Though he's previously released an album under the Hunx moniker (Hairdresser Blues) this is his first solo album under his own name, and accordingly, the style is much different than the classic-garage-pop stylings of his previous work. The new song "Forgotten Fantazy" actually is more like the introverted cousin to Gravy Train!!!!, a woozy electro-pop song built on a chintzy beat and weary lyrics about the magic wearing off in a relationship ("surrounded by your thoughts/but I'm not listening"). Though we've loved Bogart's previous work, this is the most sincere thing we've heard from him yet.
Weekend - Jinx
Weekend’s second album of neo-shoegazing rock ‘n’ roll seems to hit every right note. From the get-go, on “Mirror,” we’re thrust into a dark tunnel of dreamy and distorted sounds, with a killer bass line. While their first album, Sports, was a cool update of Jesus & Mary Chain-style noise, the San Franciscans up the breathy, atmospheric beauty on songs like “Oubilette,” as well as the hookiness, as on the industrial pulse of “It’s Alright,” which sounds like the marriage of classic Nine Inch Nails with shoegaze titans Ride. They still have a bit of a ways to go before establishing an identity all their own, but for now, Weekend are perhaps the best band around at doing what they do. No sophomore album “jinx” here — Weekend’s latest is killer.
Weekend Jinx CD $12.98
Weekend Jinx LP $20.98
Hunx & His Punx – Street Punk
Hunx once wrote ’50s-style laments for the lonely rock ‘n’ roll-loving gay guy. Now he and his crew, including Shannon Shaw of Shannon and the Clams, are tearing it up hardcore style on Street Punk, which bears all of the sass of its predecessors with added sneer and fuzz. It’s a kick to hear Hunx scream “I feel really fucked up!” at the album’s outset, or to hear Shannon tell everyone to fuck off on the brief “Everyone’s a Pussy (Fuck You).” Whereas Hunx previously traded in scrappy, candy-coated odes to heartbreak, his songs here are more self-possessed — the title track is a great Stooges-style song about being a square peg, while Shannon has a great time decrying the “fabulousness” attributed to so many gays on “Don’t Call Me Fabulous.” However, Hunx can’t help but keep things tuneful, as on “Born Blonde,” a funny jam about embracing your inner airhead. Hey cutie in the Crass shirt — Hunx wants your number.
No Age – “C’mon Stimmung”
Last week No Age revealed the cover art and tracklist for the upcoming An Object, out Aug. 20 on Sub Pop — you can preorder the album now on CD or LP. Now we’ve got the stunning first song from the album, “C’mon Stimmung.” It seems to carry the relatively cleaned-up sound of their last album, Everything in Between, as drummer Dean Spunt’s vocals come through with more clarity and depth than before, while guitarist Randy Randall indulges in the sort of My Bloody Valentine-style guitar mangling that snags us every time. No Age have also announced an upcoming tour, which will come through L.A. July 25 when the band plays Santa Monica Pier. They’ll also be in Berkeley Aug. 23 at the Art Museum and Pacific Film Archive, where they’ll appear with Sun Foot, Devin Gary & Ross.
I can't think of the last time a seven-inch split lead me to a TV show, let alone a scrummy back-bridge of DIY television programming like Hollywood Nailz. All I thought I was getting into when I slid the 45rpm slice of block-rockin' Bay Area vibrations onto the ol' hi-fi was some good time 90's cover tunes redressed and turned-out by Grass Widow (who tackled EMF's "Unbelievable") and Shannon and the Clams (who snagged "The Power" by Snap!). And, for a fact, much enjoyment ensued. But, as luck would have it, I wanted more.