Amoeblog

Amoeba Hollywood's New and Featured Goth / Industrial Releases

Posted by Aaron Detroit, May 26, 2010 05:15pm | Post a Comment

Rome
Nos Chants Perdus[Trisol] CD


Over a series of remarkable concept albums, the Luxembourgish band Rome has developed a totally unique ‘poetry of longing’ which rings out from the dark melancholic mist of rootlessness and which gives expression to a comprehensive feeling of modern forlornness. The protagonists of their music are the unintentional ‘rebels’ of Camus (L’Homme révolté), contemporaries from the turbulent epochs of the 20th century: the banished and the hunted, the despised and the misunderstood – ceaseless enemies of dictatorship. This is what the songs of Rome frontman Jerome Reuter are about, rooted firmly in the tradition of his declared heroes Jacques Brel, Léo Ferré, Tom Waits and Nick Cave. With regard to content, Rome derives inspiration from world literature and an observant listener will be able to detect references to Camus, Proust, Sartre and Jean Genet. Following hot on the heels of their EP L’Assassin, the band assiduously develops its sound further on a minimalistic yet richly textured, simple singer-songwriter album Nos Chants Perdus -- slowly leaving the apocalyptic realms behind them. Catchy melodies impress themselves on the memory and Reuter’s gothic tenor is currently peerless. Apart from the French song titles the lyrics are primarily performed in English, while the music is constructed primarily with acoustic instruments: piano, guitar, touches of strings, accordion. They have largely relinquished electronic elements, which marks Nos Chants Perdus out as a further and remarkable stride in the work of the band. Check out samples of Rome’s previous efforts here and here

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Tor Lundvall's Latest Spectral Masterpiece; Plus Hollywood's Goth / Industrial New Releases

Posted by Aaron Detroit, April 15, 2010 06:45pm | Post a Comment
Tor Lundvall Ghost Years
Tor Lundvall
, famous for his outstanding paintings, has a very haunting style. The figures in his gorgeous landscape paintings are at once ghostly and earthly, ethereal and organic. The feeling one gets when staring into his soft but rich work is isolation, but not loneliness. It’s a remoteness with Spirits, a communion with nature where a gateway to shadowy unknown worlds exist. No surprise then that his work as a musician seems to perfectly score his stunning visual art. Though he made a limited private press album of Industrial music in 1997,  Lundvall's first big waves in music came in the form of a 1998 collaborative effort with Tony Wakeford (of Sol Invictus and Death in June fame), entitled Autumn Calls. The album, though equally billed between the two artists, was mostly a Lundvall affair with some minor embellishments from Wakeford and other guests. Autumn is full of  the warm yet effecting dark ambient soundscapes that Tor has continued to mine with increasingly finer results with each successive release. Recently, his exceptional 10th full-length, Sleeping and Hiding (via Dais Records), made our Best of 2009 and our Best of The Decade lists and now his just released CD collection, Ghost Years, is likely to make 2010’s.

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April Shower Soundtracks: Hollywood's Featured Goth / Industrial etc. Releases

Posted by Aaron Detroit, April 7, 2010 06:30pm | Post a Comment
Gitane Demone, Christian Death, Crystelles 
California, for all its famed sunshine, has historically fostered some pretty dark and cloudy musical ventures. From the original Christian Death and Von on to The Vanishing and Leviathan, this state has produced some of the greatest and most well-known Dark musical acts. That tradition strongly continues today, as all four of our featured releases this month are from quite excellent, decidedly shaded, California-based artists. The Crystelles' Attach and Detach is a wonderfully raw, gothy & garagey blues LP featuring the wildly soulful wail and musings of former Christian Death member Gitane DeMone. The Los Angeles-based band’s lineup also features Demone’s daughter (who is also a reknowned and quite amazing surrealistic painter), Zara Kand, on drums. The vinyl-only release is composed of 12 dirty and volatile tracks that Gitane herself calls ‘Death Blues’ and also includes a gorgeous 28 page Lyric & Art book. This is an essential release and is stacking up already to be one of our favorite releases this year.
Frank Alpine, Xeno Oaklander, Dais Records, Synthpop
Another current “local to L.A.” favorite of ours is Minimal-Synth project Frank Alpine. Alpine released a 7” this past year via the always superb Dais Records entitled Night Tripper, and also just self-released a CD version of the previously cassette-only release Keyboard Cassette. Frank Alpine’s mastermind is former New Collapse drummer Rich Bitch, however Alpine’s cold atmospheres are far-removed from his former band’s spastic synth-freakouts. Tracks vary from spare, chilling ambience to full-on John Carpenter-worship (like B-side “Another Land”). Both Night Tripper and Keyboard Cassette are only available in limited quantities, so don’t slack!

