New "What's In My Bag?" Episode With Charles Bradley

Posted by Amoebite, October 23, 2013 05:40pm | Post a Comment

Charles Bradley

Many artists spend years paying their dues, honing their craft, grinding out tour after tour chasing the ultimate dream of being discovered and landing a record deal. For most, the dream never happens. That is, unless you are Charles Bradley. The ultimate "rags to riches" story, Bradley went from obscurity to international fame almost overnight, but that's not what's amazing about his story. The amazing part is Charles Bradley got his break at 62 years old and his newfound fame is relatively fresh.

Charles' life has been nothing short of burdensome. You can say he graduated top of his class from the school of hard knocks and was last in line when it came to catching a break in life. From growing up poor to contemplating suicide to the murder of his brother, his story is documented in the film Charles Bradley: Soul of AmericaBradley spent two decades criss-crossing the United States working odd jobs and singing in small dives. Struggling to keep his head above water, Bradley took to performing as a James Brown impersonator named "Black Velvet." His luck changed one night when he was discovered by Daptone Records co-founder Gabriel Roth.

Two full-length albums and a handful of singles later, Charles Bradley is a powerhouse in the current "retro soul" movement that has gained audiences all over the world. The James Brown influence in Bradley is clear and some critics have also compared him to the late great Otis Redding. Bradley is like a living time capsule. He's a window into an era that many generations of music lovers were not able to see. Charles Bradley is the modern day James Brown. Check out his debut album, No Time For Dreaming, and the newly released follow-up, Victim of Love, to hear for yourself.

Continue reading...

Milo Greene Set to Play Amoeba With Live Webcast As Debut Record Lands

Posted by Billy Gil, July 15, 2012 04:00pm | Post a Comment
Milo GreeneMilo Greene is British. He’s well-dressed — three-piece suit and the like. He’s incredibly confident and charming, he’s well-spoken, he’s an intellectual, but also a man’s man. He’s exactly six feet tall to the millimeter, and if he were a dad, he’d be the No. 1 dad.
Milo Greene the man also isn’t real — they are a band, not a dude. He’s a fictional character band member Robbie Arnett invented when forming the band with Andrew Heringer. When contacting venues, Milo Greene would send the requests, and Arnett and Heringer saw their fortunes rise accordingly, getting better shows.
Now a five-piece who’ve taken the moniker Milo Greene as their own, in a bit of Belle & Sebastian-style alluring bewilderment, is set to release its debut, self-titled record July 17. The band plays Amoeba Hollywood the same day, at 7 p.m. with a live webcast.
milo greene milo greeneThe L.A.-based band’s debut record, Milo Greene, offers the same sort of intimate harmonies and natural harmonies of a Fleet Foxes or, further back, Fleetwood Mac just as Stevie and Lindsay joined the band. Written in part in a cabin in the Sierra Nevada Mountains, and recorded with co-producer Ryan Hadlock (Ra Ra Riot, Blonde Redhead, The Gossip, The Lumineers) at Bear Creek Studio, a converted early 1900s barn in the country outside of Seattle, it’s a beautifully crafted set of songs that makes the most the band’s five-person set-up. They offer lush harmonies on songs like “Don’t You Give Up On Me,” which sounds like a gorgeous gospel intervention. Lone girl Greener Marlana Sheetz in particular stands out on songs like “Perfectly Aligned,” in which Sheetz’s testimonial vocals are wrapped in just the right amount of gauzy reverb while the boys (who include Graham Fink and Curtis Marrero, in addition to Arnett and Heringer) back her up with swaying folk-rock, along with electric swells of sound and strident harmonies when necessary. The whole thing’s, you know, perfectly aligned.
I sat down to talk with Fink about what it’s like to be in a folk band in L.A. in 2012, and what records and songs are doing it for him these days (Hint: Lots of ’90s R&B).
Me: Truthfully it was a bit hard to find out more about you guys, and along with the whole “Milo Greene” concept, it seems to me sort of an early Belle & Sebastian situation where you want the music to stand for itself and not for any member of the collective to stand out. Is that fair to say?
Fink: Absolutely. This is a very collective group, and the music has always stood at the forefront. We liked the idea of just releasing some live videos early, so people could see the five of us in a room, making music. No lead singer, no gloss, music first and foremost. That being said, I'm really trying to get famous so I can be gifted courtside Clippers tickets.

Continue reading...

The Art Of The LP Cover- Bandits, Outlaws & Gangsters

Posted by Mr. Chadwick, February 5, 2012 11:45pm | Post a Comment

The Art of the LP Cover- Wicker Men And Women, Pt. 2

Posted by Mr. Chadwick, November 27, 2011 05:40pm | Post a Comment

Check out last year's gallery for more wickery, click here.

The Track That Built Hip-Hop: James Brown Band's Clyde Stubblefield's Funky Drummer

Posted by Billyjam, June 14, 2010 01:45pm | Post a Comment

The PBS documentary that aired earlier this year, Copyright Criminals, was all about sampling in hip-hop and other contemporary music forms. There was a wonderful segment in which they focused on James Brown's drummer Clyde Stubblefield, who got little or no credit for one of his most influential & sampled pieces. The Chattanooga, Tennessee- born funk drummer was a member of James Brown's band during some of the most exciting years and, as such, he was responsible for the drumming on such classic Brown recordings as "Cold Sweat," "Say It Loud - I'm Black and I'm Proud," "There Was A Time," "I Got The Feelin'," "Mother Popcorn," and "Ain't It Funky Now."

But it was Stubblefield's simple but funky and hypnotic drum pattern on the James Brown track "Funky Drummer" that would become the artist's greatest legacy, even though he didn't initially get the full credit for it. The song, which would go on to become the most sampled tracks in hip-hop music, was widely utilized by artists in the late 80's and early 90's (and beyond, too) who, generally speaking, did not give proper credit to the song's creators. In the documentary Stubblefield talks about the disappointment he felt for not getting credited for his work so many times. In fact  even when the "Funky Drummer" was credited, it was typically James Brown who was given credit for the original, not Stubblefield. But as time goes on, more and more people know who the "funky drummer" is and give the man his props.

"Funky Drummer"

Artists that have sampled "Funky Drummer" include Public Enemy, DJ Jazzy Jeff & The Fresh Prince, Ultramagnetic MCs, Beastie Boys, De La Soul, Gang Starr, Geto Boys, NWA, Eric B & Rakim, Ice Cube, The Pharcyde, Run DMC, Above The Law, and Biz Markie.

Continue reading...
BACK  <<  1  2  3  4  5  6  >>  NEXT