Amoeblog

(In which we consider some swinging, singing sisters.)

Posted by Job O Brother, May 16, 2011 01:26pm | Post a Comment

boswell sisters  andrews sisters
WAR!
The Boswell Sisters vs. The Andrews Sisters


Last blog, we took a long, almost invasive and menacing look at one of my favorite harmonizing groups, The Ravens. This time, let’s meditate on two groups and the epic chaos that emerged from their earth-shattering battle for supremacy. Yes, we’re going to focus on the blood-thirsty Boswell Sisters and those daughters of doomsday, The Andrews Sisters. (This blog is not for the squeamish and will include death, destruction, and delightfully catchy melodies.)

Many people are already familiar with The Andrews Sisters, and because you, dear reader, are a person, I am including you in this assessment. What these same many people often don’t realize is that The Andrews Sisters actually based their act on another trio of singing siblings, The Boswell Sisters.

boswells

The Boswell Sisters were born in the first decade of the twentieth century and, in a show of musical savvy, they chose to be raised in New Orleans, the American music Mecca. By their teens, Martha, Connee, and Helvetia (they were given individual names to make communication in the house more efficient) began singing in movie theatres and on local radio shows, cultivating small celebrity and earning free popcorn.

Continue reading...

Jazz LP Explosion on Record Store Day at Amoeba Berkeley

Posted by The Bay Area Crew, April 12, 2011 02:37pm | Post a Comment

In addition to our usual Record Store Day shenanigans (over 250 exclusive RSD releases!!), Amoeba Berkeley will be unveiling a huge used jazz LP collection that we recently acquired from a private collector!

Many original pressings in excellent/near mint condition will be featured, including many late '50s/early '60s hard bop/ soul jazz/avant garde titles on Blue Note, Prestige, Riverside, Pacific Jazz, Contemporary, Atlantic, and Columbia. There are also many interesting titles we don't see every day (especially in this condition) from the '70s and '80s. So, overall, something for just about any jazz aficionado to be excited about! See you at the store this Saturday!

sonny rollins way out westjohn coltrane meditationsjackie mclean let freedom ring

Jazz and Democracy Project

Posted by Amoebite, January 12, 2011 12:33pm | Post a Comment


 

The Jazz & Democracy Project® (J&D) is a music integrated curriculum linking the arts (music) and the humanities (history/government). Through literary, aural, and visual content, as well as kinesthetic activities, students 10 years and up learn about the process that creates Jazz and how this mirrors the democratic process. Without needing any previous musical experience, all J&D students understand what musicians must know and be able to do in order to create Jazz, and how these same elements form the foundation of The U.S. Constitution, American democracy, and civic engagement in the 21st Century. For more info, click here.

All That Biodigital Jazz, Man

Posted by Kelly S. Osato, December 30, 2010 10:55am | Post a Comment
tron arcade game legacy disney upright set
I remember the first time I caught sight of the glowing, blacklit neon appeal of TRON. The boxy upright console outshone the others in my hometown Putt-Putt arcade and I couldn't help desiring to bask in its purple hazed portal though I'd always considered Centipede to be my one and only love. Let's be honest, playing TRON was about as exciting as the saccharin in a can of Tab, no matter how romanced I was by that Starlight Express meets Pinball Wizard of a design story. It's a silly game popularized a silly movie and it seems the good folks down at Disney completely understand that. TRON may never be taken seriously for its dramatic narrative and that's exactly right-on, but it is bursting with cinematic content. For me, re-viewing the 1982 classic TRON flick and the recently reimagineered TRON: Legacy was pure pop Sci-Fi pleasure the likes of which anyone this side of the Logan's Run Carousel knows better than to over-analyze.

Anyway, what better way to punctuate sweet freedom of another semester completed and celebrate the spirit of the season than seeing TRON: Legacy in IMAX 3D over Christmas vacation? Disney's new take on the ambitious yet sketchy Rotoscoped, post modern, science-fantasy arcade-gaming jam delivers a not very smart but sometimes clever cross-section of tired sci-fi/fantasy genre clichés, slickly redesigned to diamond-cut, mind-blowing visual perfection, ever flying the promotional gaming flag and still driven (literally!) by a pre-Lebowski albeit CG'd Jeff Bridges (which raises questions about the ethical treatment of dead actors' imminent bodies of possible future work) as well as the more popular (and less obviously plasti-complexioned) post "Dude" Jeff Bridges. Aesthetically, TRON went from this: 
tron original 1982 jeff bridges color design story set cinematography
tron original 1982 graphis effects design set cheesy
tron original 1982 graphis effects design set cheesy
tron original 1982 graphis effects design set cheesy users
to this:
tron legacy castor party sequence sexy costume disney
tron legacy disney bike race visual speciel effects blur speed
tron legacy disney movie film lovers
tron legacy disney movie dinner scene design furnishings white weird
...clunky helmet no longer required. I really love the visual shift in the application of a primary color scheme from TRON's UV tinged, patent eighties neons to the updated laser red, tungsten yellow and halogen blue as they appear both on and off their respective renderings of "the grid," not to mention the thrilling, hi-tech hard edge TRON: Legacy has over the crappy vectorgraphic "effects" dealt by its predecessor. However, TRON: Legacy does manage to shovel its fair share of shit: what's with that queeny Castor character and his, or should I say HER, swishy hardly-head-of-security counterpart? Accommodating the Brits-as-villains Star Wars stereotype much? Castor's little ditty and dance act should be cast out. And how about all that easy, cheesy dialogue? I swear some of those lines were straight up lifted from the Matrix --- is that why this film wasn't made ten years ago? And while I'm not buying so much the Neo/Jesus/Skywalker/Solo vibe of Kevin Flynn's son (played by Garrett Hedlund), Sam, I am totally vibing on Jeff Bridges' Obi Wan/God/Gandalf "zen thing" update of his completely timelapsed character, under the influence of a heavy dose of his Dudeness (Duder, or El Duderino if you're not into the whole brevity thing). I mean, really, if Bridges hadn't had his prior engagement with the brothers Coen, TRON: Legacy would probably only have its visual wizardry going for it and zero characters for folks like me to latch on to. Besides, I was more than ready to settle in and enjoy the ride after that opening sequence: Bridges' voice, speaking over Daft Punk's excellent score of electronic minimalism meets classical orchestration --- incorporating Wendy Carlos' original TRON soundtrack in a fitting homage --- urging us to think of a time when computers seemed more magical than mechanical and menacing, the inevitability of A.I. more a willing dream than nightmarish catastrophe. "The Grid," he recalls: "A digital frontier. I tried to picture clusters of information as they move through the computer. What did they look like? Ships? Motorcycles? Were the circuits like freeways? I kept dreaming of a world I thought I’d never see. And then, one day, I got in."

Li'l Bit #10

Posted by Job O Brother, December 22, 2010 03:02pm | Post a Comment
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