Amoeblog

Boris: Heavy, New and Noteworthy

Posted by Kelly S. Osato, July 7, 2010 01:03am | Post a Comment
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It may seem like Boris has been keeping uncharacteristically quiet of late, but get ready kids! This summer will be anything but restful for the tempestuous trio, what with a US/Canada tour kicking off in San Diego later this month and a handful of new and noteworthy releases, not to mention the latest news that Boris has surprisingly teamed up with the Cult frontman Ian Astbury. Merely imagining how frightfully massive Astbury's god-like vocal contribution to Boris' patent wall of sonic, hard-rocking excess could be on BXI --- their collaborative EP to be released by Southern Lord on CD and 12" this September --- has got this fan all in a fluster of anticipation. The audience-realness perspective of the video below aside, if seeing this new Boris/Cult thing unfold onstage via a cover of the Doors "This is the End" doesn't spark your fire then you ought to get your tinderbox checked.



Until they grace the stage in my hometown I'll have to make do with the latest imported Boris offering, Variations + Live -- a deluxe greatest hits CD of sorts comprised of several re-recordings and reinterpretations of thirteeBoris variations + live CD DVD import inoxia records greatest hits michio kuriharan well-loved Boris rockers featuring part/full-time axe-master Michio Kurihara on guitar and a bonus DVD of the band playing live in Japan. If Heavy Rocks and/or Akuma no Uta is/are among your most treasured Boris albums this'll have to be a must-have, as the newly recorded versions of "Korosu," "1970" and "Naki Kyoku" shalt surely melt ye face. Variations + Live is available now at Amoeba Music in San Francisco; act fast. 

WOMEN IN HIP-HOP PART III: 1990 & 1991

Posted by Billyjam, March 24, 2009 11:39am | Post a Comment
The years 1990 and 1991 were pivotal for women in hip-hop and are captured in the series of videos below. Despite the uneven ratio between female and male artists, those two years captured a time when many more female emcees were being signed and promoted by major record labels than in previous years, or years since, for that matter.

It was also a time when just about every hip-hop crew or collective had at least one female member whom they gave full support to. Queen Latifah was part of the Flavor Unit. X-Clan's Blackwatch Movement included Isis and Queen Mother Rage, while the extended BDP crew included Ms Melodie and Harmony. Meanwhile, Yo-Yo had the backing support of the post-NWA Ice Cube.

The beginning of the 90's was also a time when sisters in rap looked out for one another and joined forces to throw some memorable all female hip-hop events. There was the 75 minute 1991 Sisters In The Name of Rap concert, with YoYo, Salt-N-Pepa, MC Lyte, Queen Latifah, Roxanne Shante, Def Dames, Silk Tymes Leather, Nikke? Nicole!, (dancehall artist) Shelly Thunder, Tam Tam & others and hosted by Dee Barnes. This killer show was a Pay-Per-View TV concert taped at the Ritz in NYC in late '91 and released the following year on VHS. (I still have my prized copy.) 

Also in 1991, on Valentine's Day, there was a 5-hour all female rap concert at the Los Angeles Sports Arena that included Queen Latifah, MC Lyte, Yo-Yo, M.C. Trouble (R.I.P.), Harmony, Nefertiti, Michie Mee, MC Smooth, and Nikki D. While, according to all reviews at the time, this female rap showcase was an off-the-hook event, its attendance figures were far from impressive. Only 3,700 people showed up at the 15,200-seat LA Sports Arena. Perhaps the promoters booked too large a venue for this event, but had it been an all male rap showcase featuring the leading men of rap of the day, it would have undoubtedly sold out.

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