Amoeblog

Roses Play Amoeba Night at the Bootleg HiFi Nov. 23

Posted by Billy Gil, November 3, 2014 10:08am | Post a Comment

roses bandL.A. new romantics Roses hit the Bootleg HiFi for their November Sunday residency, presented by The Fold. The band plays every Sunday in November, with a new slate of supporting bands each night. Nov. 23 is Amoeba Music Night, featuring Hair Perfect, Crystales and Basement Babies. We’ll be on hand with coupons, buttons and more.

Roses formed last year, following the dissolution of guitarist Juan Velasquez’s old band, Abe Vigoda. Since then, the band has played live extensively, with bands such as A Sunny Day in Glasgow and Diiv, as well as at Amoeba's Red Bull Sound Select show back in August with Tanlines, and they released the Dreamlover EP this year on Group Tightener. Velasquez, a veteran of Amoeba, and singer/keyboardist Marc Steinberg sat down to talk with us a bit about his new band and what they have going on into the new year.

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Roses Chat With the Amoeblog Before Show at Sayers Club

Posted by Billy Gil, August 20, 2014 11:37am | Post a Comment

rosesL.A. trio Roses spin out gorgeous tunes that blur the line between dreamy introspection and new-wave pop abandon on their debut EP, Dreamlover. The band, which features ex-Abe Vigoda member Juan Velasquez on guitar with Marc Steinberg on vocals/keyboards and Victor Herrera on bass, will be at Sayers Club tonight for the next Red Bull Sound Select show, along with Tanlines and SISU, who we caught up with yesterday. The show is only $3 with an RSVP and starts at 8 p.m.; hope to see you there!

We spoke with Velasquez a bit about his new band and the recently released Dreamlover before the show.

You guys were friends for a while before becoming a band. Tell me a little bit about how you guys formed.

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Local Bits: Best Coast, Ty Segall & White Fence, Derde Verde

Posted by Billy Gil, April 27, 2012 12:09pm | Post a Comment
Best Coast The Only PlaceBest Coast Covers Fleetwood Mac’s “Storms”
 
From Pitchfork, dad-rock loving duo Best Coast has covered a song by their beloved Fleetwood Mac, “Storms,” from their underrated 1979 album Tusk. For now, you have to track to about 58:10 in this edition of BBC Radio 6’s Radcliffe & Maconie show
 
Here’s the cool part: You can get the cover on a 7” that comes with The Only Place at independent record stores. Preorder your copy of The Only Place here at Amoeba and you’ll get a copy of the 7” with the moody and beautiful “Storms,” which shows off Bethany Cosentino’s growing confidence as a singer of uncommon power.
 
Ty Segall & White Fence – “Time”
 
I interviewed Ty Segall a while back about his collaboration with White Fence, called Hair, a match made in garage-pop heaven that was released this week — pick it up here. Here’s a fun psychedelic video of their song “Time” recorded for Room 205.

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Checking in With Abe Vigoda

Posted by Billy Gil, February 24, 2012 10:20am | Post a Comment
abe vigodaIt’s been a pleasure to track the development and success of L.A.’s Abe Vigoda. We’ve seen them go from teens growing up in Chino reconfiguring punk and no wave to their own devices (2006’s Kid City); to making their guitars sound like steelpan drummers on a coke binge in songs like “Bear Face,” from 2008’s Skeleton; to slowing things down for cooler, sexier takes on their guitar wildness (2009’s Reviver EP); to employing coldwave and industrial influences for a gorgeous noir-pop album with 2010’s Crush.
 
Abe Vigoda guitarist Juan Velasquez has been a good friend for a while. (And he’s an Amoeba alumn to boot!) He’s the self-described “bossy” one of the band, which includes singer/guitarist Michael Vidal, bassist David Reichardt, and drummer/programmer Dane Chadwick. I decided to corner Jaun to talk about the band’s development and new writing sessions. The band plays the Ace Hotel in Palm Springs tonight with Dunes and the Center for the Arts in Eagle Rock Sunday with Chromatics.
 
How are the writing sessions going?
Juan: It’s good. We haven’t worked on stuff in a long time. At first we were kind of just jamming around, it was kind of shaky. But we kind of have this new song going that I like. But it’s different than what I thought it was going to sound like. I don’t know, it’s really more power-poppy than I thought. It’s kind of fun!
 
When did you guys write that new song you’re performing?
Juan: That song, Michael and Dane got together and wrote the structure of it on a laptop, almost like a weird dance song. And then they showed it to us and we started working on that. That was like, God, a while ago, actually. That must have been like eight months ago or nine months ago? It was a long time, and we haven’t really worked on anything sense.
 
Do you usually write songs that way?
Juan VelasquezJuan: We usually write songs all together. We just jam together and work out the songs that way. That’s kind of how we’ve always done it. And the song that you’re referencing, that’s the only song we’ve written in that weird way, which I think we might do more of, but it felt good for all of us to get together in a traditional way and just like work on a song. So I think we’re gonna start doing a mix of both — working on songs on a computer and practice and then like mixing the songs up.
 
How do those two songs, the one Michael and Dane did and the newer one, compare?
Juan: They’re totally different. I think at least for me, because I wasn’t part of that songwriting process as much, I was part of it when we started formatting it and working it in, but they’re different just because I feel like I have more freedom to do stuff with this new song like for my own part, and before my part was already written. But it was fun to just do that, it was more like, working on the smaller details. But they’re both like a lot simpler than our older songs. So they’re both like similar pacing and like less stuff happening. Kind of like more room between all the instruments and stuff. It’s kind of like what we’re excited about — writing songs that don’t have a million parts shoved into one.

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