Interpol’s new video for “Twice as Hard” has the feel of the training scenes in Rocky, as various boxers train and get into shape while Paul Banks sings “I give it right back to you … twice as hard.” It takes what we assume is a metaphor for the vocal sparring that happens in relationships and puts a more literal face on it
Banks himself directed the video. The song comes from the band’s excellent new release, El Pintor. Check it out below:
Interpolhas just released a new song, and it's a stunner. Over oceanic guitars, Paul Banks croons "fuck the ancient ways." Perhaps appropriately, the band pummels through a classic Interpol arrangement like it's the first time.
English synthpop artist La Roux (aka Elly Jackson) broke through in a huge way with her 2009 self-titled album and its accompanying club hits like “Bulletproof.”Trouble in Paradise comes five years later, after Jackson says she was unprepared for fame and lost her voice due to anxiety and producer/collaborator Ben Langmaid left due to artistic differences. Jackson says the new album will be warmer and sexier, inspired by the likes of Grace Jones and Tom Tom Club.
Hear the smooth, downtempo “Let Me Down Gently” below:
I, like many others, engaged in the cliche practice of going to the gym the day after New Year’s Day (which is reserved for hangovers) in order to “start the new year right” and “get on the right track.” During this delusional first couple of weeks — or if you decide to actually stay with an active workout routine (good for you!) — you’ll need some tunes to get you through the slow crawl back to fitness. Here are some of my favorite workout jamz, most of which you can download at Amoeba.com.
The only Prodigy song I ever liked. Its misogynistic overtone is unfortunate, even with the “shocking” video they used to try to counter that (which I think made it worse), but its mid-’90s MTV “Amp”-era beats surprisingly hold up.
Unlike some of its alt-rock contemporaries (call it emo or whatever, Bivouac is firmly 1991 in sound), Jawbreaker’s Bivouac is ripe for reissue because A) it can’t be found in your average record store, B) it was overlooked during its time and C) it has aged better than your average album of the era. Beginning with the roaring “Shield Your Eyes,” the album still hits hard, thanks to Blake Schwarzenbach razor vocals and the band’s scrappy attack. “Chesterfield King” echoes the boozy swagger of their elders in TheReplacements, while “Sleep’s” sheet of guitars and hushed melodies place them as both Husker Du’s heir and as a band making music akin to their shoegazing brethren across the pond. For new listeners, especially those interested in some of the roots of emo, the brutal “Parabola” and the title track, which balances delicate passages with high-octane chunks of ferocious noise for 10 breathtaking minutes, should be elucidating in and of themselves. If only emo had stayed as good as Bivouac, we’d all be better off! The LP has four fewer tracks than the CD (as it did in the original pressing); the Chesterfield King EP also is reissued, including those four tracks (“Tour Song,” “Face Down,” “You Don’t Know…” and “Pack it Up”).