releases include Animal, Warrior and Cannibal. But all of that changed recently with a surprise appearance at Coachella last month in which she joined superstar electronic producer/DJ/musician Zedd onstage to perform the title track from his 2015 album True Colors. That was followed two weeks ago with the release of the single of their studio collaboration of "True Colors."

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A STRONG ARGUMENT FOR AUTO-TUNE & OTHER STUDIO EFFECTS

Posted by Billyjam, January 7, 2010 01:45pm | Post a Comment
 Is it live? Yes it is. Ke$ha & her crew on The Tonight Show

Ke$ha
Last night's live "performance" by pop sensation of the moment  Ke$ha of her hit "Tik Tok," off her debut album Animal, on Conan O'Brien's show provided a very strong argument for the use of Auto-Tune and other studio effects to help smooth out an otherwise God awful rendition of her current disposable pop single. Compare last night's poor live performance that lacked any studio effects above (right down to the amatuer choreography that wouldn't make it past the first round of American Idol) with the far superior official music video version of the same song below. The difference is like night and day. 

The official video version has racked up over six million YouTube views since it was posted a couple of months ago with the digital single selling over half a million copies just last week. It showcases the studio version of this song for what it is: a really good, rap-fused dance/pop tune with a memorable melody. But taken out of the studio setting, sans effects, it just doesn't translate, and, to me, proves that some artists shouldn't venture out of the security of the studio and its effects until they are ready, if at all.


Ke$ha "Tik Tok" official video version