Tom Lynch
12 Years Employment
Buyer Extraordinaire

Miss Ess: How did you end up at Amoeba?

Tom Lynch: I was working at Car City Records in Detroit, my co-worker, Geoff Walker, had just come back from his vacation to the Bay Area and told me about Amoeba opening in SF and looking for used LP buyers. Geoff had applied on a whim, got interviewed, and offered the job. Geoff came back , decided to go to grad school, declined the offer, and told me that I should give it a go. I was up for a change, not to mention I had just been in a  wreck and had no more van and had no money to buy another one. So fate really forced my hand. I've always felt that they never really got over Geoff turning them down.  

ME: What is the best live show you have ever seen?

TL: Being one of three people in the audience as The Replacements ripped through their set at St. Andrews Hall in Detroit, July 1983. Everyone else was in the bar below the club watching Siouxsie & the Banshees videos. My pal John Maxwell & I and this weird short guy were the only people watching them -- they were opening for R.E.M. -- and this short guy was wearing a cowboy hat and cowboy boots, doing these sliding dance moves and was yelling at the 'Mat's to get off the stage. They were blazing hot; when nobody was looking they would crush you with their ferocity. They just laughed at him, threw lit cigarettes at him.

 
You never know who you'll run into at Amoeba. For example, I've seen all kinds of people from my childhood in Virginia, old co-workers, classmates, circus performers, models, ballers, family members and even witnessed one wedding proposal. Within the last five years I've caught sight of, personally helped, or conversed pleasantly with many a celebrity customer and I have to say it always brings me a quiet thrill. No matter how many times I've been surprised by the variety of people I've bumped into while working at Amoeba, nothing prepared me for the reality of being held in the arms of a man that at one time was nothing to me but a glossy poster on my pre-teen bedroom wall. It's just the sort of situation that I never thought I'd find myself in, but there I was in between Simon Le Bon and John Taylor, flashing my best "cherry ice cream smile" in a momentary Duran Duran sandwich. 

The only thing better than experiencing the nostalgic high that my brief, friendly encounter with John and Simon provided is the on- the-spot "What's in My Bag?" interview they both consented to. Part of what makes rubbing elbows with all walks of life at Amoeba so special is that, generally speaking, everyone who comes to the store treads a common ground built from a mass appreciation of the arts. Meeting all kinds of folks is one thing, but being in a position to peruse and discuss music, cinema, and the enjoyment of both with virtually anyone you run into at Amoeba is something of a special indulgence of mine. I like to look at the ever-expanding array of "What's in My Bag?" interviews featured on the Amoeba website as an open window for world to experience the kind of social satisfaction we, the often misjudged record store employees, encounter day after day. Please check out this excellent vignette:

Drummer Neal Morgan's bold, multi-layered record, To the Breathing World, with songs created from vocals and drums only, comes out today, October 20! An entire album consisting of drums and vocals may sound simple, but Neal has created something that's complex, layered and not short on melody to boot!

You may know Neal from his status as a member of the Ys Street Band -- he was on the road with Joanna Newsom for Ys playing drums and singing backing vocals. His first solo release is something new and creative to behold -- the tracks are kind of like tiny symphonies of vocal layering, and the lyrics often reference the natural surroundings Neal grew up around in his hometown of Nevada City/Grass Valley.

Read on for our chat, and check out Neal's other chat with our own, ever-so-witty Job O Brother; the two are long time friends.


Miss Ess: How did you pick up playing the drums? What is it that drew you to them so strongly?

Neal Morgan: I began playing when I was 9; my dad had a cover band called Sons of Boogie that would practice in the garage. I think I must have sat down at the drumkit and something clicked. I can't say why I was drawn strongly -- I was a cautious kind of kid, so maybe banging on drums was a good contrast. I don't know.

ME: Who are your favorite drummers?

My pal Kyle and I had a chance to interview the best living director. Here 'tis:

Japanese pop cellist and chanteuse Kanon Wakeshima's instore appearance at Amoeba San Francisco was anything but typical. Performing a short set that included a few moments in which she explained her interests in preciously accented English and a dance prelude where she impersonated a mechanical doll come to life, Wakeshima graced the stage, flanked by a enraptured frenzy of devoted admirers, clad in an ensemble that suggested, or rather enhanced, the overall vibe of her music: a black kimono with puffed sleeves (the likes of which Anne "of Green Gables" Shirley would have frothed jealously over) topped with a raised, Elizabethan-esque ruffled collar, detailed at the hem with a volcanic red pattern-play à la Nipponisme. From beneath this romantic, east-meets-west hybrid of a cloak spilled a crimson confection of a cinched waist giving way to flowing skirts trimmed in endless ruffles and princess frills. One could see among the many avid onlooker's faces varied swooning expressions of delight, esteem and joy for miss Wakeshima as she danced, coaxed song after song from her cello-friend and sang enthusiastically from her frame of burnt caramel-colored ringlet curls. It was, in a word, very Disney in feeling, albeit Disney after dark.

Judging by the inspired fashion choices showcased by many of her fans at her instore show, Wakeshima, and her maker --- mysterious and reclusive musician/producer/fashion-designer/rockstar Mana, are lending a rather substantial hand in popularizing the Gothic Lolita fashion movement, a phenomenon that is said to have been started by Mana here in the states. (In fact, last week one of Japan's most famous houses of GothLoli fashions, "Baby, the Stars Shine Bright," opened a flagship store here in San Francisco's Japantown ~sugoi!) Add to that the current trend of Vampire-centric fantasy fictions and the long-standing popularity of anime, in this case a very popular with the ladies anime series entitled Vampire Knight, which features Wakeshima's single "Still Doll" as the closing theme, and voila! You've got yourself a pop culture force to be reckoned with. 

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