The Bay Area’s Worm Ouroboros features Amber Asylum, The Gault and World
E
ateralums and its self-titled debut CD (via Profound Lore) mixes Doomy riffing, Dark Ambient, and ethereal Folk harmonies fluidly into a dazzling and crystalline pool of sound. The album also features beautiful Digipak and booklet art by bassist/vocalist Lorraine Rath, revealing her to be an equally soul-stirring visual artist and vocalist. The only thing that isn’t perfect about this release is that it is not available on vinyl. Please get with it, Profound Lore!

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BIRTH! Relights the California Synthpunk Torch

Posted by Aaron Detroit, February 28, 2010 03:30pm | Post a Comment
Birth! Synthpunk
California’s music underground has had a certain strain of Gothy Synthpunk running through its veins for over a decade now. In the late Nineties and early Aughts, bands like San Francisco’s Phantom Limbs and Subtonix and LA’s New Collapse delivered heavy doses of frenetic, trashy and dark Synth-based punk heavily influenced by 70’s seminal LA groups like The Screamers and Nervous Gender with liberal dashes of O.G. LA Deathrockers Christian Death, the UK Batcave scene, and a noticeable pull from 90’s West Coast Post-Hardcore and Punk. Picking up this torch left dwindling for some years is the LA-based one-man band, BIRTH! AKA Douglas Halbert (also of Industrial noise-purveyors Elephant Skull). BIRTH!’s full-length debut, I Will, is an exemplary addition to the pantheon of California Deathrock and Synthpunk – raw yet compelling anthems soaked in funeral organ and cutting old-school Hardcore vocals.

I Will’s opener, “Value,” is a classic Deathrock stomper in the vein of Christian Death’s “Face” or Subtonix’s “Black Nails In My Coffin” with an extra dose of bile. On “Arms Crossed,” Halbert simultaneously skewers the apathy of a prospective lover and the affected apathy of punk-show spectators over a filthy Sci-Fi dirge. However, despite the throat-destroying, incendiary vocals, there is a sensitivity and creeping light at the heart of this seemingly vicious animal of a record. “My Home To Keep” is what one might call a “Deathrock power ballad,” -- if one can imagine such a thing. Over a downright pretty synth melody, Halbert characterizes childhood traumas following a mother’s death, but even with such intense subject matter and the general crestfallen atmosphere, Halbert’s lyrics still have a defiantly positive outlook. On “Value” he ends his rant with the line “I'll look inside myself and find a life I can value!” and one can truly believe his insistent tone on “Free of This” when he bellows, “I am free of this!” I Will, indeed, seems to be Halbert’s will --his sigil--for a better life.

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Getting to Know...Xeno & Oaklander

Posted by Aaron Detroit, February 15, 2010 02:15pm | Post a Comment
Xeno & Oaklander
In the tradition of the DIY Minimal Wave and Synthpop bands of the 1980's, Xeno & Oaklander make music with strict guidelines: no digital instruments or recording. The New York-based duo of Sean McBride (of the quite excellent synth-project Martial Canterel) and Liz Wendelbo implemented the exclusive use of analogue synthesizers, instruments and equipment to write and record their darkly brilliant debut full-length, Sentinelle (one of our 20 Dark Music albums of 2009,on the always-superb Wierd Records). Recently, I got the chance to have the band expand on these principles as they were preparing for a series of upcoming globe-trotting live dates in New York, Rotterdam and Paris. Please, get to know...Xeno & Oaklander.

Black Light District: First things first. Why is analogue better than digital?


Liz Wedelbo:
Analogue is immediate and raw. Sean McBride: It's alive -- a current which can be shaped in infinite ways. It's quite elemental, like fire.

BLD: Sentinelle is available on CD and LP, but being an exclusively analogue band in a digital age, do you prefer vinyl? Your presentation as a band seems pretty complete in sound, concept and artwork – so in the age of downloads and streaming, how important is the physical piece to you?


LW:
I'm fond of the weight of objects. SM: The physicality of vinyl has some earthly origin. LW: ...with traces, marks and scratches.

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