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Recap: Record Store Day Press Conference at Amoeba Hollywood with Chuck D, John Densmore & More

Posted by Rachael McGovern, March 20, 2014 05:20pm | Post a Comment

Chuck D and John Densmore at Amoeba Music Hollywood

On Thursday, March 20 Amoeba Hollywood hosted a press conference and roundtable conversation to announce the official list of limited edition releases available exclusively at independent record stores on Record Store Day 2014 (April 19). Download Amoeba's list (.pdf) of Record Store Day titles here.

RSD co-founder Michael Kurtz kicked off the event with representatives from the city of Los Angeles. Angela Babcock, Business Development Specialist for LA Mayor Eric Garcetti, and Tony Arranaga, Communications Director for LA City Councilmember Mitch O'Farrell, presented Kurtz with official plaques proclaiming April 19 Record Store Day. 

Angela Babcok, Tony Arranga, Michael Kurtz at Amoeba Hollywood

Our special guests for the roundtable included Chuck D, Record Store Day Ambassador for 2014 and co-founder of Public Enemy; John Densmore, founding member of The Doors; Marc Weinstein, co-owner of Amoeba Music; Mark Thompson, owner of Vacation Vinyl; Neil Schield, owner of Origami Vinyl; Julie Edwards of Deap Vally; and Samuel Lopez of Tapioca and the Flea.

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Record Store Day Press Conference Takes Place March 20 at Amoeba Hollywood

Posted by Billy Gil, March 12, 2014 04:45pm | Post a Comment

record store day logo

Next Thursday, March 20, at 10 a.m., Amoeba Hollywood will host a press conference to announce the list of titles for Record Store Day, which takes place April 19.

Los Angeles Mayor Eric Garcetti will be on hand to open the event with a Record Store Day Proclamation. Following will be the announcement of titles and highlights, and a roundtable discussion with rap legend Chuck D, The Doors drummer John Densmore, local record store owners and more special guests.

Chuck D was inducted into The Rock and Roll Hall of Fame last year for his work leading the pioneering hip-hop group Public Enemy, helping to make politically and socially conscious lyrics popular in hip-hop. Densmore, also a Rock and Roll Hall of Fame member, was the drummer for the classic L.A. band The Doors, and he appeared with Doors bandmates Robby Krieger and Ray Manzarek in the 2012 documentary RE:GENERATION, which saw Densmore collaborate with electronic music star Skrillex.

A simultaneous RSD event will take place in London March 20, while another event will also take place that day in Nashville. The list of titles that will come out on Record Store Day will also be released the same day on www.recordstoreday.com.

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COULD SOMEONE DIRECT ME TO THE CROSSROAD?

Posted by Charles Reece, February 8, 2009 09:44pm | Post a Comment
I went down to the crossroad
fell down on my knees
I went down to the crossroad
fell down on my knees
Asked the lord above "Have mercy now
save poor Bob if you please"
-- Robert Johnson, "Cross Road Blues"
Corporate-manufactured popular music aka The Mainstream is like a ninja, everywhere and yet hidden to me. The best place to hide from my ears is on the radio, out in the open. Thus, out of curiosity, I caught a bit of the Grammy Awards tonight. (It's still on as I write this: Smokey Robinson is currently teaming up with Jamie Foxx).  Here's something that I saw:
I've never been a fan of Stevie Wonder. In fact, I hold him responsible for the moribund course R&B has been on since he first appeared -- all that meaningless vocal gyration that's called winning on American Idol.  Just when I thought his music couldn't get any less soulful, he surprised me with the above. That's little Stevie performing with Generation Next's version of the Hanson Brothers. I'm guessing the Jonas Brothers are some spin off from a NIckelodeon or Disney Channel show.  Why is it that the more famous and successful a star gets, the more likely he or she has no concern for artistic integrity? I can understand why some up and coming bar band would be willing to sell one of their songs to an ad agency, but a rich artist who doesn't need the money? Hell, a Grammy appearance probably doesn't even pay, rather it's about exposure -- as if Stevie fucking Wonder needed exposure!  Anyway, his appearance reminded me of an old essay by John Densmore, drummer for The Doors.  He wrote:
Apple Computer called on a Tuesday--they already had the audacity to spend money to cut "When the Music's Over" into an ad for their new cube computer software. They want to air it the next weekend, and will give us a million and a half dollars! A MILLION AND A HALF DOLLARS! Apple is a pretty hip company...we use computers.... Dammit! Why did Jim (Morrison) have to have such integrity?

I'm pretty clear that we shouldn't do it. We don't need the money. But I get such pressure from one particular bandmate (the one who wears glasses and plays keyboards).

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