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OFF! Destroys Amoeba Hollywood

Posted by Amoebite, July 15, 2014 04:45pm | Post a Comment

Off!

Hardcore punk supergroup OFF! are known for their raucous, rowdy live shows, and they definitely brought their A-game when they swung by Amoeba Hollywood a couple months ago. Frontman Keith Morris (Circle Jerks/Black Flag), guitar player Dimitri Coats (Burning Brides), bass player Steven Shane McDonald (Redd Kross) and drummer Mario Rubalcaba (Rocket From The Crypt/Hot Snakes) tore through six short-but-sweet tracks which left the packed room wanting more.

This August, OFF! are gearing up for a US tour to promote their most recent release, Wasted Years. But this time the supergroup is getting even more super, with the addition of legendary Melvins drummer Dale Crover, who's filling in for Rubalcaba. Check out the two part video of OFF!'s performance at Amoeba Hollywood and get a glimpse of the mayhem brewing for the summer tour--just mentally Photoshop in Dale Crover.

Infamous punk rockers Dwarves will join the band for a handful of dates.

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Julieta Venegas Live Performance & Signing At Amoeba Hollywood!

Posted by Amoebite, April 9, 2013 02:15pm | Post a Comment

Julieta Venagas live signingJulieta Venegas celebrates her new album, Los Momentos (out April 9th), with a live performance and signing at Amoeba Hollywood! If you can't be here in person, you can watch the live webcast on Amoeba.com.

Get a free ticket to attend a private concert with Julieta Venegas on April 18 at The Mayan Theater in downtown LA with purchase of Los Momentos – courtesy of Super Estrella! While supplies last. Show is 21+over. One ticket per CD purchase (limit 2 per customer).

The first 300 purchasers of Los Momentos at Amoeba Hollywood (beginning April 9) will be guaranteed a place in line for the CD signing after the in-store performance.  Please note: Admission is first come, first admitted. Line will form on Ivar beginning at 4pm day of show. This event is all ages. 

Julieta Venegas has said that her newest album is inspired by the rampant drug violence in Mexico as well as motherhood. Much like previous releases, Venegas covers a lot of ground lyrically. Los Momentos is an 11 track album full of pop dance jams that will rival everyone from Rihanna to Tegan and Sara.  Venegas once again manages to seamlessly take melancholy themes and present them in a sonically positive light. Check out the videos below!

Julieta V Los Momentos cover

Show Recap: Savage Republic at Amoeba Hollywood

Posted by Billy Gil, January 31, 2013 07:05pm | Post a Comment

Savage Republic VarvakiosL.A. art-punk band Savage Republic have always existed on the fringe, but they've managed to hold on to that fringe well past their '80s supposed heyday. They reformed to release 2007's fine 1938 album and now have released Varvakios, recorded in Greece using field recordings, traditional Greek instruments and the band's own apocryphal noise.

The band's show at Amoeba Hollywood Jan. 30 showed just how much fervor the band has, tearing through "1938" with its ominous opening lines "Wave of destruction, a wave of aggression, it's 1938 all over again" over searing, reverbed guitars and tribal drum beats. The band's percussionist/singer Ethan Port bumped into me from behind on his way to the stage, playing maracas over the din. Port banged on a tin-sounding box that added a desolate thump to the songs, beating it like he was leading a viking ship. The band traded instruments and vocal duty, with guitarist/bassist Thom Fuhrmann handling deeply intoned vocal declarations and Port barking like a barbarian. They played the Ceremonial record's gorgeous "Year of Exile," which led into the chaos of Furhmann beating his bass in unison with drummer Mark Erskine's rumbling roar before going back to the song's rubbery bassline. The band thanked Amoeba for having "a bunch of old guys" play, but they rocked like dudes half their age.

See all the photos from the in-store here.

Savage Republic at Amoeba Hollywood

Show Recap: Local Natives at Amoeba Hollywood

Posted by Billy Gil, January 30, 2013 03:55pm | Post a Comment

Local Natives AmoebaThe line wrapped around the block to see Local Natives play one of the biggest Amoeba in-stores in recent memory.

The L.A.-based band appeared Jan. 29 in support of their sophomore album, the epic Hummingbird, released the same day. Despite having released only one previous album, Gorilla Manor, in 2009, it was clear by the shouts of screaming girls and dudes alike that the band’s cult has grown sizably over the years.

Local Natives HummingbirdThe band opened with “You & I,” the majestic opening track of Hummingbird, with singer Kelcey Ayer booming his throaty voice through the store in the song’s opening lines and the band engaging in solid harmonies. “Breakers” sounded intense live, inspiring a clap-along.

From the get-go, it didn’t sound as though the band needed time to find their footing or were still trying to work out kinks in new songs; they sounded well-rehearsed and ready to go. They paused to sweetly give a shoutout to their hometown, offering gratitude and reflecting on the times they were on the other side of the stage.

In an offering to their fans, they launched into “Wide Eyes” from Gorilla Manor, a song they’re probably sick-to-death of playing, to huge response — a kind move in a show meant to promote their new album. They moved back to Hummingbird for standout “Heavy Feet,” which features some of the liveliest drumming and singing on the album, doubling that strength live in the show’s best moment.

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Show Recap: FIDLAR at Amoeba Hollywood

Posted by Billy Gil, January 25, 2013 04:45pm | Post a Comment

FIDLAR AmoebaLA’s FIDLAR ripped through most of their new self-titled album at Amoeba Hollywood Jan. 24 with hardly a pause for breath.

From the outset, when they broke into the four-chord, “I’m Not Your Steppin’ Stone”-style stomp of “Stoked and Broke,” things were loud, loud, loud. That continued through the next couple of songs on their album, the breakneck-speed “White on White” and quirky surf riffery of “No Waves.” It was a shame that you could hear barely a word of vocals from the band and its two singers, Zac Caper and Elvis Kuehn, whose true-to-life detailing of being in your mid-20s, in a band, without a proper job and getting drunk every night is a big part of FIDLAR’s appeal. Musically, though, the band never faltered, inducing trance with the looped opening notes of “Whore” before smashing through the song’s nasty, Sabbathy punk rock. Things came through loud-and-clear enough for the band’s shout along chorus to closer “Cheap Beer,” echoed by the sizable audience: “I! Drink! Cheap! Beer! So! What! Fuck! You!”

The show was a perfect example of FIDLAR’s ethos (“Fuck it Dawg, Life’s a Risk,” is what their name stands for). They don’t play the volume they should. They don’t wait to make sure their vocals are loud enough or fuss with the sound guy. They just play. And the kids went wild.

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