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JAMEBLOG TOP TEN: WEEK OF 08:18:08

Wale, Fatlip, Paris, Alltruisms, Girl Talk, NaS, A.G. Cubano, KRS-One, Jean Grae, James Brown

Jameoblog Top Ten: 08:18:08

1) Wale - "The Kramer" (10 Deep/elitaste.com)
2) Fatlip - "What Up Fatlip? (Breakbot RMX)" (Delicious Vinyl)
3) NaS "Sly Fox" (Def Jam)
4) KRS-One "Pick It Up" (KOCH)
5) Jean Grae + 9th Wonder - "2-32's"  (Blacksmith)
6) Alltruisms - "Jalopy" (Gravel Records)
7) James Brown - "There Was A Time (Kenny Dope Remix)" (Verve)
8) Paris - "Get Fired Up" (Guerrilla Funk)
9) Girl Talk - "Don't Stop" (Illegal Art)
10) A.G. Cubano feat. The Jacka, San Quinn, & Matt Blaque - "I'm Winnin"  (City RIch/Blackhouse Ent)

On Wale's instantly engaging song "The Kramer," off his recent Nick Catchdubs mixed-Seinfeld themed The Mixtape About Nothing album-length digital download, he jumps head in and addresses the current hip-hop driven cultural use and abuse of the N word and, to a lesser degree, the B word. The Washington DC emcee, whose name is pronounced "Wah-Lay," uses Michael Richards' (aka Kramer on Seinfeld) infamous N word tirade, which he samples at the beginning of the track, as the jumping off point to address society's current use of the N word and its contradicting implications when used by blacks or whites-- specifically the dilemma of white diehard rap fans continually hearing the N word in their favorite music.

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Posted by Billyjam on August 18, 2008 at 06:47pm | Post a Comment

Men In White

Cover Gallery
Well, here they come...The men in the white suits...and sweaters and horses bodies and whatever the hell Menudo is wearing. Kinda looks like a karate uniform mixed with PJ's. Maybe that's what they had to wear for the band slumber parties...

Lionel Richie Dancing on the CeilingBrothers Johnson WinnersEonGerald Albright Bermuda Nights
Grateful Dead Gone To HeavenDickies Great DictationsPepe Villa and El Mariachi Mexico Honeymoon in MexicoRoger Daltrey Ride a Rock Horse
Latimore MoreJames Brown the Original Disco ManMenudo A Todo RockNick Heyward All Over the Weekend
Seals and Croft Takin' It EasyShawn Phillips SpacedTeddy Pendergrass It's Time For Love TPJames Brown the Original Disco Man
William Bell On A RollJermaine Jackson William Bell On A RollAl Green Trust In God

Posted by Mr. Chadwick on August 4, 2008 at 10:35am | Post a Comment

DECEMBER 25th: JAMES BROWN DAY

Today, December 25th, means different things to different people.  To many, including myself, it will now forever be the anniversary of the passing of one of music's greatest artist's ever: James Brown aka The Godfather of Soul, aka The Hardest Working Man in Show Business.  Exactly one year ago today, Dec 25 2006, James Brown died at age 73 from congestive heart failure resulting from complications of pneumonia.  And that shocking news, which spread fast and kept getting retold over that whole holiday week last year, put a damper on the festivities for many of us.


So this December 25th I say spill a lil on the curb for James Brown in his honor or drink a toast to the man's memory.  And  be sure to listen to some of the incredible legacy he left behind.  What is amazing about the music of James Brown, and of course the stellar JB band (as witnessed in concert footage below from '71), is that it never ages or loses its edge or uplifting vibrancy. And I for one can literally listen to James Brown all day long and never get tired of it.

R.I.P. James Brown.    We will never forget you!

Posted by Billyjam on December 25, 2007 at 06:15am | Comments (1)

BOBBY BYRD (R.I.P.)

ARTIST WHO DISCOVERED JAMES BROWN PASSES AT AGE 73
Singer, pianist and songwriter Bobby Byrd, who is credited with discovering James Brown in the 1950's and consequently for being one of the Godfather of Soul's main collaborators for tweny years, died September 12th of lung cancer at  his home in Georgia. He was 73 years of age.

Byrd, who many may know from his shouting that famous refrain "Get on Up" on the James Brown hit "Get Up (I Feel Like Being A) Sex Machine," - also co-wrote that song. He is additionally credited with co-writing several other James Brown hits that included "Talkin Loud and Sayin' Nothin," "Get Up, Get into It and Get Involved,"  and  "Licking Stick."  And at James Brown's funeral late last year he sang "Sex Machine" and "I know you got Soul." In fact it was an ugly dispute over the the authorship credits of this latter song  (1971 hit single) that led to the parting of ways between the two artists.

How Byrd originally met Brown in the early 1950's was a pretty interesting story in itself.,  Reportedly Byrd's religious and ever-charitable family helped secure Brown's early release from a juvenile detention facility in Georgia. This was after Byrd, as part of an outside visiting baseball team, met Brown behind the detention walls. The two young men first bonded over baseball and then later music.  After Juvenile Hall Bobby Byrd's family providied a home for the young James Brown. While there James joined Bobby's gospel group, the Gospel Starlighters,  which soon after became more of  secular/RnB  group and called themselves the Famous Flames. By this stage Brown's superior talents were obvious and he became the group leader and later huge star.  However Bobby Byrd stuck with him as part of that group and later the JBs for a total of tweny years including such performances as the famous  "Live at the Apollo" recording.

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Posted by Billyjam on September 15, 2007 at 09:33am | Post a Comment

San Francisco Is Still Doomed (Still)

Amoeba talks with Crime’s Johnny Strike and Hank Rank
San Francisco’s legendary early punk band Crime is back and Amoeba is hosting the unveiling of their new LP (vinyl only folks!) Exalted Masters with an in-store performance and signing on Friday, September 21st at 7:00pm. But wait, there’s more! Frontman Johnny Strike will also be signing and his new book A Loud Humming Sound Came From Above, published by Rudos and Rubes.

Crime was formed in 1976 by Johnny Strike, Frankie Fix, Ron "The Ripper" Greco (ex-Chosen Few/Flamin' Groovies), and Ricky James. They ripped post-hippie San Francisco a metaphorical new one when they released their first (and many say Punk’s first) single “Hot Wire My Heart / Baby You're So Repulsive.” There was no mistaking these guys for mere rockers; they mixed a rebellious and sexually-charged image (they were most often seen flaunting their vampiric, just-outta-rehab good looks in tight leather, regulation police uniforms, or old-time gangster duds) with their unique blend of intellectual and furious lo-fi rock and roll. Crime found local refuge at the now legendary Mabuhay Gardens, but became nationally notorious after playing a gig at San Quentin Penitentiary in full police uniforms (of course).

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Posted by The Bay Area Crew on September 13, 2007 at 04:47pm | Comments (9)
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