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Weekly Roundup: Sonny & the Sunsets, Jessica Pratt, Tobias Jesso Jr., Colleen Green, L.A. Witch, Susan

Posted by Billy Gil, November 21, 2014 10:11am | Post a Comment

Sonny & the Sunsets – “Cheap Extensions” video

sonny & the sunsets Sonny & the Sunsets have a new album on the way, and they already have an awesome, animated new video for the track “Cheap Extensions.” Follow the tail of a girl and her mysterious extensions over the Sunsets’ hypnotic groove. Talent Night at the Ashram was mostly recorded by Smith at home on his tape machine with the help of friends like Shayde Sartin (The Fresh & Onlys), Garret Goddard (King Tuff), Kelley Stoltz, Rusty Miller and Ian McBrayer. It’s due Feb. 17 on Polyvinyl. Read my interview with Sonny Smith back when they released their terrific last album, Antenna to the Afterworld.

 

Jessica Pratt – “Back, Baby”

jessica prattI missed this new Jessica Pratt song while I was out of town—my bad! Everyone should be aware that it exists, and that the former Amoebite is releasing her second album soon—On Your Own Love Again is due on Drag City Jan. 27. On the first track she’s released from it, Pratt’s elfin voice sings a pensive breakup tune amid loping, seaside acoustic guitar. Absolutely stunning.

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2014 Forecast: Music I'm fantasizing about / looking forward to this year

Posted by Kelly S. Osato, January 6, 2014 07:11pm | Post a Comment
Now that 2013 is over and done with it's time look forward to a new year and new music. Here are some future releases and dream pieces I'm particularly stoked for:

killed by deathrock vol volume 1 one sacred bones records
Various Artists - Killed by Deathrock, Vol. 1
(Sacred Bones) 

I. Love. Compilations! Especially when they are lovingly assembled over long periods of time by obsessive crate diggers. This is one such collection, compiled by the Sacred Bones Records founder Caleb Braaten, born of a love for exhuming rare tracks from barely-heard and in some cases "un-Googleable" Post-Punk, Deathrock, and Dark Punk ensembles. Began in 2007, this passionate piece of dedicated Deathrock devotion is finalized and finally seeing the light. Note: the LP is limited to 150 pressed on pink vinyl so, like, be ready to snatch yours up. Out January 21st.





cibo matto hotel valentine limited edition clear cream vinyl
Cibo Matto - Hotel Valentine
(Chimera

It'll be impossible for single party people to suffer a sad and lonely Valentine's Day in 2014 because Cibo Matto's first new album in fifteen years, Hotel Valentine, drops on February 14th! And they're making it an extra sexy release what with the limited first press made on clear/cream vinyl. The album itself is kind of of a concept centered around a of love hotel or something, but the usual zany grooves, random raps, funky breaks, Sci-Fi wasabi, jazzy interludes, island flava and extended dance jams make this album feel like their excellent last album, Stereo Type A, wasn't released as long ago as 1999. I mean, are the 90s back or does the Cibo Matto sound possess an infallible timelessness? Yes, and it's about time. 

Check out the vid for MFN:


Kell's Best of 2013: A Year of Sounds and Feels

Posted by Kelly S. Osato, December 29, 2013 04:20pm | Post a Comment
2013 was a pretty great year for music and nothing quite cures that "where did the time go?" feeling like recollecting a year's worth of music enjoyment with conclusive consideration and whittling it down to a year-end list of bests. For putting together this here post I decided to drag out all the records I bought since last Christmas, spread them out on the floor like tarot cards, and listen to each of them one by one, like this: 

listening to music records cat gif aristocats disney

And then write about them, like this:
the office typing temp ryan michael scott steve carell i fucking love this show gif
The rub was trying to keep my list trim and fit thus accompanying my select "bests" are other titles I've enjoyed within the last twelve months. Happy New Year everyone! Peep my Best of 2013 on the downhill scroll...

little wings last best album 2013 rad records marriage records kyle field double LP sandy babe sunburned eyes

Little Wings
- LAST
(RAD Records)

LAST comes first not just because I'm a longtime avid supporter of Kyle Field as an artist and musician, but it just so happens that LAST was one of the very first new records I bought in 2013. LAST is one of those "total package" records about which I could spin infinite yarns of praise n' things regarding the songwriting, the recording, the artwork, and total overall vibe and I kind of already did that in the interview piece I put together last Spring and so I urge anyone interested in this two-fer plate of odd hip-hop with a lotta folk-rockin' goin' on to check it out as it'd be redundant to put further shine on this diamond.

