Amoeblog

New "What's In My Bag?" Episode with Bonobo

Posted by Rachael McGovern, April 4, 2013 05:58pm | Post a Comment

BonoboBritish electronic musician Bonobo (aka Simon Green) released The North Borders this week, his highly anticipated follow-up to 2010's Black Sands. Bonobo stopped by Amoeba Hollywood recently to do some record shopping. He picks up a few world music albums, the Jim O'Rourke project Loose Fur, two LPs for potential sampling featuring harps and folk instrumentation, the new Toro y Moi LP, Anything in Return (which I'm also loving right now), and a few more things.

My favorite moment from this video happens right at the end. He selects the new Johnny Marr album, The Messenger, in part because he saw Mr. Marr's episode in which he bought Bonobo's album. (Johnny Marr actually came into Amoeba that day looking to buy Black Sands and we coincidentally had it playing in the store.) Fast forward a few years, now we have Bonobo, having seen Johnny Marr buy his album in the same store, on the same series, and Bonobo is returning the favor. The WIMB circle of life, or as one person on YouTube called it, "the What's In My Bag Karma game." Pretty cool!


Bonobo - What's In My Bag?
Watch and comment on YouTube


Johnny Marr - What's In My Bag?
Watch and comment on YouTube

Lee Ranaldo of Sonic Youth In-Store Performance at Amoeba SF 4/12

Posted by The Bay Area Crew, April 4, 2012 06:50pm | Post a Comment
JUST ADDED: Sonic Youth guitarist Lee Ranaldo is performing at Amoeba San Francisco on Thursday, April 12 at 6pm! He'll play songs from his new album, Between The Times And The Tides (out now on Matador Records).

Recorded with longstanding Sonic Youth producer John Agnello, Between The Times and The Tides is a shimmering and melodic tapestry of rock sounds. Ranaldo’s trademark alternate-tuning guitar work is at the forefront; it is amplified by brilliant guitar work from Wilco’s Nels Cline on almost every track. The all-star lineup also includes Sonic Youth’s Steve Shelley on drums, Alan Licht on guitar, and John Medeski on keyboards. There are also cameos from former Sonic Youth cohorts, drummer Bob Bert and producer/instrumentalist Jim O’Rourke.

You can also see him later that night at Brick and Mortar.

Continue reading...

(In which we consider the mystical & tragic Judee Sill.)

Posted by Job O Brother, July 29, 2008 12:25pm | Post a Comment
robber

Last night I was mugged at gunpoint. The perpetrator not only made off with the $560.00 in cash that I was carrying (which I had intended to deposit today) but he knocked me down to the ground and kicked me hard enough that he left a nasty bruise in my ribs before he made his getaway on a magic, chocolate-colored Pegasus.

None of which is true, but it is a rather exciting way to begin this week’s blog entry, isn’t it? Except that, by lying to you, I have now risked alienating you emotionally, because you will now think twice about trusting what I tell you, even if it’s about how much I like that top you’re wearing and how to sets off the flecks of color in your shimmering eyes.

Speaking of violence and the romantic visage of your enduring beauty, I know some of you haven’t yet heeded my advice and investigated one of my most favorite balladeers of all time: Judee Sill.
 
Judee Sill
Judee Sill conducts herself well.

Judee’s story is one of tragic darkness, from which sprung gorgeous and sage songwriting. She was the Billie Holiday of the “Laurel Canyon sound.”

Influenced more by Johann Sebastian Bach than her 1970’s rock ‘n’ blow contemporaries, methodical composition such as fugue-structure, and over-dubbing of her own voice into chorale-style, inform her heart-wrenched post-hymns.

Her father and brother both died when she was a child, and her mother re-married to Kenneth Muse, an animator for one of my least favorite cartoons of all time, Tom & Jerry. (I mean really, the way that mouse antagonizes that poor cat, who very naturally fights back – both by his nature as a felis catus and in defense of Jerry’s cruelty – only to be downtrodden every time. What kind of message does that send to children? BE A BULLY. That’s what it tells ‘em. And then poor, sensitive, fat kids like me get the brunt of it. And all I ever wanted was to love and be loved. Is that so wrong?!)

[Insert sound of Job sobbing here]
Judee Sill

Judee left her dysfunctional home (I imagine her stepfather probably lured her head into a mouse-hole and bopped her face with a mallet) and hit the road for a life of free-wheeling druggery and armed robbery. She developed an addiction to that precocious li’l drug we call heroin. In order to pay for the habit, she prostituted herself (which almost certainly prepared her for a life as a professional musician).