Here’s the deal. As it was happening -- nothing happened, and when it happened it wasn’t happening anymore – I have to knock out this note before the day wiggles away. Lately, living has been bent from the front, so next go round I’m pinning this date on my wall, whip it around my prehensile wits; flip the switch that says stick. So done, so be it, now shout yeah! All the what’s and who’s and why’s jump out from everywhere and serenade the guru of gone! Happy Birthday! Belated or not, to the original gasser, the original hipster saint, the most far-out cat that ever stomped on this Sweet Green Sphere, who’s wailin', groovy hipsemantic orations tramped through the wiggage in our graciously affluent playground: the wordland we call the English language! The man, the years, the most flip embodiment of a life lived cool … none other than His Majesty, His Hipness, Lord Buckley! Birthday 102 …and though he found “the theme of the beam of the invisible edge” back in ‘60, they’re still digging his scrabble and his mad heart, looting strange truths from the head, all truths, even the feral truths, scribbling, splattering jive laid down to his bop ... as his Royal Flipness’ once said - “they supersede and carry on beyond the parallel of your practiced credulity.”

Though Lord Buckley is known for his "hip-semantic" interpretation of history, literature, and culture, sporting a waxed mustache, dressed to the nines and expounding on life in the manner befit of British aristocracy, intoned by way of Jazz riffs versed by hemp-headed hepcats, Lord Buckley was actually born in a coal-mining town in the foothills of the Sierra Nevada on an Indian reservation in Tuolumne, California, in 1906. Richard Myrle Buckley worked as a lumberjack as a kid and entered the world of showbiz by way of the medicine, carnival, and tent show circuit, eventually gigging in the speakeasies of Chicago during the 1920s, emceeing dance marathons and vaudeville shows, even playing on Broadway during the Depression. By the 1940’s he was working steadily in Jazz clubs, befriending many of the greatest musicians of the era. During the Second World War Buckley toured with the USO Shows and became close friends with, of all people, Ed Sullivan. By the 1950’s the unclassifiable Lord Buckley was cast as a comedian, his humor combined his incredible detailed knowledge of the language and culture; his true hepcat persona became one part stump preacher, one part raconteur, another part grifter and huckster, producing one of the strangest comedic personas ever invented.

Several years back I was a dedicated MTA bus rider. I spent countless hours wandering back and forth from Silverlake to my job in Century City where, believe it or not, I worked for a law firm. One afternoon I was sitting in the back staring out into space when someone leaned over past me and tapped the knee of an older man sitting next to me. Hey, this guy told the old man, you’re Art Aragon. Sure enough sitting next to me was none other then LA’s original "Golden Boy,” the legendary and flamboyant Hall of Fame Boxer. This past week Art Aragon died at the age of 80 from the effects of a stroke. And though he never won the world title he was one of boxing’s biggest draws during the 40’s and 50’s.

Born in Belen, New Mexico in 1927, Aragon grew up in East Los Angeles and began boxing in 1942. His first professional fight was in May 1944, against Frenchy Rene at the Olympic Auditorium in Los Angeles. He ended his career with a 90-20-6 record, including 61 wins by knockout. He fought many of the stars of the era like Tommy Campbell, Jesse Flores, Carmen Basilio, Don Jordan, Billy Graham, Chuck Davey and Chico Vejarand. Sadly, Aragon had only one title shot in his career, losing to lightweight champion James Carter in November 1951. Aragon, who often struggled to make his weight class, said afterward that he was weak from having to lose seven pounds in the few days before the bout.

Though he was never a world champ, in 1990 Aragon was inducted into the World Boxing Hall of Fame. And while he had a great fight career, it was marred by allegations that he fixed a few of his fights. In February 1957, Aragon was convicted of offering a $500 bribe to welterweight Dick Goldstein to take a dive in their scheduled San Antonio bout the previous December. The fight was called off at the last moment when Aragon became ill. Eventually though, the conviction was overturned on appeal.  

45 years ago today,  March 22, 1963, the Beatles released their first album Please Please Me. This mono version was rush-released to the public in the UK to capitalize on the success of the hit single of the same name which had reached #2 on the charts. The album contained six cover songs, but more importantly it contained eight songs written by John Lennon and Paul McCartney. A stereo version of this album was later released in 1963 on April 26th.