Personal Picks: Kelly's Best of 2012 Year-End Recap

Posted by Kelly S. Osato, December 31, 2012 02:30pm | Post a Comment

flinstones record player stane age bird beak turtle vinyl turn table cartoon hanna barbera
Well, here we are. We weren't thrust into a new dark age oblivion, the world didn't end and neither did my workaday quest for the best music for the day. This year was rife with records that just had to be snatched -- reissues, compilations, and a fair few newbies too.

Here follows my personal, "show and tell" style best-of list for 2012:  the year that didn't stop the big wheel a-turnin'. Rather than just dicing up a list of cold-cut favorites, I've included personal events and trends herein that shaped the music I sought and gravitated towards within the past year.


BEST NEW ALBUM OF THE YEAR: Jessica Pratt - JP. No contest. I have naught but the best of things to say about this disc of spun gold and I'm not alone. It seems every Barry, Rob, and Maurice in the blogosphere has been falling all over this record like autumn leaves in the rain. If you really want to know my take check out my real talk review of JP here, otherwise please do enjoy the album's opening track, "Night Faces" below.





 
BEST 2012 REISSUE: It's a tie between two (Numero related) comps: WTNG 89.9FM: Solid Bronze and & Personal Space: Electronic Soul 1974 - 1984. Both platters piled high with private press oddments and rarities one could hardly go more wrong than to miss out on these two exemplary feats of the compilation arts. The former being a point of revision for many in that it is essentially a mix of largely unheard "yacht rock"/AOR triumphs of seventies song-writing sensibilities (man, is it ever sensibly sensitive) that confronts one's moral definition of guilty (listening) pleasures. The latter comp, Personal Space - a seemingly dark horse among the usual reissue fare fleshing out the the tom findlay groove armada late night tales music for pleasure yacht rock am gold smooth music sailing soul comps shelf space, made the rounds among Amoeba staff regularly thus enjoyed a healthy amount of in-store play as well. Chock full of rhythm-box workouts a la Sly Stone, Timmy Thomas and Shuggie Otis, it's a far-out soul/funk excavation of the highest order. Both of these are solid front-to-back listens for the home vinyl library/curio corner.

These Streets of Hers: Jessica Pratt is All But Owning Her Home Turf

Posted by Kelly S. Osato, December 14, 2012 07:10pm | Post a Comment
jessica pratt brith records tim presley white fence san francisco folk singer songwriter debut lp vinly record 2012 jp stevie nicks private press retro canyon joni mitchell joanna newsom interest
San Francisco songstress Jessica Pratt is blowing up. She's on fire. She's on fire and blowing up. Since her debut album of lush, hand-picked folk melodies dropped a just few months ago demand for Jessica's debut, simply titled JP, has become as difficult to keep up with as the multitude of glowing reviews surfacing all over the interwebs lauding Ms. Pratt's ability to make everyone mistake her bewitching, home-brewed folkways for that of retro private press obscurities. If you think this isn't going to be yet another reverent review let me get right to the point: believe the hype.
jessica pratt
Like so many jewels that cannot stay buried in the deep forever, Jessica Pratt has risen above the morass of the San Francisco music scene like a diamond atoll emerging from an ocean of acts drowning in their own in reverb, reciprocity, and relative "esoteric" influences. A momentous feat for any solo musician, let alone any woman, struggling just to tread water in the threadbare, barely-there music industry these days.

That Tim (White Fence) Presley launched his label Birth Records just to put Ms. Pratt's record out speaks to the immediacy of her music. It's a sound that cannot help but conjure familiar feelings upon first listen (for any vinyl junkie anyway), and the comparisons are flying. Presley himself has oft been quoted as saying she brings to mind  "Stevie Nicks singing over David Crosby demos" and others have pointed to the way in which her vocal stylings bait and switch Nicks, Joanna Newsom, and Karen Dalton among many others. While we're at it, I'd like suggest the inclusion of Dolly Parton to pinch hit in this approximation game as the fluttery trails Pratt punctuates her lyrical lines with in songs like "Hollywood" and "Half Twain the Jesse" resemble Dolly's vocal filigree.
jessica pratt
I have to admit, however, I find all these comparisons tacky and terribly trapped-in-the-90's buzzbin in the sense that any woman that ever flaunted a decidedly "unique" voice back then was appraised by nineties alterna-trinity: Björk/Tori Amos/P.J. Harvey. For me, it's offensive to struggle to assay the impression of a fresh voice with those we already know and love because burdens the emerging artist with the luster, or shadow, of an others' work. While I cannot deny the correlation of Jessica Pratt's magic to that Newsom or any other would-be contemporary, it should be noted that as far as patently "unique" voices go s. Pratt's is just about as unequivocal as they come.

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