Amoeblog

Hispanic vs. Latino & Hollywood Brownface

Posted by Eric Brightwell, September 15, 2008 02:24pm | Post a Comment

Hispanic Heritage Month


September 15th to October 15th is officially recognized as Hispanic Heritage Month in the USA.The dates of the observance were chosen due to the timing of El Grito, the "cry" that brought the independence of Costa Rica, El Salvador, Guatemala, Honduras and Nicaragua's independence (followed closely by Mexico and Chile.).
 

Some fellows celebrating "El Grito"


"Hispanic" vs. "Latino"


I suppose it's kind of interesting that whoever named the month chose the term "Hispanic" instead of, say, "Latino." Hispanic sounds old-fashioned to me, but then again, I know people younger than me who refer to themselves as just that. I still think it's like calling February "Colored History Month" or May being "Oriental Heritage month." The government's choice of "Hispanic" probably owes to the fact that the term "Latino" was in less common usage forty years ago when the observance was instigated by Lyndon B. Johnson (initially as Hispanic Heritage Week). Both terms are considered offensive by some indigenists since they disappropriate Native Americans from their origins and languages by defining people with sometimes no European ancestry with Eurocentric terms.

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Man Ray

Posted by Whitmore, August 27, 2008 11:55am | Post a Comment


Often cited as one of the most influential artists of the 20th century, Man Ray, was born Emmanuel Radnitzky on this day, August 27, 1890 in Philadelphia. He significantly contributed to the Dada, Surrealist and Avant-Garde movements of the 20th century and was a significant voice in the Parisian art world after The Great War. Though he mostly considered himself a painter, it’s as a photographer and film maker he is best remembered, not only for his experimental photography and films of the 1920’s and 30’s but for his fashion and portraiture work also.

A side note, during the Second World War, Man Ray returned to America, settling in Hollywood from about 1940 until 1951 at 1245 Vine Street-- the Villa Elaine apartments, across the street from the old Hollywood Ranch Market, right around the corner from present day Amoeba Records in Hollywood.




Cyd Charisse 1922 - 2008

Posted by Whitmore, June 18, 2008 03:35pm | Post a Comment


There was one thing my Dad and I always agreed on, even when I was a teenager and we were unlikely to find any common ground: we were both awe-struck by Cyd Charisse, the greatest and sexiest of all of the Hollywood Musical dancers. She was gorgeous, strong, and always brought a little extra sizzle and nuance to her work.

Charisse died Tuesday at Cedars-Sinai Medical Center in Los Angeles after suffering an apparent heart attack. She was 86.

Cyd Charisse danced in some of the greatest Movie Musicals during the hey-day of Movie Musicals. She first gained attention in 1943 in The Harvey Girls, and went on to appear in The Zeigfield Follies, Till the Clouds Roll In, and Words and Music. But she really hit her stride in the early 1950’s with Singin' in the Rain, where she danced with Gene Kelly in what can only be described as one of the steamiest of all Hollywood ballets. She went onto star in other classic films such as The Band Wagon, Brigadoon, Deep in My Heart, It's Always Fair Weather, and Silk Stockings.

In 1952, at the height of her career, her legs were reportedly insured by Lloyds of London for $5 million dollars. She was even featured in the 2001 edition of the Guinness Book of World Records as the "Most Valuable Legs" in Hollywood history.

Born Tula Ellice Finklea on March 8, 1922, in Amarillo, Texas, her older brother nicknamed her Sid as a variation on Sis. She eventually changed the spelling of her name while at MGM, to “give her an air of mystery.”

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Bebe Barron 1925 - 2008

Posted by Whitmore, April 29, 2008 12:37pm | Post a Comment

One of the pioneers of electronic music and co-composer of the first all electronic film score, Bebe Barron, died this past April 20th of natural cases at the age of 82. She along with her husband, Louis Barron, who passed away in 1989, composed the sound effects / soundtrack to the 1956 sci-fi classic Forbidden Planet.

Charlotte May Wind (her husband nicknamed her Bebe) was born in Minneapolis in 1925. She earned a degree in music at the University of Minnesota then moved to New York, where she worked as a researcher for Time-Life. Soon after, she met and married Louis Barron in 1947. As a wedding gift the Barrons received a tape recorder and began delving into the world of musique concrete (music created by sounds other than musical instruments, often referred to as “real world” sounds). In 1948 Louis Barron was inspired by the book Cybernetics: Or, Control and Communication in the Animal and the Machine, by MIT mathematician Norbert Wiener. After studying Wiener’s equations, Louis began building electronic circuits to generate sounds. That combined with recorded tape, created a unique and otherworldly aural experience. After moving to Greenwich Village, the Barrons built a recording studio and became entrenched in New York’s burgeoning avant-garde scene. In their studio they recorded the likes of Aldous Huxley, Anais Nin, Henry Miller and Tennessee Williams reading their work; they also recorded and worked with many like-thinking composers such as John Cage, Morton Feldman, Earle Brown, and David Tudor. In addition, the Barrons scored their first soundtracks to several experimental short films by Ian Hugo, husband of Anais Nin.

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Art Aragon 1927 - 2008

Posted by Whitmore, March 29, 2008 12:38pm | Post a Comment


Several years back I was a dedicated MTA bus rider. I spent countless hours wandering back and forth from Silverlake to my job in Century City where, believe it or not, I worked for a law firm. One afternoon I was sitting in the back staring out into space when someone leaned over past me and tapped the knee of an older man sitting next to me. Hey, this guy told the old man, you’re Art Aragon. Sure enough sitting next to me was none other then LA’s original "Golden Boy,” the legendary and flamboyant Hall of Fame Boxer. This past week Art Aragon died at the age of 80 from the effects of a stroke. And though he never won the world title he was one of boxing’s biggest draws during the 40’s and 50’s.

Born in Belen, New Mexico in 1927, Aragon grew up in East Los Angeles and began boxing in 1942. His first professional fight was in May 1944, against Frenchy Rene at the Olympic Auditorium in Los Angeles. He ended his career with a 90-20-6 record, including 61 wins by knockout. He fought many of the stars of the era like Tommy Campbell, Jesse Flores, Carmen Basilio, Don Jordan, Billy Graham, Chuck Davey and Chico Vejarand. Sadly, Aragon had only one title shot in his career, losing to lightweight champion James Carter in November 1951. Aragon, who often struggled to make his weight class, said afterward that he was weak from having to lose seven pounds in the few days before the bout.


Though he was never a world champ, in 1990 Aragon was inducted into the World Boxing Hall of Fame. And while he had a great fight career, it was marred by allegations that he fixed a few of his fights. In February 1957, Aragon was convicted of offering a $500 bribe to welterweight Dick Goldstein to take a dive in their scheduled San Antonio bout the previous December. The fight was called off at the last moment when Aragon became ill. Eventually though, the conviction was overturned on appeal.  

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