In the U.S., most of the songs from Please Please Me were first released in 1964 on the Vee-Jay Records label on the renamed album Introducing The Beatles. And in 1965 a similar collection was issued once again on Capitol Records as The Early Beatles. The unexpurgated Please Please Me was not released in the U.S. until the Beatles catalog was released on CD in 1987.

Other than the singles and the flip sides of "Please Please Me" and "Love Me Do" (the Beatles' first single which had charted and reached #17 in the UK), all the other tracks were recorded in a marathon session on Monday, February 11th, 1963, at Abbey Road Studios. The Beatles, with George Martin producing, essentially recorded their live act in 9 hours and 45 minutes. The entire day's session cost around £400. And besides John, Paul, George Harrison and Ringo Starr playing their respective instruments, George Martin also played a little piano. The earlier tracks recorded the previous September and November had session player Andy White on drums, who has also recorded with the likes of Marlene Dietrich, Herman's Hermits, and Tom Jones.

Leon Greenman, the only Englishman sent to the Auschwitz concentration camp, has died this past Friday, March 7th. He was 97.

Greenman was one of six children born in Whitechapel, in the East End of London. His family’s background was Dutch-Jewish. His paternal grandparents were Dutch and when his father remarried, Greenman’s mother died when he was two, he moved the family to Rotterdam in the Netherlands. By the 1920s, Leon had returned to London apprenticing with a barber in Forest Gate. During the 1930s he joined an amateur operatic society where he met Esther "Else" van Dam. In 1935 they married and in 1940 their son Barnett was born. Meanwhile, he commuted between Britain and Holland, working for his father-in-law's book business.

Greenman believed that being a British citizen, his family would be protected from the Nazis.  But by late April 1942, the Nazis had enforced the wearing of the yellow Star of David on Jews in the Netherlands. Leon, meanwhile, gave his family's savings and passports to non-Jewish friends for safe keeping. Scared of reprisals for helping Jews, his friends burned the documents.

On October 8, 1942 the entire family were rounded up and taken to Westerbork, a Nazi concentration camp in the Netherlands. In mid-January 1943 they were told they were being deported to a Polish "work camp."  His wife Esther and three-year-old son Barney perished there at Auschwitz. Greenman survived the war and committed the rest of his life to teaching and reminding the public what he had witnessed at Auschwitz and the five other camps he was sent to. He believed that if he could tell enough people about the horrors of the camps and Nazism, perhaps it would never happen again.

He published a memoir, An Englishman in Auschwitz, and continued to lecture well into old age. In 1988 he received the prestigious Order of the British Empire from Queen Elizabeth II for his work fighting racism.

On this date, March 9, 1954, America's most respected journalist of the day Edward R. Murrow narrated an episode of See It Now, a news magazine broadcast on CBS television, called "A Report on Senator Joseph McCarthy."  Murrow had produced several episodes looking into hysteria of the Communist witch hunt of the 1950’s, but this program in particular was a monumental step toward the collapse of the demagogic and Constitutionally reckless Joseph McCarthy. Often referred to as television's "finest hour”, Murrow takes apart McCarthy’s campaign, showing it to be nothing more than unsubstantiated accusations and persecution towards anyone with a different point of view. By mainly playing recordings of McCarthy himself bullying witnesses and making cockeyed speeches, See It Now showed what they felt was the most dangerous risk to democracy-- not suspected Communists working in the government, but McCarthy’s actions themselves. The broadcast received tens of thousands of letters, telegrams and phone calls running 15 to 1 in favor of Murrow.

"No one familiar with the history of this country can deny that congressional committees are useful. It is necessary to investigate before legislating, but the line between investigating and persecuting is a very fine one and the junior Senator from Wisconsin has stepped over it repeatedly. His primary achievement has been in confusing the public mind, as between internal and the external threats of Communism. We must not confuse dissent with disloyalty. We must remember always that accusation is not proof and that conviction depends upon evidence and due process of law. We will not walk in fear, one of another. We will not be driven by fear into an age of unreason, if we dig deep in our history and our doctrine, and remember that we are not descended from fearful men -- not from men who feared to write, to speak, to associate and to defend causes that were, for the moment, unpopular.